Sebastian Gutierrez

Sure, the vampire myth has been with us forever. One of the very first films was a vampire movie. We are indeed obsessed with these blood-sucking trollops. And yet, lately, the vampire film has fallen into a rut that I worry it can never pry itself out of. We don't see the vampires of yesteryear anymore. Gone are green skinned, hairy-eared ghouls that haunted graveyards and sucked the blood from corpulent women. Gone are the baby-bird-headed stick figures that lurked in foggy London alleyways. Today vampires are all glamorous, leather-bound martial arts experts. They have great hair (that's a side-effect of living forever), nice shoes, and groove to industrial music. They are the Goth fashionistas who are as infatuated with sucking blood as they with collecting Ferraris and having swanky parties.

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In this Bounce, Wilson plays vagabond Jack Ryan, a man who's bad luck and bad choices have landed him on the North Shore of Oahu where he takes a job in construction working for shady hotel developer Ray Ritchie (Gary Sinise) and his assistant Bob Jr. (Charlie Sheen). It's not long before Jack gets fired and finds new employment as a handyman at a complex of vacation bungalows owned by Judge Walter Crewes (Morgan Freeman). While working for Crewes, Jack becomes enamored with Nancy Hayes (Sara Foster, the poor man's Bridget Fonda), Ritchie's sexpot girlfriend and house-sitter while he escorts his wife (Bebe Neuwirth) on shopping trips in Honolulu. Nancy has a plan to milk Ritchie out of $200,000, and she needs Jack's help to pull it off.

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