Daniels was defending his 'Empire' star Terrence Howard last year when he made reference to the long-standing, and false, rumours.
Film and TV director Lee Daniels has settled the defamation lawsuit brought by Sean Penn, with an apology for insinuating that the actor physically abused his ex-wife Madonna and with a donation to the charity Penn founded.
The 55 year old actor issued a $10 million defamation suit against Daniels, the co-creator of smash TV drama ‘Empire’, last September after the director had leapt to the defence of the series’ star Terrence Howard after he’d received intense criticism after admitting striking his ex-wife.
Sean Penn launched the lawsuit last September
Nick Barrow designs high target crimes for a living, he studies and surveys banks and high value locations and comes up with a plan to carry out successful heists which he then sells to the person willing to pay the most for his scheme.
Nick sells his latest project to the son of a cartel boss called Alejandro. Nick walks through every aspect of how the robbers will infiltrate and escape from the location. Wishing to go ahead with the project, Alejandro and his team carryout a successful heist, that is until the entire team of robbers are all shot dead. Nick finds himself on the wrong side of Alejandro's father and is suddenly thrown into a world he's not used to.
Out for revenge after the death of his son, Viktor Vasquez is out to hunt down the person he sees responsible for his son's death and wishes to put him through the same pain that he's currently going through by killing his daughter, Cate.
Continue: Term Life Trailer
Henson, who plays Cookie Lyon on the Fox series, celebrated her win in a way that would make her character proud.
Taraji P. Henson scored her first Golden Globes win on Sunday, taking home the Best Actress – Television Series, Drama award at the 2016 ceremony. When her name was called the ‘Empire’ star wasted no time in channeling her inner Cookie Lyon, by passing out tasty treats to her fellow attendees.
Taraji P Henson won the Golden Globe for Best Actress – Television Series, Drama on Sunday.
Henson handed cookies to stars including Angela Bassett, Lady Gaga, and Leonardo DiCaprio, as she made her way to the stage. Backstage the actress revealed that her decision to hand out the treats was a spontaneous one, there just happened to be a packet of cookies on the table.
Continue reading: Taraji P. Henson Hands Out Cookies As She Wins Golden Globe For 'Empire'
She submitted the legal document to support her ex-husband in his defamation lawsuit against 'Empire' co-creator Lee Daniels.
Madonna has denied that her ex-husband Sean Penn ever struck her during their short-lived marriage in the 1980s, as she offered up evidence on his behalf of his defamation case against the co-creator of the hit TV show ‘Empire.
Lee Daniels, who helped create the hit Fox show, gave an interview to The Hollywood Reporter in September this year defending cast member Terrence Howard, who had come in for criticism after he had admitted hitting his wife. Daniels had said that Howard “ain’t done nothing different than Marlon Brando or Sean Penn,” but because he is black, “he’s some fucking demon. That’s a sign of the time, of race, of where we are right now in America.”
Sean Penn with former girlfriend Charlize Theron in May 2015
Continue reading: Madonna Submits Court Declaration That Sean Penn Never Assaulted Her
Empire, the Fox drama series with a storyline surrounding a hip-hop entertainment company (Empire Entertainment), is one of the most talked about shows in the States. This soundtrack, as well as the Season 1 disc which was released earlier this year, is comprised of songs performed on the show, by the actors/musicians themselves. The production is handled entirely by Virginia producer Timbaland, who has worked with pretty much everyone in hip-hop you can think of. Jussie Smollett, Yazz and Bre-Z make up a significant amount of the tracks on here, as well as Terrence Howard and Petey Pablo's collaboration Snitch Bitch, which was one of the main draws to giving this a listen.
The opening track Born To Love You features some pretty smooth, tasteful R&B vocals from Smollett, and the trap-influenced chorus is a nice switch up that is successfully executed. Snitch Bitch was exciting for me because of Petey Pablo's return. He is on the show (apparently because Terrence Howard owed him $200, and getting Pablo a part in Empire was his way of repaying the debt), and it's good to see him back in any capacity. Petey's first album, 2001s Diary Of A Sinner: 1st Entry, is an under-rated LP with some fantastic Timbaland production, but without a proper release since 2004s Still Writing In My Diary I was unsure if we'd ever get to hear more music from the North Carolina MC. This track is a collaboration between Pablo and Howard, and although it's not terrible, it falls a little flat; the repetitive production and auto-tuned chorus fell way short of my expectations. Perhaps they were unrealistically high.
Bout To Blow is a guilty pleasure for me to be honest. Throw it on at 2 AM after a few too many and you might catch me off guard on the dancefloor. The beat creates an instant vibe, and it's proof that Timbaland still knows how to craft energetic, well-structured club-bangers. Terrence Howard and Bre-Z's Boom Boom Boom Boom is another highlight. The menacing, tribal production finds the two artists delivering aggressive lyrics over a sinister, piano-laced beat. The percussion in the hook is classic Timbaland, and the sitar line is a great addition to the simple but effective chorus. Bre-Z's appearance is very impressive; her powerful, savage delivery and consistent flow sets her apart from many of the other artists that appear on the soundtrack.
Continue reading: Empire Season 2 Part 1 Official Soundtrack - Album Review
The actor is still peeved after being dropped from the Marvel series after the first movie
We all know that Terrence Howard and Marvel came to blows when agreeing terms for the second Iron Man film, with Howard reportedly being dropped by the comic book and movie empire over wage disputes. It turns out that Howard still hasn't gotten over his dismissal, but has recently let it be known that, as far as he is concerned, Robert Downey Jr. had as much of an influence in his dismissal as the heads at Marvel and Disney did.
Howard thinks RDJ's wage demands are to blame for his dismissal
Whilst Don Cheadle has since given a fantastic portrayal of Col. James 'Rhodey' Rhodes in place of Howard, the Oscar-nominated actor is still annoyed that it isn't him starring in the films still, and he has developed a few of his own hypothesis as to why he is no longer involved in the films. It has been widely believed, with Howard himself discussing his dismissal similarly, that he was given the boot after refusing to take a pay cut for the second edition of the Iron Man series. With a payday almost equalling $5 million for the first film, he was the highest paid actor fin the film, but as he refused to comply with Marvel's wage demands, his part was recast. Speaking on Bravo’s Watch What Happens Live, Howard has now come up with another excuse to explain his dismissal.
Continue reading: Does Terrence Howard Blame Robert Downey Jr. For His 'Iron Man' Axing?
Howard voiced a rather unpopular opinion, which might spell the end of his collaboration with Marvel
While promoting his new movie, Terrence Howard appeared on Watch What Happens Live and he said some things that may or may not have sounded a tiny bit bitter. According to The Hollywood Reporter, Howards explained that he had initially signed a three picture deal with Marvel to play James Rhodes in the Iron Man series.
Howard only played Rhodey for one film, instead of the initially agreed upon three.
Robert Downey Jr. was responsible for Terrence Howard leaving Iron Man, Howard claimed in a recent televised interview. Howard's previous role as James Rhodes a.k.a. War Machine has been played in the second and third instalments of Iron Man by Don Cheadle.
Terrence Howard explained why he did not appear in the second and third instalments of the Iron Man franchise. Howard played Lieutenant Colonel James 'Rhodey' Rhodes in the 2008 Iron Man film.
Terrence Howard discussed what happened with Iron Man producers on a chat show.
At the time it was reported that he had left the franchise owing to drastic pay cuts of up to fifty percent, on Thursday (15th November) Howard explained what really happened behind the scenes.
Continue reading: Terrence Howard: Robert Downey Jr "Pushed Me Out" Of 'Iron Man'
'Lee Daniels' The Butler' has headed to the top of the US Weekend Box Office following its release on Friday (16th). 'Kick-Ass 2', following an onslaught of negative reviews, has achieved 4th place, whilst 'Jobs' has placed at 7th.
Lee Daniels' The Butler has defeated other newcomers Kick-Ass 2 and Jobs in the US Weekend Box Office. The Butler has headed straight to number one whilst Kick-Ass 2 and Jobs have respectively gained 4th and 7th place.
The Butler has made $25 million in its opening weekend and has gained critical praise. The historical epic is inspired by the true story of Cecil Gaines, a black butler who whilst serving at the White House, saw the offices of eight presidents. His life and family form a touchstone for the audience when addressing such historical events as the Civil Rights Movement and the rise of Black Power in the US.
The controversial biopic is due out this September.
This year will see the release of a full-blown Nelson Mandela biopic, but before that, another film will focus on a crucial character in the Mandela story – Winnie Mandela, the woman, who stood by her husband and became a tireless activist in her own right. The trailer for Winnie Mandela has just been released and, despite some controversy around Jennifer Hudson playing the part of Mandela, the preview seems every bit as grandiose and inspirational as you’d expect.
Stallone makes surprising announcements about the third Expendables romp, and we get more details on films about Princess Diana, Steve Jobs and the White House butler. But the Muppets are the Most Wanted...
The big news this week was that Harrison Ford will join the Expendables for their third film adventure. Sylvester Stallone tweeted the announcement, then went on to mention that Bruce Willis won't be around this time, apparently because he asked for too much money. Stallone was also caught on camera poking fun at Arnold Schwarzenegger's "big ego". Before they re-team for the next Expendables movie, they're costarring in the prison-break thriller Escape Plan. Watch Sly talking about Arnie at Comic Con here.
The next big superhero blockbuster will be Thor: The Dark World, and we got a more detailed look at the film in a new trailer this week. Pretty much everyone is back, including Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Idris Elba and Stellan Skarsgard. The movie looks like a huge-scale action adventure with a sense of humour about it. It opens in October. Watch the trailer for Thor: The Dark World here.
The trailer for 'The Company You Keep' suggest Robert Redford has returned to form as a director.
Robert Redford appears to be back on track. Some five years after his disappointing drama 'Lions For Lambs', the Oscar winning director has returned to similar territory with 'The Company You Keep,' a slick looking drama starring an all-star cast. And when we say all-star cast, we really do mean it.
Redford stars and directs in the story of Jim Grant, a public interest lawyer and single father living in New York. Shia LaBeouf plays a scruffy intrepid journalist who exposes Grant as a man wanted for a murder he allegedly committed in his days as an anti-war radical. When another member of the Weather Underground - played by Susan Sarandon - is arrested, LaBeouf's Ben Shepard smells an opportunity to make a name for himself with a national story. The superb Stanley Tucci plays his prickly finger-pointing editor (is it us, or was he born to play a prickly finger-pointing editor?) while the excellent Anna Kendrick plays a vulnerable FBI agent. Elsewhere, there's a gruff looking Nick Nolte, the old-hand Richard Jenkins and legendary western actor Sam Elliott. Oh, and there's Brendan Gleeson. And Terrence Howard. And Julie Christie.
Ben Shepard is a young and ambitious reporter determined to make a name for himself in the media world. When Sharon Solarz, a member of the radical left organisation Weather Underground, is arrested for her involvement in a bank robbery and subsequent murder 30 years ago, Ben smells an important story that could be his big break. Meanwhile, attorney Jim Grant, a single father of an 11-year-old daughter named Isabel who was also involved in the crime, is forced on the run from the FBI as Ben sparks a new manhunt, but on the way he changes course in an effort to expose the truth and prove his innocence. Ben discovers that the whole story is more complicated than he initially thought, particularly as not everyone appears to be who they say they are.
Continue: The Company You Keep Trailer
Terrence Howard says during the press tour for his new movie that his appearance in the first Iron Man cost him his career.
With the third instalment of the Iron Man franchise fast approaching you could be forgiven for forgetting that Oscar nominee Terrence Howard was actually one of the stars of the first instalment of the comic adaption. One person who hasn't forgotten about his involvement though is Howard himself and the reason why is not nostalgia or because he holds particularly fond memories of his time portraying James Rhodes/WarMachine, the reason he recalls his only liaison with Marvel is because he blames the Disney-owned studio for ruining his career.
Whilst currently promoting his new film, The Last Stand, Arnold Schwarzenegger is already planning his next move by gaining permission to shoot his next film at the home of Mike Briggs, President-Elect for Foundation for Ichthyosis & Related Skin Types, Inc.
Briggs gave Arnie and the rest of the film crew for the upcoming movie Ten permission to film scenes at his scenic home, but only on one condition: that the production team pledge all of the rental fees Briggs would be receiving for donating his land to his charity, FIRST. True to the agreement, earlier this week the offices of FIRST received a $35,000 cheque and a big thank you from Arnie and the rest of the film's team.
“I told them they were free to film at my home, as long as they agreed to donate all of the rental fees associated with the use of my property to FIRST,” said Briggs, was made president of FIRST this month, adding, “When the producers heard that, they decided to make the donation larger and have donated $35,000 to the Foundation. We couldn’t be more thrilled.”
A collection of random shorts that focus mainly on idiotic male behaviour, this portmanteau comedy is only occasionally amusing, never making anything of its astonishing cast. Frankly, we spend most of the time wondering how the filmmakers lured these A-listers to appear in these pointless, nasty little films. And while the premises have potential, not a single one has a decent punchline.
As a prank, two teens make up a banned online film called Movie 43. While their brainly little brother searches for it, he runs across a series of clips that mainly focus on awkward vulgarity between the sexes. Bitter exes (Culkin and Stone) have a rude exchange that's broadcast on a supermarket sound system. Pratt is shocked when his girlfriend (Faris) asks him to "poop" on her, and agrees because he loves her. Parents (Watts and Schreiber) homeschool their teen son (White) with the goal of showing him how excruciating life will be. Two pals (Scott and Knoxville) kidnap a leprechaun (Butler) who's reluctant to give them his gold. And a 1950s basketball coach (Howard) tries to convince his players that they're winners because they're black.
Others are dating scenarios: Winslet goes on a blind date with a guy (Jackman) who has testicles on his neck; Berry and Merchant play an increasingly deranged game of Truth or Dare in a Mexican restaurant; a pre-teen (Bennett) can't cope when his young date (Moretz) has her first period; Batman (Sudeikis) messes up Robin's (Long) attempt at speed-dating; Banks struggles to cope with her new boyfriend's (Duhamel) obsessive cartoon cat. There are also a few random advert spoofs, including one for the naked-woman shaped iBabe, which leads to trouble for the company CEO (Gere).
Continue reading: Movie 43 Review
If you were hoping for a romantic comedy with a harmless storyline, romance and inoffensive jokes, the here's a warning: read no further. 'Movie 43' is one of the most cringe-worthy and uncensored taboo-filled flicks to be released in the history of comedy. Here you will see several interlinked stories with characters' lives surrounding unusual proposals, interrupting blind kids' parties, bad parenting, teenage menstruation, a confused and slightly racist basketball coach, innovative business ideas and the kidnapping of a violent leprechaun. Once you see this movie it is unlikely you will find a subject that offends you ever again.
With twelve different comedy genius directors including Peter Farrelly ('Dumb & Dumber', 'There's Something About Mary', 'Shallow Hal'), Steve Carr ('Daddy Day Care', 'Dr Dolittle 2'), Steven Brill ('Little Nicky') and Brett Ratner ('Rush Hour') to name but a few and eight different writers, this jaw-droppingly crude and often obscene movie features a diverse star-studded cast, both British and American, who have banded together to shock you in the most hilarious ways you can think of. Whatever kind of comedy you're into, 'Movie 43' probably has something in it for everyone and it is set to hit the big screen on February 1st 2012.
Continue: Movie 43 Trailer
Despite the skill behind and in front of the camera, a badly constructed script flattens this film version of Jack Kerouac's iconic 1957 novel. It's beautifully shot and sharply played by the starry ensemble cast, but the repetitive structure leaves the film with no forward momentum. Instead of a voyage of discovery, it feels like a lot of random, pointless wandering.
Thinly autobiographical, the story centres on the young New York writer Sal (Riley). He's drawn to the charismatic Dean (Moriarty), a charming rogue who's married to 16-year-old Marylou (Stewart) but is having an affair with Camille (Dunst) while seducing every other woman he meets. And quite a few men as well, including Sal's friend Carlo (Sturridge). All of them are writers and artists, hanging out in clouds of hash smoke as they drive back and forth across America in search of something to write about.
Of course, Sal finds this in Dean as their friendship ebbs and flows over several years. Since this is essentially Sal's story, it's rather odd that the film abandons him from time to time to follow someone else, leaping jarringly into another situation, often marked by Dean's sudden reappearance after yet another bit of roaming. So while we understand how everyone is held in Dean's magnetic orbit, we can't quite see the point of it all. Sal may be obsessed with his thoughts of Dean, but he seems strangely willing to abandon him time and time again. There isn't nearly enough of the scene-stealing costars like Mortensen, Adams and Buscemi. And frankly, it should be a crime to waste Moss (of Mad Men fame) in such a fragmented role.
Continue reading: On The Road Review
Sal Paradise is an ambitious young writer trying to find his place in the world. After his father passes away, he decides to seek out new experiences desperate to stay away from the mundaneness of everyday life. In New York, he meets ex-convict Dean Moriarty - an embodiment of the Beat Generation who fascinates him and ends up drawing him into his dangerous world of women, drugs and societal deviance. They hit the road alongside Dean's new, teenage wife Marylou doing anything and everything to ensure that new experiences never end and seek out their own freedom. Along the way they find who they really are, who their friends are and the meaning of being free.
Continue: On The Road Trailer
During WWII, black pilots trained in Tuskegee, Alabama, were sidelined in the segregated US forces. But Colonel Ballard (Howard) gets them an assignment accompanying bombers on raids in Italy. Led by Major Stance (Gooding), the team includes hot-shot Lightning (Oyelowo), self-doubting Easy (Parker), eager Junior (Wilds) and the even less-defined Smoky (Ne-Yo) and Joker (Kelley). As they square off against their Luftwaffe nemesis (van Riesen), the Tuskegee airmen's distinctive red-tailed planes develop a first-rate reputation that begins to break down racial barriers.
Continue reading: Red Tails Review
In the height of World War II, the American Army have devised an experimental training programme, known as the Tuskegee Training Programme, that consists of African American soldiers. Despite their hard work training, they are beginning to lose hope that they will ever fight in the war. Discrimination in the army was so rife, the men were often seen as unable to fight for their country.
Continue: Red Tails Trailer
Clay, like so many men before him, tries to block out the pain by intense concentration on thoughts of Jessica Alba (playing his girlfriend Sam -- though oddly enough, Clay's strongest memories reveal nothing more explicit than Alba's demurely exposed back). His focus breaks down when he overhears some, shall we say, less than reassuring words from his doctors, and from there a trapped Clay races against time, desperately attempting to alert Sam and/or his possessive mother (Lena Olin) of the danger he's in.
Continue reading: Awake Review
Freddie Highmore plays the title character, a little boy in a Dickensian version of the real world: He has grown up in a group home for boys in upstate New York (do they even have those anymore?), where he hears music in the world, from the corn fields to the moonlight. He sets out one day, believing that if he follows the music, it will lead to his parents; where it actually leads is New York City, where the noise of the city turns into the rhythmic beginnings of a Stomp number. There, he hooks up with a band of street urchins/musicians straight out of Oliver Twist, run by the unstable and off-putting Wizard (Robin Williams as a creepy redhead). When August discovers things like guitars and sheet music that allow him to produce the music he hears, he becomes a prodigy, and a sensation.
Continue reading: August Rush Review
A thinly veiled biopic of 50 Cent's road to gangsta rap success, Get Rich or Die Tryin' is at times a wildly successful portrait of human perseverance and at others a weakly plotted study in cinematic cliché.
Continue reading: Get Rich Or Die Tryin' Review
There is no better place for this examination than the culturally diverse melting pot of modern-day Los Angeles. In just over 24 hours, Crash brings together people from all walks of life. Two philosophizing black men (Ludacris and Larenz Tate) steal the expensive SUV belonging to the white, L.A. District Attorney (Brendan Fraser), and his high-strung wife (Sandra Bullock). A similar vehicle belonging to a wealthy black television director (Terrence Howard) and his wife (Thandie Newton) is later pulled over by a racist cop (Matt Dillon) and his partner (Ryan Phillippe). Soon, many of these people get mixed up with a Latino locksmith (Michael Peña), a Persian storekeeper (Shaun Toub), and two ethnically diverse, dating police detectives (Don Cheadle and Jennifer Esposito).
Continue reading: Crash (2004) Review
Mark Wahlberg is perfectly cast in "Four Brothers" as an angry, scruffy Detroit greaseball who returns home for the first time in years to avenge his foster-mother's murder during a convenience store robbery.
While not an actor known for his emotional range, here his soft-featured scowl embodies resounding heartbreak without giving an inch on the kind of toughness and bravado that makes his character a loose cannon. How loose? He even tells the investigating cops (one an old friend played by the sublime Terrence Howard) who come to pay their respects that "I'm not here for the funeral."
Reunited with his three brothers -- fellow former delinquents adopted by the kindly but adamant Evelyn Mercer (Fionnula Flanagan), and played by Garrett Hedlund ("Troy") and talented rappers-turned-actors Andre Benjamin and Tyrese Gibson -- it isn't long before they're literally beating a path through the ghetto toward any suspects they can get their hands on. And it isn't long after that before a conspiracy begins to emerge (the details of which are never entirely clear) involving bankruptcy and insurance money, connections to the mob, and crooked cops and city councilmen.
Continue reading: Four Brothers Review
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