The world of counter-intelligence has gotten an awful lot more dangerous. When a visa security officer (Milla Jovovich) is posted in the US Embassy in the United Kingdom, she is tasked with ensuring that known or suspected terrorists are unable to make their way to the United States. But when she come under fire from a deadly assassin known only as "The Watchmaker" (Pierce Brosnan), she ends up framed for various crimes she didn't commit and is forced on the run. Now, she must do her best to keep doing her job while being hunted and tracked by not only The Watchmaker, but US Security Services and Marines.
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This offbeat British drama shows real promise for new filmmaker Justin Edgar, although his relentlessly gimmicky filmmaking style is so attention-grabbing that it makes it nearly impossible to engage with the story or characters. But the bright young cast is very watchable, and even if the script never digs beneath the surface, the film's stylish energy holds our interest.
It's set in 1990 Birmingham, where 18-year-old Jack (Jamie Blackley) is desperate to escape from his boring family and annoying job and go to university, although he'll need a government grant to do that. His best pals Parsons (Mike Bailey) and Chunks (Simon Teal) have their own problems, and over the course of a fateful night these three misfits encounter smart-sexy musician Elinor (Amber Anderson), Parson's pushy girlfriend (Rosamund Hanson) and a ruthless thug (Michael Smiley).
The too-clever script opens with a post-modern monologue in which Jack looks at the camera and says, "I hate it when people in movies talk to the camera." Which pretty much explains the film's sparky style. The problem is that filmmaker Edgar is trying far too hard to deconstruct the genre, avoiding any narrative coherence for a series of random mini-adventures that don't quite connect together. Each of these three guys learns some sort of important lesson over the course of the night, but the film remains resolutely superficial in its approach.
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