Lively and imaginative, this raucous adventure-drama recaptures the ramshackle futurism of director Terry Gilliam's 1985 masterpiece Brazil, throwing a lonely guy into a series of events that get increasingly surreal. And while we never lose interest, the plot seems to fall apart about halfway in, circling around itself and the pungent themes that ooze through every scene.
The central figure is Qohen (Waltz), a genius who feels like life has lost its meaning. He hates the corporate mentality at Mancom, where both his manager (Thewlis) and the computer system drive him nuts. Then after a chance encounter with the big boss (Damon), he's given a new assignment to work at home crunching numbers to prove the Zero Theorem. Everyone is vague about what this theorem is, but Qohen likes being away from the office. But now he's distracted by the seductive Bainsley (Thierry), who puts on a sexy nurse outfit and lures him into a virtual reality environment. He's also assigned 15-year-old computer nerd Bob (Hedges) to keep his system up and running. Or maybe everyone is spying on him.
The central theme is the search for meaning in life, which is echoed in Qohen's inability to feel, taste or properly experience anything. And the theorem itself turns out to be an attempt to prove conclusively that everything is meaningless. This allows Gilliam to deploy his vast imagination in every scene, with a flood of corporate and religious imagery, suggestive innuendo and topical gags about free will in a society that values making money at the expense of actually living. All of the actors grab on to these ideas, adding comical physicality and knowing humour to each scene.
Continue reading: The Zero Theorem Review
Wes Anderson's entertaining filmmaking style clicks beautifully into focus for this comical adventure. Films like The Darjeeling Limited and Moonrise Kingdom are packed with amazing detail and terrific characters, but this movie is on another level entirely: fast, smart and engaging, packed with both silly slapstick and intelligent gags. And the sprawling cast is simply wonderful.
It's a story within a story within a story, as an author (Wilkinson) narrates the tale of his 1968 conversation as a young writer (Law) with ageing hotelier Zero (Abraham), who in turn recounts his life as a lobby boy in 1932. Young Zero (Revolori) learned his craft alongside legendary concierge Gustave (Fiennes) at the Grand Budapest Hotel somewhere in Middle Europe, and stuck by Gustave's side when he became embroiled in an inheritance battle with a spoiled heir (Brody) and his evil henchman (Dafoe). As things get increasingly nasty, Zero and his baker girlfriend (Ronan) help Gustave fight for justice, and when that doesn't work he helps orchestrate an elaborate prison escape. Meanwhile, war breaks out twice across Europe.
The double flashback structure makes this a film about the power of storytelling itself, and even more potent is the reminder that we need to remember the old ways, especially as the world changes around us. This simple idea is woven so cleverly into the DNA of the script that it continually takes our breath away, conveying the true importance of history and nostalgia. At the centre, Fiennes gives his best-ever performance, showing a real gift for comedy (who knew?) as he makes the bristly Gustave deeply likeable. His camaraderie with newcomer Revolori is priceless, as are the cameos from an array of Anderson veterans including Murray, Wilson and the always astonishing Swinton.
Continue reading: The Grand Budapest Hotel Review
In a flamboyant, futuristic universe, Qohen Leth works as a computer hacker desperate to uncover the meaning of life. He appears to suffer from a range of conflicting phobias and his eccentricity forces him to stand out to the formidable Management who enlist him to try and crack the most fundamental formula of mankind history, the Zero Theorem. Meanwhile, he is waiting desperately for an important phone call that will reveal to him the purpose of human existence. But as he absorbs himself deeply with his own work at the dilapidated chapel he calls home, he finds himself repeatedly distracted by Management's teenager son Bob and a stunning blonde seductress named Bainsley who was specifically hired by the dictatorial authority. Qohen's sanity is frequently tested as it becomes more and more clear that the Zero Theorem is trying to tell him that all is for nothing.
'The Zero Theorem' is a vibrant sci-fi drama set in an almost Orwellian dystopian future. It has been directed by the Oscar nominated Terry Gilliam ('Twelve Monkeys', 'Brazil', 'Monty Python and the Holy Grail') and written by Pat Rushin ('No Ordinary Sun' short) in his full-length screenplay debut. It has already caused a stir having won the Future Film Festival Digital Award at the Venice Film Festival and it is set to be released in the UK on March 14th 2014.
It's hardly surprising that laconic filmmaker Jim Jarmusch (Broken Flowers) has created such an inventively offbeat vampire movie, helped hugely by the ace casting of Tilda Swinton and Tom Hiddleston as extremely long-term lovers. Fans of the genre might find the movie a bit slow and relaxed, but sharp humour and especially strong characters make it unmissable.
In a run-down house in Detroit, centuries-old Adam (Hiddleston) is living in squalor while anonymously creating club music with the assistance of Ian (Yelchin), who finds things like antique guitars for him to play. He gets his supply of clean O-negative blood from a helpful doctor (Wright). Meanwhile in Tangiers, Adam's wife Eve (Swinton) relies on her old pal Marlowe (Hurt) for the blood she sips at sunrise like a cocktail before lapsing into a deep sleep. Bored, Eve decides to visit Adam, so books nighttime flights and arrives to a blissful reunion. But their solace is interrupted when her wild-child sister Eva (Wasikowska) turns up.
These may be creatures of the night, but over thousands of years they have discovered exactly what kind of art soothes their souls. And Eva's boisterous presence disrupts their languorous peace even more than the fact that the blood supply is becoming increasingly contaminated. Adam and Eve call humans "zombies" dismissively and joke about their influence on key events and inventions throughout history. Hiddleston and Swinton are utterly perfect for these roles, bringing out details that are hilarious as well as emotionally moving. They also let us see the years of boredom mixed with a glimmer of childish curiosity that would be required to survive for so long.
Continue reading: Only Lovers Left Alive Review
What would the Harry Potter films have been like if these other actors had nabbed the roles first?
There’s a generation out there who have been practically weened on Harry Potter. The books and the films have become a religion for devout fans of the series, but would it have been the same if different actors had been cast in the leading roles? You may be surprised to hear that before the perfect cast was set in stone, there were some strange alternate actors vying for the parts!
Ian McKellen turned down the role of Dumbledore
Sir. Ian McKellen was once thought in the running to play Hogwarts’ headmaster, Albus Percival Wulfric Brian Dumbledore. He was, in fact, offered the role after original Dumbledore actor, Richard Harris, passed away just after filming the first Harry Potter film. However, Sir. Ian turned down the role, citing the reason that Richard Harris had once publicly declared what a dreadful actor he thought McKellen was! Eventually, Michael Gambon took on the role and the rest is Harry Potter history.
Continue reading: What Would 'Harry Potter' Have Been Like With This Alternative Cast?
Gustave may be aloof and snobbish in many ways, but he's also extremely charming with a good heart and a titanic personality. As result he makes for a highly popular concierge at the Grand Budapest Hotel, who regularly entertains guests in more ways than one. He is charged with training up an inexperienced young lobby boy named Zero Moustafa who he soon bonds with. When one of his one night stands, the elderly Madame D, is found murdered in her hotel room, Zero is first by his side to defend him against her family and the authorities who are quick to accuse Gustave of the crime. Things become more intense when her will reveals her wish to bestow a valuable painting to her lover, entitled Boy With Apple, and Gustave and Zero are forced to flee. However, they are not alone as Zero falls for an attractive guest named Agatha who helps them hide the painting while Gustave protests his innocence.
Continue: Grand Budapest Hotel - Clip
'The Grand Budapest Hotel' and 'The Monuments Men' will show at the Berlinale this year.
Wes Anderson and George Clooney will both take their latest movies to the Berlin International Film Festival this year. Organizers of the Berlinale, the first of the year's major European film festivals, have released the list of films set to show in and out of competition at the 64th annual event which will take place between the 6th and 16th of February in the vibrant German capital.
Wes Anderson's 'The Grand Budapest Hotel' Will Show At The Berlin International Film Festival.
Of the 23 films set to screen at the Berlinale, 20 will compete for the top prize, the prestigious Golden Bear Award. Amongst a host of intriguing foreign titles, Wes Anderson's The Grand Budapest Hotel and George Clooney's The Monuments Men stand out as the big-name movies of the event. Anderson's whimsical new comedy, which stars Ralph Fiennes, Tilda Swinton, Bill Murray and Owen Wilson, will open the festival. Set in the 1920s, The Grand Budapest Hotel is based partly on the writings of Austrian novelist and playwright Stefan Zweig who, after the war, lamented the destruction of Europe.
The Star Wars Episode VII rumour mill takes in a national treasure, while spies take over London. New trailers offer Swinton and Hiddleston as immortal lovers, Hoffman as a German agent, a new spin on E.T. and more airbrushed abs than you can count...
The best rumour this week is that Judi Dench may play Mon Mothma in Star Wars Episode VII, which director Jj Abrams starts shooting in the UK this spring. The character is a rebel leader in both III: Revenge of the Sith and VI: Return of the Jedi, but there's no foundation to this story. Rumours have been rampant over recent weeks and are bound to get even more inventive in the coming months. The original Luke Skywalker Mark Hamill has been keeping his lips tightly sealed when being quizzed about 'Star Wars VII'.
The year's first blockbuster, Jack Ryan: Shadow Recruit, held its UK premiere this week before the spy adventure's British opening this weekend. Stars Chris Pine, Keira Knightley and Kenneth Branagh (who also directed) were joined on the red carpet by an array of local almost-celebrities. Browse through our 'Jack Ryan: Shadow Recruit' UK premiere' photo gallery.
Watch the stunning trailer for Jim Jarmusch's achingly cool 'Only Lovers Left Alive.'
You'd think we'd have had our fill of vampire romances by now, but new movie Only Lovers Left Alive is set to show us that there's still fresh blood to shake from the undead fantasy genre. It helps that Jim Jarmusch's soon-to-be-released film boasts the hair-raisingly talented lead duo of Tilda Swinton and Thor's Tom Hiddlestone, who play a pair of trendy vampire lovers trying to find their fill of blood whilst keeping a low profile.
Tilda Swinton & Tom Hiddlestone Strike A Deathly Pose In The New Vampire Romance.
Swinton and Hiddlestone are moulded into the deathly cool couple Adam and Eve. After being around for centuries, Adam, a rock star with a penchant for vintage guitars, is finding it difficult to get his head around the modern world with all of its technology. His need for reclusiveness is threatened by the people drawn to his air of mystery and the music he makes.
An ancient vampire named Adam is desperate to remain hidden from the world in his Detroit home. But that's harder than it looks as people are becoming increasingly interested in the music he makes and his mysterious ways. However, it seems music is not his only passion when his old lover Eve makes her way over to his home to rekindle their long lost feelings for each other. Enamoured at the sight of each other, it isn't long before all their attentions are focused on each other, but things aren't as easy as they should be when Eve's perpetually irritating little sister Ava shows up to see them and proceeds to test Adam and Eve's relationship to the limits as Adam struggles to contain his frustration at having her around. The pair have more to worry about, however, such as how they are going to survive in a quickly decaying world.
'Only Lovers Left Alive' is a hearty vampire flick written and directed by Jim Jarmusch ('Ghost Dog: The Way of the Samurai', 'Broken Flowers', 'Dead Man'). What makes it different to vamp films of recent times, however, is that the characters' monstrous natures take a bit of a back seat as romance and drama become the movie's main themes. It is due for release in the UK on February 21st 2014.
Several films due to be premiered at the Sundance Film Festival are generating a hefty amount of conversation
The Sundance Film Festival is the place to be for young, aspiring filmmakers hoping to crack into the hotly-contested business of the movies. By the end of the film festival, which this year runs from 16-26 January, there are always a selection of film titles that are revived for the following awards season, and this year people are so eager for the celluloid showcase that a number of early contenders for festival glory have been marked before their debut release.
The dark God's Pocket stars Philip Seymour Hoffman and Eddie Marsan
In thirty years the film has discovered some of the most promising filmmakers out there and continues to deliver, from Roland Joffé’s The Killing Fields in the festival's opening year (1985) to last year's most notable success; Fruitvale Station, the debut feature length from Ryan Coogler. With another 120 films to get through this year it seems more than likely that at least one of the releases will be leaving Park City, Utah, with more than a few skiing lessons and a commemorative t-shirt.
The hilarious new clips have gotten us excited for Wes Anderson's new film
Despite his relatively young age, Wes Anderson has carved out a niche style of filmmaking recognisable to both aficionados and casual purveyors of cinema alike. His latest effort, The Grand Budapest Hotel, sees his perennial working relationship with many stars hit the big screen once more.
A hotel manager and a lobby boy
The trailer hit town in October last year, when we got a good look at the huge cast. Owen Wilson, Adrien Brody, Jason Schwartzman, Edward Norton and Bill Murray all return to work with Anderson, while big names, Jeff Goldblum, Tilda Swinton, Willem Dafoe and Harvey Keitel all feature.
Charismatic but somewhat aloof concierge at the Grand Budapest Hotel, Gustave H, is less than impressed when a seemingly inexperienced new lobby boy named Zero Moustafa is hired for a trial period without his knowledge. However, the pair become thick as thieves when Gustave finds himself wanted by the authorities after the murder of his elderly one night stand Madame D. He does what any honourable hotelier would do under pressure. and runs. When it is discovered that the woman had left a priceless painting behind for Gustave in her will named Boy With Apple, her family is furious and Zero helps to the keep the painting hidden with the help of a charming young girl named Agatha as Gustave attempts to protest his innocence. With enough people despising Gustave for his often inappropriate professional conduct, it becomes harder than expected to clear his name and find out the truth about the death of Madame D.
Continue: The Grand Budapest Hotel - Clips
Gustave H is a charismatic and over-friendly concierge at the Grand Budapest Hotel whose conduct has been far from professional over the course of his career, regularly engaging in one night stands with his deeply charmed guests including the elderly Madame D. So enamoured was Madame D about Gustave's interest in her, that she leaves him a priceless painting behind in her will named Boy With Apple. However, following her suspicious death, her maddened son Dmitri accuses Gustave of her murder and attempts to frame him for it, angered by his illicit involvement with her. Meanwhile, Gustave is attempting to train up an enthusiastic young lobby boy named Zero Moustafa who warms to him easily and helps to defend him as Gustave makes a break for it. Moustafa is also becoming very fond of a girl named Agatha, who he enlists to help hide the painting from Madame D's furious family.
The Grand Budapest Hotel opens its doors for intrigue and adventure in 2014
Wes Anderson’s brand of frenetic, witty energy is bursting from the seams in the new trailer for The Grand Budapest Hotel. The comedy drama centres on a hotel concierge’s unlikely friendship with a lobby boy, and, as you’ve come to expect with an Anderson film, features an array of brilliant talent in its ranks.
The trailer for the film, which is due for release on March 7th in the U.S; February 28th in the U.K, is reminiscent of every film in Anderson’s showreel, but most notably, The Darjeeling Limited.
The Grand Budapest Hotel - Some might see similarities to the hotel in The Royal Tenenbaums
Gustave H is a flamboyant and largely charismatic concierge at the Grand Budapest Hotel whose habit of getting a little too close to his guests and keeping them entertained at all hours has earned him legendary status among many of his peers. When he meets enthusiastic young lobby boy Zero Moustafa, Gustave trains him to be the best hotel worker he can and the pair become thick as thieves as they try and defend each other at all costs. When one of his more 'special' guests is found murdered, police accuse Gustave who does what any upstanding gentleman would do - runs. To the anger of the guest's son, he is bequeathed a valuable painting known as 'Boy With Apple' and now he finds himself on a cat and mouse chase with the victim's family and the police. Meanwhile, Zero meets the charming Agatha, who he's also desperate to protect as best he can.
'The Grand Budapest Hotel' is a heartwarming comedy about a very unusual friendship, directed and written by Wes Anderson ('Fantastic Mr. Fox', 'Rushmore', 'The Royal Tenenbaums'). It is based in 1920s Europe and truly reflects the glamour of the privileged in that decade. The movie is due to be released in the UK on February 28th 2014.
Jay-Z followed indie-rockers The National in performing a track for six hours.
The multi-million selling rapper Jay-Z aimed to combine and rap and modern art this week, performing his new track 'Picasso Baby' for six consecutive hours at Chelsea's Pace Gallery in New York. Confused? Well, the lengthy 'secret' performance was used both to shoot Hova's new video and to promote his new album 'Magna Carta Holy Grail.'
Though the performance was kept hush-hush, it didn't take invited guests long to post videos and pictures to Vine, Instagram and Twitter. According to the New York Post's report, Jay-Z was entertaining the likes of, "Judd Apatow, Adam Driver, Cynthia Rowley, George Condo and others" reportedly "serenading Alan Cumming, and dancing around Marina Abramovic, Performa founder RoseLee Goldberg and even a woman on a scooter with her leg in a cast."
The marathon performance, shot by film director Mark Romanek, centred on the rapper's arty track 'Picasso Baby,' which includes the lyrics, "I just want a Picasso, in my casa . . . I wanna Rothko, no I wanna brothel," as well as referencing "Jeff Koons balloons" and "[George] Condos in my condos."
Watch Jay-Z performing 'Picasso Baby':
What is David Bowie trying to convey about his new album The Next Day?
By now, we're all aware that David Bowie hasn't exactly gone down the conventional route of promoting his latest album The Next Day. First single Where Are We Now? seemingly came out nowhere (few knew that Bowie was working on new material), while there has been no interviews, no press conferences, no live shows. Nothing.
The album performed strongly in the charts and the second single, The Stars (Are Out Tonight), featured a video starring Tilda Swinton. However, there was nothing from Bowie himself, until Guardian writer Rick Moody asked the singer-songwriter to supply a "work-flow diagram" for a piece for the Rumpus, because he "wanted to think about it in light of what he was thinking about it, I wanted to understand the lexicon of The Next Day."
Surprisingly, the media shy star obliged and provided a varied list of words - including 'hostage' 'isolation' and 'pressgang' - that he thinks sum up the new record. Moody wrote that the list was "really excellent," adding, "[they are] exactly in the spirit of this album, and the list is far better than I could ever have hoped, and it's exactly like Bowie, at least in my understanding of him: impulsive, intuitive, haunted, astringent and incredibly ambitious in the matter of the arts. Bowie is a conceptual artist, it seems to me, who just happens to work in the popular song, and he wants to make work that goes somewhere new, and this is amply demonstrated by the list."
Tilda won't be helping MoMA visitors to understand her unusual exhibit
Anyone stuck searching for the meaning of Tilda Swinton’s bizarre new exhibition at MoMA needn’t bother asking the actress herself because she won’t be giving you any clues. Tilda’s exhibit, entitled ‘The Maybe’ involves her sleeping (or at least appearing to sleep) in a glass box, at the Museum of Moden Art, from the time that the museum opens at 10:30am, to the time that it closes at 5pm. When she ‘performed’ the exhibit back in 2005, she told The Observer that “The meaning of the piece has nothing to do with me. It is entirely in the eye of the beholder.”
Some visitors to MoMA yesterday found that their eyes were not beholding much more than someone pretending to be asleep, however. New York Post reports that one disgruntled visitor said “She’s not asleep. She’s faking it. She’s an artist. Artists always fake it.” Some were more intrigued, though and Anne Marie Vaduva, 35, of Manhattan pondered “I think she’s in between. She’s in a state of self-induced trance.” Tilda had a glass of water in the box, from which she sipped sporadically but she was never seen leaving the box. In her Observer interview, she had attributed her ability to stay in the box to having a “strong and convenient bladder.”
The rest of Tilda’s performances in the box will not be scheduled but will take place unannounced. According to a MoMA spokesperson, around half a dozen will take place throughout 2013.
Tilda Swinton sleeps in a glass box
The Museum of Modern Art was host to Tilda Swinton, who was reprising one of her less taxing roles. This wasn’t on screen, but rather sleeping in a glass box as art-lovers and confused wanderers alike gawped in.
In a brief description of the work, a notice by the installation states: "The Maybe 1995/2013. Living artist, glass, steel, mattress, pillow, linen, water and spectacles." The MoMA said in a statement: "An integral part of The Maybe's incarnation at MoMA in 2013 is that there is no published schedule for its appearance, no artist's statement released, no museum statement beyond this brief context, no public profile or image issued. Those who find it chance upon it for themselves, live and in real – shared – time: now we see it, now we don't." Swinton has taken on this piece before, first performing it at the Serpentine Gallery in London in 1995 where 22,000 people saw her nap. In 1996, she performed it in the Museo Barracco in Rome.
Tilda – as we call her – has become known as one of the finest actors of her generation, starring in mainstream films, but lending her hand to arthouse projects too. She won an Oscar in 2008 for best supporting actress for her role in Michael Clayton, and will next be seen in Snowpiercer, a futuristic, post-apocalyptic drama set on a train.
Continue reading: Tilda Swinton – Sleeping In The Name Of Art At MoMA
David Bowie has released the video for new single 'The Stars (Are Out Tonight)’
David Bowie’s new single ‘The Stars (Are Out Tonight)’ hasn’t caused as much of a stir as last month’s ‘Where Are We Now?’ – we all know that he’s back now of course. However the video for the new track has made the single another talking point on the comeback trail, with the seminal musician appearing far more fully in the promotional clip, alongside actress Tilda Swinton.
Keira Knightley hit the town in support of fashion powerhouse and personal friend Karl Lagerfeld as he unveiled Chanel's The Little Black Jacket exhibition in London on Thursday night (October 11, 2012).
Although not in a black jacket herself, the 27 year-old screen siren did keep up with the colour requirements by wearing a black brocade dress with a black handbag to go with it. The event itself was in aid of a book of the same name being released, which features celebrity models wearing the iconic fashion item. The book, a joint project between Lagerfeld and Vogue editor Carine Roitfeld, is a reinterpretation of one of Chanel's most iconic fashion items: the black jacket.
Continue reading: Will Karl Lagerfeld Design Keira Knightley's Wedding Dress
Scout leader Ward (Norton) sends out a search party when preteen scout Sam (Gilman) runs away from the camp. He can't get far on this New England island, and it turns out that he has run off with Suzy (Hayward) daughter of a local couple (Murray and McDormand). As Sam and Suzy's naive love blossoms in the wilderness, local police Captain Sharp (Willis) takes over the search and calls in Social Services (Swinton). But these kids are more tenacious than anyone expects.
Continue reading: Moonrise Kingdom Review
Jason Schwartzman, Bill Murray, Bruce Willis, Edward Norton, Tilda Swinton, Wes Anderson and Cannes Film Festival - Jason Schwartzman, Bruce Willis, Wes Anderson, Edward Norton, Tilda Swinton and Bill Murray Wednesday 16th May 2012 'Moonrise Kingdom' photocall - during the 65th Cannes Film Festival
In 1960's New England, Sam and Suzy meet after the former sneaks backstage before a show, which features the latter. The pair fall in love and, from then on, communicate by writing letters. The pair makes a pact to run away together. Sam will escape from his summer camp and Suzy will climb out of her bedroom window.
Continue: Moonrise Kingdom Trailer
Eva (Swinton) is a shell of her former self, living in isolation as the target of anger from an entire community. She clearly blames herself for an act of violence unleashed by her 15-year-old son Kevin (Miller), and misses her husband (Reilly) and daughter (Gerasimovich). But as she finds a job and starts to put her life together, the memories won't stop swirling in her mind. Does she even deserve to have survived such a horrific event? Can she ever make peace with the grieving, enraged people around her?
Continue reading: We Need To Talk About Kevin Review
Eva is an ambitious woman who is very career orientated, but she puts this to one side in order to give birth to her first child, Kevin. The mother and son relationship is awkward from the very start and despite her best efforts to bond with her child, Eva's attempts are in vain. When Kevin reaches 15, he does something irrational and inexcusable in the eyes of the community and the rest of society.
Continue: We Need To Talk About Kevin Trailer
The Limits of Control, the 11th feature by the New York-born auteur Jim Jarmusch, is another work that is inarguably stamped by its director's idiosyncrasies and, like Volver, there have been several critics who have questioned if its artistic success is not so much a result of it being a Jarmusch film rather than simply a good film. It emits a dark-shade cool, as befits any Jarmusch joint, and it features several of the director's usual performers, including the Ivorian-born actor Isaach De Bankolé in the lead.
Continue reading: The Limits Of Control Review
Pretty badass, right? Definitely. Deep and meaningful? Hardly. This is a violent and apocalyptic story, based loosely on the Hellblazer graphic novels by comic book legend Alan Moore. And much to the relief of comic book fanboys everywhere, this adaptation adheres to the heavy, religious-war foundational spirit of Moore's work.
Continue reading: Constantine Review
Dipping back into the world of the micro-indie film - which she seemed to have mostly abandoned after the passing of her cinematic mentor, Derek Jarman - Tilda Swinton plays four roles here, but Dr. Strangelove it ain't. Her primary role is as Rosetta Stone (get it?), a bio-geneticist who, in a strangely-reasoned attempt to help the world by creating robots equipped with artificial intelligence, has discovered how to download her own DNA into a computer and thus create three SRAs (Self Replicating Automatons) in her image. The SRAs are named Ruby, Marine and Olive and dresses them each according to color (red, blue, and green). This doesn't serve much purpose besides being pretty look at, and also giving us an easy way of telling the Swintons apart (aside from the fashion-victim wigs Ruby and Olive wear). Rosetta herself is easy enough to ID: as the nerdy scientist, they put her in the most frightful and unattractive of the wigs and make her goggle out at the world from behind a pair of giant glasses.
Continue reading: Teknolust Review
Date of birth
5th November, 1960
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