Miles away from what we critics enjoy referring to as "visually austere" (i.e., static shots with careful compositions), The Book of Life throws caution to the wind. Working with new cinematographer Jim Denault (Boys Don't Cry) instead of old standby Michael Spiller (Trust), Hartley spins and fusses in colorful blurred abstractions, creating a dreamy, impressionistic look with none of his trademark hard edges. Look, ma -- no hands!
Continue reading: The Book Of Life Review
Returning with their first new song in five years, Placebo have just dropped ‘Beautiful James’ as the first taster of their forthcoming album.
Having just celebrated the release of his debut EP, 'The Life and Death of MacKenzie Kane', Portuguese singer-songwriter Zé Pedro Viveiros, aka Zed...