Congratulations to Rebecca from Leith, UK who won the prize draw for @EOBOfficial's Fender Stratocaster. Many thank… https://t.co/UXphwzQtz9
Their lawyers are attacking one of her songs for alleged copyright theft.
Lana Del Rey has confirmed that she has been slammed with a lawsuit by British band Radiohead, with accusations that her new song 'Get Free' is a rip off of the group's debut single 'Creep'. The situation has divided fans, especially since 'Creep' was originally inspired by another song anyway.
Lana Del Rey at the 2017 MTV Europe Music Awards
The 32-year-old singer opened up to her followers on Twitter about the new litigation she's involved in regarding the song 'Get Free' from her latest studio album 'Lust For Life'. Radiohead are apparently after the full royalties for the track for its similarity to 1992's 'Creep'.
Continue reading: Why Is Radiohead Suing Lana Del Rey?
Radiohead, Kate Bush, Depeche Mode and Eurythmics among those who miss the cut this year, however.
On Wednesday (December 13th), the Cleveland-based institution announced its list of five inductees for its annual ceremony next spring. It consisted of rock heroes Dire Straits and Bon Jovi, new-wave group The Cars, Sixties icons The Moody Blues and the legendary late R&B singer Nina Simone.
On top of this, the little-known but highly influential figure of Sister Rosetta Tharpe, sometimes dubbed ‘the godmother of rock’n’roll’, is also to be inducted with a special Early Influences award.
The pair united for 'With a Little Help From My Friends'.
Radiohead's Philip Selway and Ringo Starr has got to be one of the coolest live collaborations this year - and there have been quite a few. They performed a rendition of 'With a Little Help From My Friends' during Ringo's New York show earlier this week.
Ringo Starr celebrates his birthday
The drummer and the former Beatle united for a performance of the 1967 Beatles number from their 'Yellow Submarine' album on Wednesday night (November 15th 2017) at the Beacon Theatre in New York City as part of the Ringo Starr All Starr Band tour dates.
Continue reading: Radiohead Star Philip Selway Plays Beatles With Ringo Starr
Who will be immortalised in the famous Hall of Fame next year?
It's that time of year again where rock fans have the difficult decision of voting on the Rock And Roll Hall Of Fame induction ballot for 2018, this year picking from nineteen amazing candidates including Bon Jovi, Radiohead, LL Cool J and Nina Simone. Truly spoilt for choice.
Bon Jovi performing live
Fans can sign up and vote for up to five candidates on the induction ballot, including the newly eligible Rage Against The Machine and Radiohead. Plus, another seven of the nominees are up for induction for the very first time while the likes of J. Geils Band and LL Cool J face their fifth and fourth nominations respectively.
The band are working with Zimmer on a new orchestral version of 'Bloom' for 'Blue Planet II's preview.
Radiohead have announced that they are teaming up with renowned film soundtrack composer Hans Zimmer to work on the score for the BBC’s upcoming natural history series ‘Blue Planet II’.
The acclaimed English rockers are re-recording their 2011 song ‘Bloom’, from their album The King of Limbs, in an orchestral version inspired by the sounds of the sea for the new Sir David Attenborough-fronted series.
Titled ‘(ocean) bloom’, the piece will be featured in a five-minute prequel snippet that will be released on September 27th.
He's not going to explain the meaning behind the video starring Thom Yorke.
People really don't know what to make of the video for Radiohead's song 'Lift'; a previously unreleased track that didn't make it on to the original 'OK Computer' release. But as simple as it seems, it's definitely chock full of obscure and ambiguous symbolism.
Radiohead perform at TRNSMT
Directed by Oscar Hudson (who worked on visuals for the band's 2016 album 'A Moon Shaped Pool'), the video features frontman Thom Yorke travelling in an elevator as different people come in and out, though not all floors lead to corridors in a high-rise building; sometimes the door opens into someone's living room, giving brief glimpses of people's very different lives.
The band have stood up for what they believe in: the music.
Radiohead have stuck to their guns and played their controversial gig in Israel, despite numerous campaigners urging them to boycott the country as a matter of cultural respect for the people of Palestine who are suffering under the government's rule. The question is: were they right to do it?
Radiohead playing at TRNSMT Festival
Since they announced that they would be playing live at Yarkon Park in Tel Aviv, people from all over the internet have been warning the band against such a move because of the conflicts between Palestine and Israel. But they insist that just because the people of the country are under a government they don't necessarily agree with, doesn't mean they shouldn't get to enjoy a bit of Radiohead.
Continue reading: Radiohead Refuse Israel Boycott And Play Their Longest Show In A Decade
Lead singer Thom Yorke took to Twitter to respond to critics, including filmmaker Ken Loach, of their decision to play Tel Aviv next week.
Radiohead’s lead singer Thom Yorke has hit out at critics of the band’s decision to perform a concert in Israel on their current tour.
The band is set to play in Tel Aviv next week on the final date of their current world tour supporting last year's album A Moon Shaped Pool, but they have repeatedly come under fire from critics of Israel’s policies towards Palestine, and are being urged to call it off as part of a cultural boycott. They have played there eight times in their career, but not since 2000, well before the 2005 Boycott, Divestment and Sanctions (BDS) movement began.
Noted filmmaker Ken Loach wrote a critical article in The Independent on Tuesday this week (July 11th) attacking the group for their decision to play there, but the band’s singer Thom Yorke took to Twitter the following day to clarify their stance and that their gig was not in any way a sign that they endorse Israeli policies.
Continue reading: Radiohead Respond To Critics Of Israel Gig
The xx think it would be ''crazy'' to headline Glastonbury because they can't believe how far they've come.
The XX think it would be ''crazy'' to headline Glastonbury.
The band performed before Pyramid Stage headliners Radiohead at this year's event and their set was so well-received, they have been tipped to follow in their footsteps at a future festival but they still can't believe they've come that far.
Speaking to Matt Wilkinson, who was sitting in for Zane Lowe on Beats 1 Radio, singer and guitarist Romy Croft said: ''A few people have said that, the next step is, the only way you can go is up. I'm stumbling thinking about it because I think that does feel very crazy to me that that's even being talked about for us.
Continue reading: The Xx Think Glastonbury Headline Slot Would Be Crazy
Here are a few of the best moments over the Glastonbury weekend.
Another Glastonbury extravaganza has come and gone, and this time we won't see the UK's most renowned music event again for two years. It was certainly a week to remember, however, with top sets from headliners Foo Fighters, Radiohead and Ed Sheeran and so much other fun going on.
Foo Fighters headline the Pyramid Stage on Saturday
Radiohead have said their first Glastonbury headline slot in 1997 was ''a form of hell'' after it was plagued by technical difficulties.
Radiohead's first Glastonbury headline slot was ''a form of hell''.
The 'Creep' hitmakers are set to headline the famous English festival on Friday (23.06.17) after having previously performed in the top slot in 1997 and 2003, and have said their first foray into headlining the event 20 years ago put them into ''crisis mode''.
Their performance was riddled with technical difficulties, and guitarist Ed O'Brien has now recalled the moment their ''dream'' was transformed into ''a kind of hell''.
Continue reading: Radiohead's 1997 Glastonbury Slot Was 'hell'
Yorke told BBC Radio 6 Music that the technical issues during their iconic 1997 performance were so bad that he was on the verge of walking off stage.
It was the performance that came to be remembered as their defining moment as a band, but Radiohead lead singer Thom Yorke has revealed that he very nearly walked off stage during their headline slot at Glastonbury Festival twenty years ago.
The show, which took place a mere fortnight after the release of their masterpiece OK Computer in June 1997, was beset by technical hitches and production issues on the night, but Radiohead nevertheless delivered what is widely regarded to be the best Glasto performance ever, with most people present and watching at home on TV not noticing the problems.
During the encore of the set, Yorke even thanked the crowd for their patience because “all the speakers have been blowing up and stuff”.
Radiohead guitarist Jonny Greenwood has revealed his solo band Junun are the support act for the Britpop group's shows in Europe this summer.
The 45-year-old guitarist's solo venture Junun is the main support act for the 'Creep' hitmakers at their forthcoming European shows in Oslo, Stockholm, Florence, Dublin, and Manchester.
They will also perform in Tel Aviv, Israel at Hayarkon Park on July 19.
Continue reading: Jonny Greenwood To Open For His Band Radiohead On Tour
Will anyone ever forget the year 2016?
2016 has been a strange year. Starting off with the death of David Bowie (pictured below) and ending with nobody in the world quite sure what is going it has been a constant journey of ups and downs.
David Bowie seen in the moving video for Lazarus
But still, there has been some excellent music videos created to match this state of confusion; from Bowie to Anohni, there has always been a constant source of inspiration available in the ever-changing climate. Here we do a recap of our favourite videos of the year, good luck 2017 in trying to match some of these...
Continue reading: Top 10 Music Videos Of 2016
2016 has been overshadowed by bad news, both politically and for the music industry itself.
Yet the shifting social landscape and loss of musical icons doesn't seem to have galvanised any one artistic movement in response, surely that's on the horizon for 2017. But while this annus horribilis may not be remembered for a particular genre or artist capturing the cultural zeitgeist, it did reinforce the simple point that the concept of an album is not dead yet. From Bowie and Cohen quite brilliantly using the format as a last will and testament, Beyonce's lavish visual album for Lemonade, to Kanye and Frank Ocean bypassing some methods of traditional distribution, it's clear that the digital age of single song downloads hasn't killed the album as an artistic statement. Vinyl has helped to massively bolster sales of physical products too, emphasising the artistic merits of the album beyond simply the music on the record.
With that in mind, many well-established artists delivered records vying for position with their best work. Bands such as Weezer, Green Day, Biffy Clyro, and Against Me! may not be making many end of year top ten lists, but their output in 2016 has been impressively solid. Even Metallica returned with a record that lived up to its hype. Elsewhere other artists produced records that at an earlier point in the year would certainly have made my list; Ray LaMontagne, Brian Fallon, Iggy Pop, Shearwater, Wye Oak, A Tribe Called Quest, Bob Mould, PJ Harvey, Joseph Arthur, and St. Paul & The Broken Bones, all comfortably fit into that category. Of particular note was the album, which kept appearing on my list and then just falling frustratingly into a lower position. Underworld's Barbara Barbara, We Face A Shining Future is a glorious album. It's two men at a very different point in their lives using the music of their youth to paint a portrait of life post 50, and the result is uplifting and hopeful in a way that many other albums weren't this year. I'm delighted that Underworld has picked up a Grammy nomination for such a great record.
One final mention before sharing my ten favourite records of 2016 is for Jimmy Broomfield. Performing under the name Heart Of Oak, his debut EP, aptly titled EP 1, was released this year. It's a collection of songs that are deeply personal and wonderfully intimate with their bare bones performances. His song-writing is both clever and witty and if you're looking for some home-grown talent with a promising future you need look no further than Heart Of Oak's website.
Continue reading: Jim Pusey's Top Ten Albums Of 2016
Thursday: As you walk the steady incline up to the festival site, chatter sparks from all directions from your fellow festival-goers as you reach the first gate to pass through. Swallowed by the atmosphere, you briefly snap out of your daze and remind yourself that you're surrounded by your friends equally happy to be reunited together.
Todd Terje is on in 20 minutes at the Bowers & Wilkins Sound System stage. Inhaling from my cigarette I look up and see a small stage to my left but more impressively, the Parc Del Forum at large. It's a beautiful structure which dominates the immediate skyline, towering over the site and its weekend habitants with the Mediterranean ocean stretching out behind it. You're at Primavera Sound - and trust me when I say that it's one of the best festivals you can experience on this side of the Atlantic.
We enter the Sound System Stage and I immediately notice that the speakers are ridiculously crisp. With Terje about to start, we queue up for some incredibly boozy mojitos and caipirinhas and head over to the tent which is already packed at 4pm. He is warmly welcomed onto the stage by a happy-go-lucky crowd as he punches into his much loved disco-revivalism, fiddles with classics and modern tracks alike as well as throwing in a couple of his much beloved hits.
Continue reading: Primavera Sound Festival - Live Review
The longevity of Radiohead comes from their willingness to experiment throughout their career, and with that earnest dedication to creativity both through their music, their distribution methods (which have become revolutionary) and how they promote themselves, they are still recognisable and distinguished from anyone else. Whether it's from rock defining albums like The Bends and OK Computer, to the rich and alienating electronic soundscape that is Kid A and the incorporation of both these aspects on the politically outraged Hail to the Thief, or even to the fidgety electronic and ambient undertow of The King of Limbs, it is always Radiohead.
'A Moon Shaped Pool' is unarguably experimental, but feels like an exception to the rule. It's strange yet familiar, like recalling a dream from a week ago while doing something mundane in your day. This album is an exercise in the uncanny, in part because several of the songs on here are previously heard but unreleased favourites by fans. It's emotional in a similar vein to 'In Rainbows', and there's still some hints of cryptic notions about paranoia and anxiety, but with that Thom Yorke has never sounded so clear and vivid in his vocal delivery. It seems to be an album of tenderness and acceptance of those insecurities. Perhaps this is their most personal release to date, as a lot of discussion has arisen concerning Yorke's separation from his partner of 23 years, and Nigel Godrich has mentioned the death of his father while making the album and the impact that's had on 'A Moon Shaped Pool'. It's melodically one of their most accessible albums to date, yet with enough meticulous detail to make one always feel some pang of anxiety and uneasiness. Patience is the virtue of 'A Moon Shaped Pool', and it benefits entirely from it.
The musical arrangements and touches of ambience-bordering-psychedelia swirl 'A Moon Shaped Pool' together to feel thematically consistent which is an impressive feat. Credit must be given to long time collaborator, producer, and unofficial sixth member of the band Nigel Godrich with some of his best work since Beck's 'Sea Change'. To consider the knife-sharp strings of the first track 'Burn The Witch' with its wry lyrical listing of groupthink in comparison to the following track 'Daydreaming'. A subdued, sighing ballad with a distorted piano melody with such delicate simplicity metamorphosing into vivid detail before drifting back to its skeleton clauses, the effect is hypnotic. The melody for 'Dark Decks' is the quintessential Radiohead melody. It could have comfortably belonged on OK Computer with its science-fiction led lyrics, its sense of scale, gravitas and impending doom. 'Ful Stop' and 'Identikit' breathe in some energy and brooding synths within the album. Identikit particularly is a standout, its driving bass at the beginning by Colin Greenwood, it's shingling guitars at the break, and a moment of pure bliss with an ethereal choir chanting "Broken hearts, make it rain" while synth chords build, ending with a wonderful guitar solo will leave you short of breath. The startlingly blunt 'Glass Eyes' depicts a man experiencing a panic attack on a commute, which is borderline melodrama so rarely personalised by Yorke's lyrics. All this is accompanied by Jonny Greenwood's string arrangements swaying above, which although beautiful throughout 'A Moon Shaped Pool', stands out particularly here and on 'Tinker Tailor Solider Sailor Rich Man Poor Man Begger Man Thief'.
Continue reading: Radiohead - A Moon Shaped Pool Album Review
After a rather mysterious weekend which saw the majority of Radiohead's official pages go offline, the band have uploaded this Trumpton style video for what is thought to be their new single Burn The Witch. This is the first material that the band have released since their 2011 album King Of The Limbs.
Continue: Radiohead - Burn The Witch
The group's first album in five years is due to drop in June, according to their manager.
Radiohead’s long-awaited new album is reportedly due to be released in June this year – at least according to the band’s manager. Brian Message was speaking at an event at a bar in London this week and is quoted as saying the record “will be like nothing you’ve ever heard”.
Message was speaking at an ‘In Conversation’ event at the London bar The Wanstead Tap, according to a tweet from the venue itself on Thursday evening (April 14th). The new record, which has been in the works for the best part of two years, is set to be the Oxford rock group’s first since 2011’s The King of Limbs.
Jonny Greenwood of Radiohead
Continue reading: Radiohead's Manager Says New Album Will Be Released "In June"
Tickets for the three dates at the London venue in May are now changing hands for thousands of pounds.
Radiohead lead singer Thom Yorke has said that he’s “f***ed off” that thousands of fans have struggled to get hold of tickets for the band’s London shows later this year, with second-hand tickets already changing hands for nearly £4,000 online.
Massive demand for the three nights at London’s intimate Roundhouse venue meant that tickets sold out in under one hour when they went on sale at 9am on Friday (March 18th). The Roundhouse only has a capacity of 3,300, meaning that the total availability of tickets over three nights amounted to less than 10,000.
It will be the first British dates that the legendary indie group has played since they did two nights at the O2 Arena back in 2012 – a venue that has a capacity of 20,000.
Congratulations to Rebecca from Leith, UK who won the prize draw for @EOBOfficial's Fender Stratocaster. Many thank… https://t.co/UXphwzQtz9
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A collaboration between @thomyorke, @FourTet and @BurialUK, here's Her Revolution/ His Rope https://t.co/UumUcIruxt https://t.co/SYRgCW6k4i
RT @EOBOfficial: Was a pleasure to perform for Echoes with Jehnny Beth in Paris.. Tune in on the @ARTEfr YouTube channel this Friday from 1…
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The new RADIOHEAD CALENDAR is back on sale for a limited period. Just like an app. Only much slower, and made of pa… https://t.co/f33yuqT8GM
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ahead of our scheduled show on 16th June 2012, killing Scott Johnson, our tour technician and friend. Mr Cugliari h… https://t.co/xX9uIiXLSw
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