Out Of The Dark Review
An unusual setting gives this low-key horror some added interest, stirring a whiff of issue-based drama into the otherwise under-developed plot. It's also photographed with considerable skill, generating its scary moments with careful filmmaking rather than cheap gimmicks, although there isn't a moment that doesn't feel familiar. Yes, Spanish director Lluis Quilez never saw a scary-movie cliche that he didn't like.
It's set in rural Colombia, where Sarah and Paul (Julia Stiles and Scott Speedman) have just arrived in Santa Clara, on the edge of the jungle, with their young daughter Hannah (Pixie Davies). Sarah has a new job at the paper factory owned by her father (Stephen Rea), while Paul works from home as an illustrator. And as they settle into their gorgeous new house in a lush neighbourhood, the community is preparing for its annual Saint Children Festival, commemorating a tragic event from the conquistador era. But it's something much more recent that seems to have sparked a malevolent force in the town, as everyone catches glimpses of swarms of face-covered children emerging from the rainforest. And it seems to be Hannah that they want.
Quilez indulges in all the usual atmospherics, including sudden thunderstorms and power cuts, a sinister dumbwaiter and even a ball bouncing ominously down the stairs. Even so, he resists ramping up the horror too much, making the film feel more like a mystery as Sarah and Paul investigate the strange goings on, learning dark secrets about the town's past. When someone mentions the "old paper mill" it's clearly going to feature later on. And this gives the movie an intriguing sense that perhaps not everything that's happening is supernatural. That said, the plot is so thin that it barely exists, held together by a hint of subtext and the grounded performances.
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