It's 1971 and University professor Dr. Philip Zimbardo wants to try a new social and psychological experiment. The idea was to take 18 young, well-adjusted males and put half in the role of a prison guard and half in the role of a prison inmate. It quickly became apparent that the guards would dominate this situation and take their new job roles to the extreme.
Though all the volunteers know they're being watch by Zimbardo and his colleagues, this didn't seem to make much difference to how the guards react. Not willing to put up with the actions of the guards, soon the submissive prisoners decide to rebel and take matters into their own hands. As the volunteers fall deeper into their new lives, Zimbardo becomes fascinated by the results and how quickly the situation escalates. When rules start to get broken, when should enough be enough?
The Stanford Prison Experiment is a psychological thriller based on true events. The results of Zimbardo's test were published in a book named The Lucifer Effect.
The Stanford Prison Experiment was directed by Kyle Patrick Alvarez and stars a number of young actors including Michael Angarano, Moises Arias & Ezra Miller.
Arielle and Valéry don't exactly have a conventional marriage, they're happy enough and have two children together but they openly embrace the company of other extramarital partners - well, that is as long as the relationship doesn't involve kissing or any other physical contact.
When a chance meeting leads Arielle to make friends with gifted writer Brian, they instantly have a connection. He's quiet and much longer than the French mother, but it's obvious that both Arielle and Brian would like to meet again.
As Arielle begins to tell Brian that she can see Brian again between the hours of 5 and 7 she opens up to the youngster tells him about her French diplomat husband and their children. The information is hard to digest for Brian but feeling that their friendship is worth exploring further, Brian agrees to Arielle's rules. As their relationship deepens, Brian introduces Arielle to his parents; although obviously older than their son, she's a beautiful woman who both can see making their son happy - that is until they find out about the peculiar arrangement. As the pair grow closer, a relationship with no physical bond becomes ever harder. 2 hours a day isn't enough time for Brian and he wishes for far more than he knows he should morally ask for. Is there a way for Arielle and Brian's relationship to work?
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Ted (Seann William Scott) is done. Since his wife left him, he has decided that there is nothing left to live for, and he is prepared to kill himself. He only has one thing he wishes to do before he ends it all: get back at all the people who have wronged him over the years. Be it an old school teacher who he felt was too hard on him, or a school bully who made his life miserable, Ted intends to give them hell. That is, until he starts to learn just how much people change over time, and how change itself is something worth living for. Now, at the darkest moment in his life, can Ted really change, and learn the truth about life, love and friendship?
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An unapologetically silly movie that manages to hit the right notes, this free-wheeling comedy makes up for its corny premise with sharp writing and acting. And as it keeps the audience laughing, it's also quietly finding some rather intriguing things to say about masculinity in American society. Thankfully, preaching a message is never this film's intention. And both Kevin Hart and Josh Gad bring so much charm and energy to their roles that they instantly become a movie duo we'd like to see together again and again.
Gad plays Doug, the nervous groom preparing for his wedding to Gretchen (Kaley Cuoco-Sweeting), a girl far hotter than he ever imagined he'd get for a wife. But Doug has no friends who are willing to be his best man and groomsmen, so he turns to his wedding planner (Serricchio) for help getting in touch with an underground service that provides them. Enter Jimmy (Hart), the fast-talking, quick-thinking best man for hire who assembles a hilariously rag-tag group of "friends" as groomsmen. As they indulge in some condensed bonding so they can convince everyone they're best pals, these guys actually begin to have fun together. And Doug begins to hope that maybe this isn't just a professional partnership.
Yes, what we have here is a bromance between Doug and Jimmy, two friendless guys who discover that maybe together they can change their lives. Filmmaker Jeremy Garelick never tries to obscure the standard rom-com structure, and the simple plot is utterly predictable, but there are surprising currents of comedy and emotion running everywhere. Hart and Gad manage to bring out all kinds of riotous humour, underlying insecurities and general comic mayhem in each scene. Hart's cocky run-on dialogue is hilarious, and matched perfectly by Gad's gung-ho physicality. But even more intriguing are the darker layers beneath the silly surface. And everything is livened up by a raucously ridiculous supporting cast, including veterans Ken Howard and Mimi Rogers as Gretchen's too-intense parents and an underused Cloris Leachman as her bedraggled granny.
Continue reading: The Wedding Ringer Review
A wedding is a time for all of your friends and family to come together and celebrate your union with another person and the start of your new family. But for someone like Doug Harris (Josh Gad) who has no friends and is engaged to a woman deemed 'too good for him', it's looking to be a nightmare. With the day of the wedding drawing steadily closer, Doug is convinced to hire a best man and group of groomsmen, and calls upon the services of Jimmy Callahan (Kevin Hart), owner and CEO of Best Man, Inc. From there, Doug and Jimmy have a week to establish themselves as 'best friends' and make themselves look like people that have spent the best part of their lives together. But in the process of Bachelor Parties and wedding planning, it starts to look like Doug's new friends are turning him into a completely different person.
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Doug is all set to get married to his beautiful wife-to-be with wedding plans well underway, but there's just one problem; he can't find anyone willing to be his best man. He may be successful career-wise, but his social skills leave much to be desired. With no close friends to speak of, he has a massive problem - especially as he needs an additional seven groomsmen and he's already told his fiancee that everything is fine. It's then he discovers the Best Man Inc.; a special organisation that provides best man services to engaged social outcasts, for a price. With the help of his new best friend Jimmy, Doug sets out to try and fool his guests and his bride that he does have people close to him - but things don't look like they're going to run smoothly, especially when he meets his eccentic groom's party.
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It's the not-so-distant future, and 800 million people are crammed into the only remaining inhabitable area in North America, a mega-city that covers the East Coast. With so many people, crime is out of control, so cops and lawyers have been replaced with judges who arrest, try and execute criminals on the spot. Dredd (Urban) is a particularly efficient judge, assigned one day to take trainee Anderson (Thirlby) with him for evaluation. But they walk into a nasty gang war in a 200-storey tower block, where snarling gang boss Ma-Ma (Headey) locks them in and starts hunting them down. And while Dredd and Anderson have to be careful not to kill the block's innocent residents, Ma-ma doesn't care how many people die.
Continue reading: Dredd Review
In a chaotic dystopian future, America has turned into one huge slum devastated by the Atomic Wars and overrun with criminals. Survivors of the old world dwell in megacities in order to separate themselves from the radioactive parts of the world known as Cursed Earth occupied by mutant people. The only ones enforcing any kind of order in the country are the Judges of the Hall of Justice; police officers that have been given the role of judge, jury and executioner. Judge Dredd is the most advanced and experienced Judge and takes it upon himself to mentor a rookie called Cassandra Anderson who possesses psychic powers due to a genetic mutation caused in the Atomic Wars. The pair bravely venture to the one place that few Judges ever dare to endeavour; a two-hundred floor drug manufacturing base run by the heavily scarred, merciless Ma-Ma in one unruly city known as Mega City One. She and her ring of criminals are producing a new drug on a massive scale called Slo-Mo which makes the consumer perceive time moving at 1% of its normal speed. Judge Dredd and Cassandra must fight for their lives as they embark on a deadly mission to end Ma-Ma's reign of power.
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For most of his life, Nick Flynn has never known his father. He has remained absent for most of his life, serving time in prison for forging cheques. Nick's father, called Jonathan, is a self-proclaimed poet and spent most of his time in prison writing letters and poems.
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Sean (Hirsch) has accompanied his pal Ben (Minghella) to Moscow for a work pitch that immediately goes awry. Drowning their sorrows in a hip bar, they meet hot tourists Natalie and Anne (Thirlby and Taylor). But a citywide blackout signals the arrival of alien creatures that aren't much more than pulses of light and energy. And they're intent on obliterating humans. So these four young people start an odyssey of survival, meeting a variety of colourful characters along the way.
Continue reading: The Darkest Hour Review
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