Spielberg’s 1975 classic is headed to selected US theatres this summer.
Just when you thought it was safe to go back to the theatre think again, as Steven Spielberg’s terrifying 1975 horror classic Jaws is headed back to cinema’s to celebrate the film’s 40th anniversary.
Steven Spielberg first bought Jaws to cinema’s in 1975.
Fathom Events, Turner Classic Movies and Universal Pictures Home Entertainment are coming together to bring the film back to theatres this summer, for a limited time on June 21 and June 24 at 2 p.m. and 7 p.m in select cinemas nationwide.
Continue reading: 'Jaws' Set To Scare Audiences Again As It Heads Back To Theatres For 40th Anniversary
When a girl leaving a beach party on Amity Island, New England goes for an evening swim in the Atlantic, she is brutally attacked and eaten by a colossal great white shark. While the Mayor refuses to close the beach out of fear that the lack of tourism that would ensue would have a huge financial backlash on the town, another person is brutally killed. A bounty is placed on the shark which motivates amateur shark-hunters to go after it. However, they only managed to capture and kill a tiger shark which, while putting the public at ease as they assume it was the same creature, raises suspicions amongst a not so easily fooled group of people in the shape of a police chef, a fisherman and a marine scientist who determinedly set out to find and destroy the real menace.
Continue: Jaws Trailer
If you recalled fondly the line that Nelson said in an episode of The Simpsons after Bart uses a fake ID to get into this film ("I'll tell you two things wrong with that title"), then you're like most of America. I knew a little bit more coming in: that it was based on a novel by William S. Burroughs that is the quintessence of non-linear narrative and that it was directed by David Cronenberg.
Continue reading: Naked Lunch Review
On the surface, the movie is the autobiographical story of Fosse going through a physical/emotional breakdown during the making of the original stage version of Chicago in the mid-1970s. Roy Scheider plays the Fosse stand-in, Joe Gideon, as a pill-popping, compulsively womanizing, perfectionist, son of a bitch who finds happiness only in his work. But Fosse rips apart the standard showbiz puff piece right from the start, by dropping viewers right into the frenzied mess of Gideon's life, and mixing up the already-fractured storyline with a recurring sequence where Gideon talks over his life with a glowing, radiant Muse figure (Jessica Lange).
Continue reading: All That Jazz Review
When a girl leaving a beach party on Amity Island, New England goes for an...