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Does Anyone Else Think 'The Walking Dead' Is A Bit Rubbish Now?


Andrew Lincoln Danai Gurira Scott Wilson The Walking Dead

AMC’s ratings behemoth The Walking Dead returned to American TV screens on Sunday night (Feb 9th) and last night on FOX for British viewers. We re-join zombie dystopia after the devastating battle that left the prison decimated, our beloved survivors scattered, and a few key characters dead or missing.

Carl The Walking DeadLet's just kill Carl off and be done with it

The mid-season premiere focused on Rick Grimes and his son Carl as they scavenge for supplies in a dilapidated town, which, surprisingly – considering it’s walking distance from the prison - is full of nourishing goodies like a 112-ounce can of chocolate pudding. This is as good a time as any for me to list the reasons why The Walking Dead isn’t very good any more:

Continue reading: Does Anyone Else Think 'The Walking Dead' Is A Bit Rubbish Now?

Saving Grace B Jones Trailer


After being confined to a mental asylum for 17 years, Grace B Jones gets released following years of abuse and torment at the hands of mental health nurses. She goes to live with her brother Landy Bretthorse, his wife Bea and two young girls in Boonville, Missouri despite Bea's concerns about her instability particularly around the children.  Although Grace seems a nice, friendly person and treats the girls kindly, she has regularly bouts of hysteria which first come about after a boat accident during the calamitous 1951 flood. Is there enough of Grace left to save? Or will the household conclude that sometimes a broken woman is beyond repair?

'Saving Grace B Jones' is based on a true story surrounding first time feature film director Connie Stevens' childhood in the fifties when she was sent away from her home in Brooklyn to Missouri to live with family friends after witnessing a brutal murder. She was to find, that summer, that that terrible crime was not the thing that would have the biggest effect on her the rest of her life. This shocking drama has been co-written by Jeffry Elison in his screenwriting debut and first premiered in 2009 at the Philadelphia Film Festival/Cinefest. It is now available to see in theaters everywhere now.

Director: Connie Stevens

Continue: Saving Grace B Jones Trailer

Monster (2003) Review


Good
Thank God that Monster, the fictionalized story of serial killer Aileen Wuornos, wasn't made back in the 1990s, when filmmakers just couldn't fetishize mass murder enough. Wuornos's story would have been "loosely adapted" so that they could have cast someone attractive in the role, there would have been a slick grunge soundtrack and plenty of hipster humor amidst the bloodletting. That's not to say that movies haven't stopped their love affair with the serial killer, but Monster shows that it is possible to make a gripping, yet still dispassionate and non-exploitative film on the subject.

Wuornos is famous not just for the fact that she killed seven men in Florida in 1989 and 1990, but for being pretty much the only female serial killer of note in recent American history. A troubled girl who had been on her own since she was 13 and had survived by prostitution, Wuornos claimed, up until her execution in 2002, that she had acted in self-defense each time. Writer/director Patty Jenkins's script manages to show how self-serving and untrue this story ultimately became while at the same time acknowledging how Wuornos's past and profession led to her killing spree. There's a wonderful moment in a dingy biker bar where a self-pitying Wuornos is consoled by her friend Thomas (Bruce Dern), a Vietnam veteran; they take turns volleying variations on "What choice did I have?" back and forth in an attempt to escape culpability for any of their actions.

Continue reading: Monster (2003) Review

Monster Review


Good
Thank God that Monster, the fictionalized story of serial killer Aileen Wuornos, wasn't made back in the 1990s, when filmmakers just couldn't fetishize mass murder enough. Wuornos's story would have been "loosely adapted" so that they could have cast someone attractive in the role, there would have been a slick grunge soundtrack and plenty of hipster humor amidst the bloodletting. That's not to say that movies haven't stopped their love affair with the serial killer, but Monster shows that it is possible to make a gripping, yet still dispassionate and non-exploitative film on the subject.

Wuornos is famous not just for the fact that she killed seven men in Florida in 1989 and 1990, but for being pretty much the only female serial killer of note in recent American history. A troubled girl who had been on her own since she was 13 and had survived by prostitution, Wuornos claimed, up until her execution in 2002, that she had acted in self-defense each time. Writer/director Patty Jenkins's script manages to show how self-serving and untrue this story ultimately became while at the same time acknowledging how Wuornos's past and profession led to her killing spree. There's a wonderful moment in a dingy biker bar where a self-pitying Wuornos is consoled by her friend Thomas (Bruce Dern), a Vietnam veteran; they take turns volleying variations on "What choice did I have?" back and forth in an attempt to escape culpability for any of their actions.

Continue reading: Monster Review

Pearl Harbor Review


Weak

The handful of battle scenes that make up a good hour of "Pearl Harbor" are adrenaline-pumping and hyper-realistic on a massive scale.

You feel the impact of every single 7.7mm round from dive-bombing Japanese Zeros as they rip through pavement, planes and people in the infamous attack around which the film in centered. Director Michael Bay's camera goes inside cockpits, rides along on bombs from release to explosion, captures the terror of a torpedo in the water from the deck of a ship and includes some of the best special effects ever put on film.

The money shot is a hull-buckling blast that rips through the USS Arizona. It makes being on a luxury liner hit by an iceberg look like a 25-cent carnival ride.

Continue reading: Pearl Harbor Review

Monster Review


Very Good

Curvy, leggy, drop-dead gorgeous Charlize Theron ("The Italian Job," "Mighty Joe Young") has always had the chops to play deeper and more challenging roles than the girlfriends and temptresses she's been making a living from since her cat-fighting sexpot debut in "2 days in the Valley." But to date few in Hollywood have seen past her looks.

That's about to change.

The actress has made an astonishing physical and quintessential transformation to play leather-hearted truck-stop prostitute and serial killer Aileen Wuornos in the riveting, bleak and exceptionally intuitive biopic "Monster," and I guarantee she'll be taken seriously from now on.

Continue reading: Monster Review

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Scott Wilson Movies

Saving Grace B Jones Trailer

Saving Grace B Jones Trailer

After being confined to a mental asylum for 17 years, Grace B Jones gets released...

Monster (2003) Movie Review

Monster (2003) Movie Review

Thank God that Monster, the fictionalized story of serial killer Aileen Wuornos, wasn't made back...

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Monster Movie Review

Monster Movie Review

Thank God that Monster, the fictionalized story of serial killer Aileen Wuornos, wasn't made back...

Pearl Harbor Movie Review

Pearl Harbor Movie Review

The handful of battle scenes that make up a good hour of "Pearl Harbor" are...

Monster Movie Review

Monster Movie Review

Curvy, leggy, drop-dead gorgeous Charlize Theron ("The Italian Job," "Mighty Joe Young") has always had...

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