But the first hour of the movie is a punishing parade ofprotracted establishing, colorless characters and painful performancesthat make the picture's amusingly harebrained TV inspiration look likesophisticated action-comedy by comparison.
Seann William Scott (Stiffler from "AmericanPie") and Johnny Knoxville (MTV's "Jackass")play moonshine-running country cousins Bo and Luke Duke -- although theyhave little in common with the sexy charmers in cowboy hats and sparklingsmiles created so charismatically by John Schneider and Tom Wopat in 1979.Scott and Knoxville have re-imagined the characters as the Appalachianequivalent of frat boys, and their acting consists mostly of screaming"woo-hoo!" as they drive around dirt roads at 80 mph.
But at least these two are good for the occasional lowbrowlaugh. Candy-pop "singer" and professional celebrity JessicaSimpson steps into Catherine Bach's butt-hugging cut-off Levi's as sexpotkin Daisy Duke, and she's such a catastrophe as an actress that every timeshe opens her Barbie-doll mouth, just her fake Georgia drawl is enoughto make your ears bleed -- never mind her fumbling dialogue. Knowing whereher assets lie, writer-director Jay Chandrasekhar ("Club Dread,""Super Troopers") does his best to keep Simpson as silent andscantily clad as possible. But even in a bikini, she seems rigid and plastic.
Continue reading: The Dukes Of Hazzard Review
After wishing I could claw my eyes out through "How to Lose a Guy in 10 Days" and now "Alex and Emma" -- the two worst romantic comedies of the year to say the very least -- if I never see another Kate Hudson movie it will be too soon.
The bland but likable young actress has made nothing but stinkers since showing early promise as a slapstick comedienne in "200 Cigarettes" and playing a hesitant bride-to-be in "Dr. T and the Women" before peaking in 2000's "Almost Famous," starring as a rock-band groupie with a heart of gold. But in 2003, she's played two insufferable, irritating-passing-as-cute romantic leads in a row, in two insufferably dopey, counter-programming chick flicks.
February's "Lose a Guy" (up against male-targeted blockbusters "Shanghai Knights" and "Daredevil") featured Hudson as a superficial magazine relationship columnist who deliberately sets out to snare a boyfriend then drive him away -- and in the process has the same effect on any viewer without a fortified tolerance for women who act nauseatingly clingy, cutesy-poo and insecure.
Continue reading: Alex & Emma Review
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