Juan is an 8 year old boy living in Madrid who loves to tell stories using his vivid imagination. At night, his sleep is disrupted every night by increasingly horrific dreams. His mother is concerned that his storytelling is providing the fuel for these dreams and doesn't believe what Juan tells her; that a faceless demon is appearing to him every night. As his health declines, Juan's mother starts to realise that Juan is not being haunted by an imagined threat brought on by nightmares, as she first thought but an all too real danger that could put an end to Juan's life.
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However her latest film, "Yes," is a failed experiment.Joan Allen plays an Irish-born woman stuck in a loveless, childless marriageto a philandering husband (Sam Neill). She meets a Lebanese cook (SimonAbkarian) who was once a surgeon in Beirut, and begins a love affair. Writtenentirely in verse, "Yes" requires the actors to suffer throughlong passages of blathering talk, and the scenes routinely dry out longbefore they end.
Potter attempts to add layers to the film by hinting atpolitical paranoia and showing scenes through surveillance cameras, butthe verse angle nullifies these attempts. The superb Allen is capable ofextremes: from icy control to dropping her emotional guard, yet she cannotmake this film's rhythms work.
Shirley Henderson, playing a maid who observes the actionand breaks the fourth wall by speaking directly to the camera, shows justhow the film might have played. With her silky, slithering delivery, sheplays with the words like a snake might toy with a mouse.
Having just celebrated the release of his debut EP, 'The Life and Death of MacKenzie Kane', Portuguese singer-songwriter Zé Pedro Viveiros, aka Zed...
Here's what you missed at this year's Video Music Awards.