Kidman and McGregor reminisced about their time on the set of 2001's 'Moulin Rouge!' in a segment for Variety.
Nicole Kidman and Ewan McGregor have been doing a spot of reminiscing about their hit film Moulin Rouge!, remembering the “wild parties” they enjoyed during filming when it took place nearly 18 years ago.
The two stars appeared on Variety magazine’s Actors On Actors section, and part of that saw Nicole interviewing Ewan about the time on the set of Baz Luhrmann’s extravaganza which was released in 2001. Specifically, they remembered (or, perhaps, didn’t) the huge parties they had with absinthe shots and luxurious food at Luhrmann’s private villa.
“We’d have great parties. Remember those Friday nights, those Saturday nights?” Nicole asked Ewan, who laughed out loud and replied: “Not all of them… Don’t remember all of them.” Agreeing, Nicole laughed, “Exactly!”
John McBurney is a Union soldier who is found injured in the grounds of a Mississippi Confederate all-girls boarding school in 1863. The girls and their headmistress Miss Farnsworth take him inside to care for him, locking him in a room to keep him separated from the girls, but during his stay he manages to charm the likes of teacher Edwina Dabney and one of the elder students, Alicia, not to mention Martha herself. John's presence in the house disrupts the once quaint atmosphere, and it soon becomes thick with deceit and jealousy. As each of the girls turn on one another one by one, they begin to realise who the real enemy is. And John finds himself in far more danger than he ever was in the ongoing Civil War.
Continue: The Beguiled Trailer
The star of Sofia Coppola's Palme d'Or-nominated 'The Beguiled', Kidman spoke at the Cannes Film Festival this week.
Nicole Kidman has said that the lack of female directors in Hollywood and television is still a major problem, and that it is “a given” that female actors should support female directors.
The 49 year old American/Australian star, who features in Sofia Coppola’s The Beguiled which is one of the favourites for the Palme d’Or on the Cannes Film Festival jury list this year, said on Tuesday (May 23rd) that it was incumbent upon female actors to support women behind the camera.
“Only 4.2% of women directed the major motion pictures of 2016. That's a statistic from the Women in Film group. There were 4,000 episodic TV series and only 183 women directed them. That there says it all. I think that's an important thing to say and keep saying.”
Continue reading: Nicole Kidman Speaks Out On Lack Of Female Directors In Hollywood
Gertrude Bell was a formidably intelligent British woman from the late 19th century whose travels through expansive deserts in the Middle East helped establish modern society in countries such as Iraq and Jordan, and importantly cast an enormous amount of respect on women everywhere. She didn't care for behaving like British society expected women to behave, and she proved that she could be just as skilled in the likes of cartography, archeology and politics and refused to be treated any differently than her male peers. Even when she was threatened and accused of being a spy, she never backed down and her resilience and care towards Arabic peoples have left their mark in history.
Continue: Queen Of The Desert Trailer
Is there a Sing Along of the Year Award? This video should probably win.
No, Keith Urban and Nicole Kidman aren’t headed for a divorce – in fact, they couldn’t be farther from the thought. In case you needed further proof that the pair are adorable and still in love, the couple visited a children’s hospital in Australia on Friday and sang a heartwarming duet of Amazing Grace.
Nicole Kidman still has the voice, in case you were wondering
Urban, a true man of country, brought his guitar on their visit to Monash Children’s Hospital, while Kidman showed off her impressive pipes. She joined in with her husband, making it into a rather endearling duet. By the end of the song, the musical pair had the entire room singing along.
Even Nicole Kidman couldn't do anything with the lousy 'Grace of Monaco' script.
After 2013's disastrous biopic Diana, starring Naomi Watts, it was something of a shock that filmmaker Olivier Dahan soldiered on to make Grace of Monaco, starring Watt's best pal Nicole Kidman. Reviews for both films were uniformly awful, so at least the actresses will have something to laugh about over dinner.
Nicole Kidman [L] as Grace Kelly in 'Grace of Monaco'
The odd thing is that both Diana and Grace of Monaco were made by European filmmakers who have strong pedigrees. Diana was directed by German filmmaker Oliver Hirschbiegel, whose Downfall (2004) is considered one of the finest movies ever made about the collapse of Nazi rule. Meanwhile, Dahan directed Marion Cotillard to an Oscar in the Edith Piaf biopic La Vie en Rose (2007).
Continue reading: 'Grace Of Monaco': The Curse Of The Princess Biopic
While the tone is all wrong, this fantastical version of a momentous year in the life of Grace Kelly is still entertaining, and not just unintentionally. Lavishly designed and heavily fictionalised, the film is anchored by a solid movie-star performance from Nicole Kidman that may miss Kelly's persona but captures an intriguing inner life.
It's set in 1961, five years after Grace (Kidman) left her Oscar-winning career to marry Monaco's Prince Rainier (Tim Roth). Now with two kids, she is still struggling to define her role as a foreign-born princess while considering a return to Hollywood. Meanwhile, France is ominously threatening Monaco with embargoes and more if Rainier doesn't start taxing his population and paying the money to France. Taking advice from her priest friend Tucker (Frank Langella), Grace decides to devote herself to her husband to help solve the crisis. This will require training with an etiquette guru (Derek Jacobi) as well as fending off the in-laws (Geraldine Somerville and Nicholas Farrell). And it may mean that she'll never return to the movies.
The script by producer Arash Amel presents each of Grace's decisions in the most simplistic melodramatic light, as director Olivier Dahan cuts to yet another extreme close-up of Kidman's weeping eyes. The corny approach undermines any chance at real drama, as the filmmakers keep trying to crank up suspense (someone is leaking secrets!) or emotion (the people need a champion!) without building up any meaningful substance. This makes most of the plotting feel rather laughably silly, centred around a painfully dull series of political negotiations.
Continue reading: Grace Of Monaco Review
The 46 year-old actor admits that when it comes to family, she "wouldn't even bat an eyelid," to give up her career for them.
It isn't an unknown fact that Nicole Kidman doesn't speak much about her two adopted children she shares with Tom Cruise, but that doesn't mean their relationship isn't solid.
In a rare instance, the Australian actress spoke candidly of Isabella and Conor Cruise in an interview with The Australian Women's Weekly while promoting her new flick, 'Grace of Monaco.'
Kidman, who plays the lead role of Princess Grace Kelly, was asked if she would give up her career for her family, similar to what her character did.
Will Adam Sandler's latest film 'Blended' join the ranks of his most poorly rated films? Here's the top 5.
Adam Sandler's alleged humour responds with teenage boys, and teenage boys at heart, around the world. His films contain enough toilet humour and slapstick comedy to rival The Three Stooges. Unfortunately, few of them have ever gone down well with the critics.
Adam Sandler stars in Blended - but will it become one of his worst films ever?
His latest film, Blended, starring Drew Barrymore follows two single parents as they endure a disastrous blind date. Evidently despising each other, they are forced to meet again following a mix up and somewhere end up on vacation in Africa along with their numerous children. It's a fairly obvious cocktail, disgust will turn to love on the plains of Africa and the two will manage to unite their families. Along the way there'll be a host of silly antics and misunderstandings which will quickly be swept under the carpet whilst the sun sets on a romantic first kiss.
Continue reading: The Top 5 Worst Rated Adam Sandler Movies
New Godzilla and X-men movies premiere in both America and Britain, just before the Cannes Film Festival opens with Grace of Monaco. Eastwood directs Cooper on set in Los Angeles. And The Rover, Snowpiercer, The Riot Club and Disney's live-action Cinderella drop new trailers...
The stars of both Godzilla and X-men: Days of Future Past turned out for a pair of big premieres over the past week. Godzilla, starring Aaron Taylor-Johnson, Elizabeth Olsen and Bryan Cranston, had its world premiere in Los Angeles, while X-men: Days of Future Past, starring Hugh Jackman, James McAvoy and Michael Fassbender, bowed in New York. Then both casts travelled to London for European premieres a few days later. Check out our 'Godzilla' Premiere at Dolby Theatre - Arrivals photos, watch the video of Hugh Jackman sporting a bandaged nose At 'X-Men: Days Of Future Past' World Premiere or watch the video of James Mcavoy and Patrick Stewart re-uniting at the 'X-men: Days Of Future Past' World Premiere.
But there was an even bigger film event this week in France, as the Cannes Film Festival kicked off with Nicole Kidman's new movie Grace of Monaco. The film received savage reviews from the critics, but Kidman brought real glamour to opening night. And the critics had far more praise for Mike Leigh's new film Mr. Turner, which stars Timothy Spall. Browse photos from the 67th Cannes Film Festival - Grace de Monaco - Photocall the 'Mr Turner' - Photocall or watch the trailer for Mike Leigh's Mr Turner.
The Cannes Film Festival is always a fashionista's dream, but so far the gowns on show this year have been more breathtaking than ever.
You can always count on the Cannes Film Festival to have one of the year’s most glamorous red carpets, but this time around the stars just might have outdone themselves. We’re only a few days into the festivities and we’ve already been treated to a dazzling array of gowns to lust after. From Blake Lively to Kendall Jenner, here’s our best of the Cannes fashion so far.
Blake Lively's stunning Chanel Couture
It might seem too early in the race to declare a winner, but Blake Lively could be this year’s best dressed actress. We’d only just stopped dreaming about her breathtaking Met Ball gown when she arrived at the Grace of Monaco premiere in another dazzling Gucci creation. The two tone red chiffon dress boasted a form fitting bodice and a thigh high slit, while Blake wore her hair pulled back and kept the make-up minimal.
Is Grace of Monaco the year’s biggest critical flop, or are some kinder words to be found among the scathing reviews?
Nicole Kidman’s Grace of Monaco finally got its premiere at the Cannes Film Festival this Wednesday and, to put it mildly, critics found it not to be worth the wait. The film seems to be have been universally panned with many calling it just too melodramatic for their taste. The movie’s reception is sure to be a blow for Kidman and director Olivier Dahan who already faced criticism from Monaco’s royal family and distribution problems before the film's release. But among all the negativity, does Grace of Monaco really have any saving graces?
Nicole Kidman as Grace Kelly in Grace of Monaco
The premiere of Grace of Monaco was certainly highly anticipated, but perhaps not for the right reasons. It had garnered much press attention in recent months thanks to comments from Monaco’s royal family and a dispute between the film’s director Olivier Dahan and distributor Harvey Weinstein.
Continue reading: A Critical Disaster? Trying To Find 'Grace Of Monaco's' Saving Graces
'Grace of Monaco' is really, really bad.
We could have guessed that Grace of Monaco was going to be diabolical when it emerged that Harvey Weinstein had opted against turning up for its premiere at Cannes. The movie mogul had a good excuse for his absence, but had he known this was Oscar material, he would have been there smiling for the cameras.
Nicole Kidman as Grace Kelly
The movie stars Nicole Kidman as former Hollywood star Grace Kelly who married Monaco's Prince Rainier III. It focuses mainly on the Prince's dispute with France's Charles De Gaulle over tax laws in the early 1960s.
L'Wren Scott's sister has a list of complaints concerning the handling of the late fashion designers funeral and is claiming Mick Jagger "hijacked" the event.
L'Wren Scott's sister has claimed the funeral of the late fashion designer was "hijacked" by Mick Jagger and turned into a "media circus". The funeral, which took place on Monday (24th March), was attended by numerous celebrities but few of Scott's relatives.
Mick Jagger and L'Wren Scott were together for 13 years.
Continue reading: L'Wren Scott's Sister: Mick Jagger "Hijacked" "Fake Showbiz" Funeral
Grace Kelly is one of the most famous and most beloved Hollywood actresses in the world having won an Academy Award and two Golden Globes among others, and having starred in some of the most exciting films of the fifties. In 1955, her life changes dramatically when she catches the eye of the charming Prince Rainier III of Monaco who is on the lookout for the perfect wife. After three days of meeting, wedding plans begin and the high profile of such an event forces Grace to give up acting. Their marriage is about to be seriously tested, however, as Grace is offered a new screen role and she is itching to get back in front of the cameras. Unfortunately for her, nobody is in agreement with her continuing in film as a bad role could mar her royal reputation.
'Grace Of Monaco' is the dramatic onscreen biography of actress-turned-princess Grace Kelly, who was well-known for appearing in several of Alfred Hitchcock's films. It has been directed by the BAFTA nominated Olivier Dahan ('La Vie en Rose', 'Ghost River', 'Crimson Rivers 2') and written by Arash Amel ('The Expatriate'). The film is set to be released in the UK on June 6th 2014.
Colin Firth voices London's favourite bear in the upcoming movie.
A teaser trailer has been released to promote this year's upcoming Paddington movie, based on Michael Bond's much-loved children's books and the animated television shows. The King's Speech's Colin Firth will voice the little brown bear, who everybody knows has a penchant for marmalade sandwiches.
Upcoming Children's Film 'Paddington' Will Add A Modern Twist To Michael Bond's Much-Loved Children's Classic.
Released this coming November, the Paul King-directed movie will follow the classic tale of the conscientious little bear who arrives in London from Peru feeling frightened and alone at Paddington Station. Luckily, the kind Brown family notice Paddington with his "Please look after this bear" tag and take him in.
Paddington is a bear who has lived with his Aunt Lucy in Peru since he was young. She taught him all about an explorer she once knew and shared her dreams of jetting over to England. She decides to send him off on a boat to England after her home is destroyed, but rather than being thrilled at the prospect of being in a country he has yearned to see for so many years, young Paddington is left confused, alone and frightened in the bustling Paddington Station in London. Soon though, he has a stroke of luck when a kind family called the Browns take him in whilst he attempts to track down the explorer he has heard so much about. However, things don't run smoothly for Paddington, who finds himself running for his life from a cruel, money-loving taxidermist with an eye for rare bears.
Continue: Paddington - Teaser Trailer
A terrific true story is oddly underplayed in this sober, sedate drama about reconciliation and making peace with the past. Strikingly complex performances from Colin Firth and Nicole Kidman help give the film some deeper resonance, even if even it all seems rather under-powered. But the force of emotion in the events makes the film worth a look.
In 1980 Scotland, railway expert Eric (Firth) has defined his entire life by trains. During the Second World War, he was captured by the Japanese and put into forced-labour to build a railway in Thailand. And more recently he met his wife Patti (Kidman) on a train journey. But their marriage starts to collapse when Eric refuses to face up to his torture at the hands of his wartime captors all those years ago, so Patti turns to his war-veteran pal Finlay (Skarsgard) for help. Eventually, Eric makes the difficult decision to return to Thailand and confront his tormenter Nagase (Sanada).
A more Hollywood-style film would play out as a build-up to roaring vengeance, but director Teplitzky internalises the tone, showing us past events in extensive flashbacks as the young Eric and Finlay (Irvine and Reid) try to subvert the young Nagase (Ishida) at every turn. These scenes are eerily tame as well, and only reveal the true horror of Eric's experience when he finally faces up to it himself. Instead, the focus is on his struggle to forgive Nagase, and this gives the film a strongly moving punch.
Continue reading: The Railway Man Review
The pioneering filmmaker takes prime position at Cannes
Campion is best known for The Piano, a film that saw her win the Palme d'Or at the French film festival in 1993. She was the first female winner, and remains the only one to this day. The film also won her a best screenplay award at The Oscars.
Jane Campion's consierable reputation has seen her take the head judge spot at Cannes 2014
Continue reading: Jane Campion To Take Up Head Judge Spot At This Year's Cannes
The legend of San Diego's Channel 4 news team may have long since dissolved over the years, but anchors Ron Burgundy, Brian Fantana, Brick Tamland and Champ Kind are set to return as part of a brand new 24-hour news channel. In a bid to innovate newsreading and once again come out on top over Ron's wife and rival Veronica, they decide that they're going to give viewers the news they want to hear rather than what they need to. As usual, their antics involve the usual scandal and debauchery, putting their careers and tarnished reputations once again in the media's line of fire. No matter though, as these co-workers have each other's backs all the way.
Adam Sandler needs a big hit, quick.
Adam Sandler was unsurprisingly named the most overpaid actor in Hollywood this week - which was fairly obvious to everyone, anyway. Despite some sizable successes in the past 15 years or so, the 47-year-old has suffered a slew of horrible movies that have returned only middling amounts at the box office.
Adam Sandler Looking Angry at the 'Here Comes The Boom' Premiere
Forbes estimates that his last three movies pulled in $3.40 for every $1 the actor was paid. His flop That's My Boy - which one critic called "vulgar, tasteless, mean-spirited and most offensive of all - not funny" - cost around $70 million to make but lost money with returns of just $57 million.
The news used to be a noble profession before the likes of Ron Burgundy with his set of San Diego anchors Brian Fantana, Brick Tamland and Champ Kind took over. Now it's all about scandal, debauchery and vulgarity and Burgundy and his team are fighting hard to keep it that way. As per usual, they manage to get themselves in all kinds of trouble involving drugs in the studio, completely inappropriate news headlines, accidental racism (not to mention homophobia) and, of course, getting laid, and it's all in a bid to remain on top of the media as Ron fights his own battle to professionally tower over his wife and rival Veronica.
'Anchorman 2: The Legend Continues' is the even more hilarious sequel to 2004's 'Anchorman: The Legend of Ron Burgundy'. There's definitely more laughs to be had from everyone's favourite news readers as Judd Apatow ('The 40 Year Old Virgin', 'Knocked Up', 'Forgetting Sarah Marshall') returns to produce it. Director Adam McKay ('Step Brothers', 'The Other Guys', 'Talladega Nights') is also back alongside his co-writer and star Will Ferrell. It is set to feature in cinemas just in time for Christmas, premiering in theatres everywhere on December 20th 2013.
Ron Burgundy compares a Dodge Durango's horsepower to that of an actually horse before insulting it and challenging it to a staring contest in the new clip from upcoming 'Anchorman' sequel 'Anchorman 2: The Legend Continues'.
Brit actor Colin Firth will provide the voice of Paddington Bear in a new live-action movie
Colin Firth has agreed to play Paddington Bear in a re-boot of the famed Michael Bond books about a bear from Peru with a taste for marmalade. In the original Bond books, Paddington is found by the Brown family in London's Paddington Station after getting lost on the way over from his South American homeland. It is thought that the origins from the book will be mirrored on to the screen.
Colin Firth will play the marmalade-loving bear
In a discussion with the Daily Mail, Firth revealed that the movie will all be live action, except for the computer animated Paddington. Firth also revealed that as well as providing the voice for Paddington, his facial expressions will be mapped and used by the animators to construct the Paddington we see on stage, using the same methods used to capture Gollum in the Lord of the Rings films.
'The King's Speech' actor will voice the much-loved children's character.
Colin Firth will provide the voice for an animated Paddington Bear in an upcoming adaptation of Michael Bond's cherished children's stories about a bear named after the station where he was found by the Brown family.
Colin Firth Will Voice Paddington...But Won't Have To Eat Marmalade Sandwiches.
The star of Bridget Jones and A Single Man will voice the marmalade-loving, duffel coat-wearing bear alongside performances from Hugh Bonneville and Sally Hawkins as Mr. and Mrs. Brown. English favourite actors Julie Walters and Jim Broadbent will play a housekeeper and an antiques expert, respectively, whilst Moulin Rouge actress Nicole Kidman will play the villain in the movie: a malevolent taxidermist, it has been reported by BBC News.
Continue reading: No Marmalade Please! Colin Firth Will Voice Paddington Bear In New Film
Carl Wu smashed into Nicole Kidman on his bike this week.
Carl Wu. He's the vigilante paparazzi photographer who rides around Gotham City all day on his bike trying to get a killer shot of the biggest celebrities around. This week, being New York Fashion Week, offered Mr Wu plentiful opportunities to snap away on his little bike, though he got a little too close for comfort to one Oscar winning actress.
Kidman had just returned from the Calvin Klein show - where she mingled with Rooney Mara and Stellan Skarsgard - when she walked towards the entrance of the hotel. Freelance photographer Carl Wu suddenly roared towards her on his bike, tried to hit the brakes, though slammed into the actress sending her crashing to the sidewalk.
Continue reading: Meet Carl Wu. The Cycling Photographer Who Knocked Down Nicole Kidman.
Ron Burgundy, the fictional anchor-man who stars in 'Anchorman' and its upcoming sequel 'Anchorman: The Legend Continues', will pen his memoirs.
Ron Burgundy, the fictional anchorman starring in the film of the same name, is to pen a satirical memoir.
Ron Burgundy is played in Anchorman (and its sequel) by Will Ferrell. The 2004 film and its socially inept characters have undergone something of a revival over the past few months, largely owing to the upcoming sequel Anchorman 2: The Legend Continues.
Leah Remini has decided to write memoirs about experience with the Church of Scientology. Paul Haggis, a former member of the church, has expressed his support and admiration of Remini's decision to speak out.
Leah Remini will tell all about her life as a Scientologist in her upcoming memoir. The 43 year old actress said, to US Weekly, her upcoming memoirs "will include my experiences, everything that's taboo to talk about."
Leah Remini at a 2011 GLSEN event in L.A.
Remini has revealed very little about her break from the Church of Scientology since her decision was announced over three weeks ago. It is believed the former King of Queens star left the church due to a number of disagreements with the Scientologists leader, David Miscavige. According to some reports, there has been tension between Remini and Miscavige since Tom Cruise and Katie Holmes' wedding in 2006 (where Remini allegedly asked the whereabouts of Miscavige's wife).
Ron Burgundy, Brian Fantana, Brick Tamland and Champ Kind have now hit the eighties and things are a little different. The legendary San Diego news anchors are now embarking on a different project, as part of a 24 hour news channel, but now they have fresh competition in the form of a young, handsome and well-dressed fellow anchor. Ron continues to put himself in sticky situations, this time involving some awkward racism with his new girlfriend's family during a social occasion among many other things. Will their antics extend beyond their previous capers involving angry bears and mean bikers? Or will the eighties bring with it a more streetwise news bunch? We doubt the latter.
The sequel to 2004's 'Anchorman: The Legend of Ron Burgundy' is set to hit our screens soon entitled 'Anchorman: The Legend Continues'. We'll likely be seeing yet more hijinks from one of Hollywood's favourite comedy casts as they return following at massive $85 million gross from the original movie. Produced again by Judd Apatow ('The 40 Year Old Virgin', 'Knocked Up', 'Forgetting Sarah Marshall'), Adam McKay ('Step Brothers', 'The Other Guys', 'Talladega Nights') also makes a return as director and co-writer alongside Will Ferrell. It is scheduled for release in the UK on December 20th 2013.
Eva Longoria suffered a wardrobe malfunction on Saturday and made sure not to repeat it the following evening.
Eva Longoria suffered a wardrobe malfunction at the Cannes Film Festival on Saturday (May 18, 2013) though managed to have a pretty good laugh about the whole thing. The former Desperate Housewives actress stepped onto the red-carpet for the premiere of Jimmy P. Psychotherapy of a Plains Indians and accidentally flashed too much skin for waiting fans and photographers.
The 38-year-old had tugged up the bottom of her sea foam green Atelier Versace gown in order to avoid tripping while climbing the stairs of the theater. Unfortunately for Longoria, she was sans underwear and exposed her bottom half. The embarrassed actress quickly noticed mistake and pulled herself together to pose for photographs. She laughed off the incident the following night, "Here's my dress for tonight!" she wrote, alongside a photo of herself in a black gown. "No wardrobe malfunctions tonight!"
Everything Seemed To Be Going Swimmingly For Eva Longoria At Cannes, Until She Reached The Dreaded Stairs
Continue reading: Eva Longoria's Wardrobe Malfunction Draws Laughs At Cannes Film Festival
Ron Burgundy, Brian Fantana, Brick Tamland and Champ Kind return in this hilarious sequel to 2004's 'Anchorman: The Legend of Ron Burgundy' which saw Ron land himself a hot girlfriend, get attacked by a bear and have his dog thrown over a bridge by an angry biker. The legendary San Diego news anchors are doubtlessly set to entertain us with more news casting exploits which, according to the latest teaser trailer, will involve 'submachine guns and boobies' and getting 'stinky'. One thing's for sure, it's going to be funnier, weirder and much ruder.
Continue: Anchorman 2 Trailer
Kanye West is the latest celebrity to join the ranks of Anchorman 2.
Kanye West appears to have landed himself a cameo in the Anchorman sequel after Hollywood.com reported he was spotted filming with Christina Applegate and Paul Rudd on a downtown Atlanta rooftop. It's safe to assume Anchorman 2 was the movie being filmed, with Kanye thought to be making a very brief cameo.
The eyewitness said, "he was quite afraid of heights and required an umbrella for shade most of the time he was on the roof." The Anchorman 2 production began in Atlanta in the past few weeks filming scenes in Woodruff Park and the surrounding areas, many of which have been captured by the prying eyes of the paparazzi. Writer and producer Will Ferrell is apparently a long-time hero of Kanye's, having included his dialogue from Blades of Glory in his song N*ggas In Paris. Following his infamous Taylor Swift/MTV VMA's controversy, Kanye compared himself to Ron Burgundy in a Twitter rant.
The sighting comes just 24 hours after Tina Fey and Amy Poehler were see beating up co-star Sacha Baron Cohen with crowbars! The rumors are that Vince Vaughn and Luke Wilson have also filmed very brief performances at the Atlanta set, while Nicole Kidman will be featured in a "secret" un-credited role, according to the Hollywood Reporter. Harrison Ford will be a news anchor in the new movie.
Continue reading: Kanye West Spotted Filming Anchorman 2 On Atlanta Rooftops
The latest name to be added to the Anchorman cast is none other than the Stepford Wives star.
It’s official - Nicole Kidman has shot an uncredited cameo for the upcoming Will Ferrell flick Anchoman: The Legend Continues. Yep, you guessed it, that’s the sequel to the hilarious (imho) Anchorman. Kidman is adding her name to an already pretty impressive cast. Along with the original stars Will Ferrell, Steve Carell and Paul Rudd, Harrison Ford himself is going to make a brief appearance as well. Looks like Ron Burgundy’s crew is growing by the day. Can you imagine what that set must be like during filming? It’s no surprise Kidman would be eager to jump on this particular bandwagon.
This isn’t Kidman’s only dabble in the comedy world of late. In 2011, she shot a cameo in Adam Sandler’s Just Go With It. Apparently these kinds of lighthearted roles are simply in her blood. Hopefully you’re all excited for the Anchorman sequel and for Kidman’s appearance as well. The movie is currently still in production and the release date has been set for December 20th this year. That’ll certainly be one holiday flick to look out for.
And if you simply can’t wait that long for your next fix of Ron Burgundy, you can catch the teaser for Anchorman: The Legend Continues below.
Continue reading: Nicole Kidman Takes On Comedy Once Again With Anchorman 2 Cameo
Filmmaker Daniels follows up his acclaimed hit Precious with what might be the trashiest movie in recent memory: a swampy thriller packed with desperate characters hiding grisly secrets. Daniels and his cast dive headlong into this garish world, refusing to blink as they take us to the fringes of human behaviour. It's so marvellously audacious that we feel like we need a shower after watching it.
The film takes us into the steamy backwoods of central Florida in 1969, as Miami journalist Ward (McConaughey) returns home with his black colleague Yardley (Oyelowo), who sparks whispers of racism everywhere he goes. Staying with his editor dad (Glenn) and delivery boy brother Jack (Efron), Ward is investigating the case of death row inmate Hillary (Cusack), whose trashy fiancee Charlotte (Kidman) is filing an appeal. The 20-year-old Jack is instantly smitten with the overtly sexual Charlotte, who seems happy to seduce every man she meets. And as Ward, Yardley and Jack dig deeper into the case, they get several startling surprises.
Daniels keeps the film sweaty and snarky as he delves into the story's seriously dark corners. And the actors all go along with him. The always terrific Kidman really goes for broke here, prowling through each scene and oozing raw sexuality. It's no wonder she triggers Jack's lust, and Efron plays him with a delicate balance of intelligence and naivete, underscored of course with relentless horndog desire. None of the characters are as dumb as they look, and McConaughey, Oyelowo and especially Cusack revel in playing against expectations. Each actor packs every line with attitude and insinuation, creating fascinating chemistry along the way.
Continue reading: The Paperboy Review
The Nicole Kidman-starring 'Stoker' has received strong praise from critics ahead of release this week.
We here at Contactmusic.com thought Nicole Kidman might have a hit on her hands after seeing the trailer for psychological thriller 'Stoker' back in 2012. It stars the Australian actress opposite Mia Wasikowska and Matthew Goode in a film about 'Uncle Charlie' moving in with India and her emotionally unstable mother Evelyn after the death of India's father. Suspicions about Charlie's motives are raised, things get a little weird - it looks great. Check out the creepy poster.
'Stoker' - from director Park Chan-Wook, known for his immaculate framing - has scored strong reviews ahead of its release in the U.S and UK this week. Betsy Sharkey of the Los Angeles Times loved the movie, calling it a "A bizarrely perverse, beautifully rendered mystery that you may or may not care to solve." Esteemed critic A.O. Scott of the New York Times wrote, "It may be Mr. Park's reputation that induces a state of queasy anticipation in the early scenes of "Stoker." But it is also, unquestionably, his craft."
Not all the reviews were entirely positive - for example, USA Today argued, "Just because something is unsettling doesn't make it involving," though most critics were taken by the unnerving atmosphere created throughout. Peter Travers of Rolling Stone magazine said, "Park has built a hothouse of erotic tension that's primed to explode. Some will find it too much. Screw them. Park's goal is to bust form, not conform to it. Take Stoker for what it is: a thriller of savage beauty," while Jam Movies summed up, "Stoker is a chilling and profoundly disturbing thriller about grief and wanton desire."
Continue reading: Is The 'Perverse' 'Stoker' Nicole Kidman's Best Movie For Ten Years?
You could argue that this film is all lurid style over substance, but there's actually a lot going on behind the stunningly gorgeous imagery. Korean director Park (Oldboy) beings his lavish visual approach to this Hitchcockian story about a family infiltrated by a predator. Packed with references to iconic movies and books, the film is heightened and deranged, and its intense moodiness gets under the skin.
It centres on 18-year-old India Stoker (Wasikowska), distraught after the death of her beloved father (Mulroney). Without him to soften her, she's also even angrier than usual at her needy mother Evie (Kidman). Then the charming, handsome Uncle Charlie (Goode) turns up at the funeral and moves in to help them grieve. Actually he seems to be trying to seduce Evie, who is flattered by his attention. But the housekeeper (Somerville) and an auntie (Weaver) don't stick around long enough to see what's really going on, and it becomes clear that Charlie actually has his sights set on India.
Both the script and the direction continually echo familiar literary and cinematic icons, from the family's name to the Shakespearean family plot to the prowling interloper (see Robert Mitchum in the 1950s classic The Night of the Hunter). Director Park's camera prowls through the house like a ghost, catching tiny details in every lushly designed scene while finding all kinds of shadings in the performances. Wasikowska is terrific as the sensitive, rather cruel young woman at the centre of the storm, while Kidman steals her scenes with a haunted, conflicted performance. Between them, Goode is almost painfully seductive. And clearly dangerous.
Continue reading: Stoker Review
Nicole Kidman maybe isn't quite as high profile as she was in her Moulin Rouge pomp these days, but there's no denying that when she hits the red carpet, she'll still draw the eyes of the world's paparazzi. The Australian actress was in London for the premiere of Stoker, the last film produced by Tony Scott before his death, and also starring Mia Wasikowska and Matthew Goode.
Faith Hill's braces became the subject of intense discussion and debate during the Grammy Awards on Sunday (February 10, 2013), with the country songstress debuting her new mouth gear. The singer looked stunning in a black J. Mendel gown though confused fans by wearing braces, despite her usually flawless smile.
Hill told country station KNIX that she had braces as a kid, but forgot to wear her retainer. When explaining the need for a second round of dental gear, Faith advised. "Kids, wear your retainer!" Her two eldest daughters with husband Tim Mcgraw - Gracie and Maggie - both wear braces, too. The couple presented an award at Sunday night's 55th annual Grammy Awards and were photographed hanging out with their close friends Nicole Kidman and Keith Urban. Five-times winner Grammy winner Faith Hill teamed her lavish gown with Lorraine Schwartz jewellery, Tom Ford shoes and a pretty impressive looking Bottega Veneta clutch.
As the Sundance Film Festival continues in Utah, buzz is emerging about the new Nicole Kidman movie Stoker, in which she plays the widowed mother of teen Mia Wasikowska as they deal with the arrival of the unexpectedly sexy Uncle Charlie (Matthew Goode). From the director of Old Boy, a new trailer depicts the film as a stylish, warped and very black comedy. It comes to cinemas on March 1st.
Here in Britain, two leading awards contenders open this week. Steven Spielberg's Lincoln stars Daniel Day-Lewis, the front-runner in the Best Actor race. This would be his unprecedented third win in the category. And Kathryn Bigelow's Zero Dark Thirty stars Jessica Chastain, who is currently the favourite for Best Actress, although Jennifer Lawrence in Silver Linings Playbook is giving her some serious competition.
But no one should write off iconic French actress Emmanuelle Riva's astonishing turn in Amour. She won the London Critics' Circle Film Award for Best Actress on Sunday. The London critics also gave Amour their Film of the Year title, and it's up for Best Picture at the Oscars as well.
India Stoker is a reclusive young artist with no friends at school due to her many peculiarities and idiosyncrasies. Her only friend is her father, and when he dies in a unexplained car accident she finds herself even more isolated as she is forced to stay with her unhinged mother Evie who shows her nothing but contempt. It isn't long before the mother and daughter are joined by India's uncle Charlie; a man whom India has never been told about before despite him being the brother of her beloved father. He is handsome, charming and mysterious and Evie wastes no time in falling in love with him - seeing him as a blessing since the death of her husband. Her contempt for her daughter increases, however, when she finds that Charlie has become much more interested in India and, although she initially suspects him of having dubious intentions, the interest is soon reciprocated when she becomes infatuated with his sinister games.
'Stoker' is a psychological thriller with a star studded cast directed by Chan-wook Park ('Sympathy for Mr. Vengeance', 'Oldboy') and written by first-time screenwriter Wentworth with additions from Erin Cressida Wilson ('Secretary', 'Chloe'). It is set for release in the UK on March 1st 2013.
Director: Park Chan-wook
Continue: Stoker Trailer
In 1990, when she was just 23, Nicole Kidman married the man that she thought would be the love of her life: Tom Cruise. Yes, any woman under the age of 30 was pretty much convinced at that point that Tom Cruise was destined for her, but Kidman both won and lost. They were married for 10 years, but divorced in 2000, which Kidman said, in her latest very indepth interview with DuJou, "was a shock to [her] system." Despite it taking her a long time to heal, 12 years on and her life is not just back on track but the whole landscape of her existence is basking in the warm glow of contentment and joy, it appears.
"My life changed," she said, since meeting her current husband Keith Urban. "He is a wonderful, caring man and he makes me feel secure. We don't ever like to be separated." She and Urban married in 2006 and have two daughters together. It isn't only her marriage that changed her life, but having babies has changed a lot as well. Her first child Sunday Rose was born in 2008 in Nashville. "Having my baby has been a healing experience," she says. "It took me so long to have a child. I feel enormous gratitude. Sunday has healed an enormous amount in me. It's a very private thing, but she just has."
It's a delight to hear how great Kidman's life is. "Before, I was running away from life. Now I embrace it. You never know how long you have. So I cherish every minute." She said, "I'm happier than I've ever been in my life." Kidman is currently filming for 'Grace of Monaco', a film about Grace Kelly which is set for release in 2014.
India Stoker is a plain young artist whose peculiarities isolate her from others in high school leaving her friendless. When her loving father dies in unknown circumstances after a car accident, she is forced to remain with her cold, unloving and unhinged mother Evelyn. Soon, however, India is introduced to her handsome and charming Uncle Charlie - someone who she has never before been told existed. Evelyn falls for him and attempts to have him fill the place of her deceased husband, however he seems less interested in her and more interested in India. India suspects him of having a dark motive for coming to live to them but instead of fearing him, she begins an increasing obsession for him that he in turn reciprocates.
This psychological thriller features stunning acting performances from an award-winning star studded cast that is bound to pull you to edge of your seat next Spring. Directed by Chan-wook Park ('Sympathy for Mr. Vengeance', 'Oldboy') and written by first-time screenwriter Wentworth with contributions from Erin Cressida Wilson ('Secretary', 'Chloe'), 'Stoker' is a story of corruption, vengeance and bloodlust with a hint of illicit romance. It will be released in across the UK from March 1st 2013 by Fox Searchlight UK.
Continue: Stoker Trailer
Brad Pitt became the first male face to appear in a Chanel No.5 commercial on Monday (October 15, 2012), as part of an advertising campaign that pays the Hollywood star a cool $7 million, according to Women's Wear Daily. In the new black and white ad - directed by filmmaker Joe Wright - Pitt, 48, looks wistfully into the camera.
As with most Chanel ads, there's also an enigmatic faux-philosophical drivel, which when broken down, doesn't really mean anything. On this occasion, Pitt says, "It's not a journey. Every journey ends, but we go on. The world turns, and we turn with it. Plans disappear, dreams take over. But wherever I go, there you are, my luck, my fate, my fortune. Chanel No.5, inevitable." The wishy-washy ad has already come in for scrutiny, with Erik Hayden of Time magazine calling it "nonsensical," adding that its "vaguely existential monologue ... sounds like it could plausibly have been discarded narration from the trailer for Terrence Malick's (film) 'Tree of Life." Chanel No.5 - the first perfume launched by Coco Chanel in 1921 - has previous been represented by Nicole Kidman, Catherine Deneuve and more recently Audrey Tatou in a series of very slick, very French ads.
Pitt's commercial has already racked up millions of hits on YouTube, as well as a flurry of the usual unintentionally comical comments. One user wrote, "WHAT THE HELL IS HE SAYING??!?!? But it's OK because it's Brad Pitt," while another claimed that with Pitt or no Pitt, nobody should be spending $250 on "smelly water."
Brad Pitt has become the first male to front an advertising campaign for Chanel’s iconic women’s fragrance, Chanel No.5. We’re not entirely sure what’s going on here but we’re fairly certain that it’s got very little to do with gender equality and rather a lot to do with the dollar signs in the eyes of the head honchos at Chanel. One of whom, Joanna Norman, told The Telegraph earlier this year “No one, as far as I know, has ever used a male icon to promote a female fragrance. There is a dual element: for women, there's an appreciation that it's something different; for boys, it makes them think, 'that will impress my girlfriend'. It's a brilliant example of a classic rejuvenated via a youthful icon."
At the age of 48, we reckon that Brad Pitt is very much on the cusp of no longer fitting the bill of a ‘youthful icon’ but let’s not split hairs here. Essentially, Chanel have shifted their marketing angle from ‘here’s the beautiful actress Nicole Kidman – try not to hate her, ladies, try to smell like her, instead’ to ‘hey ladies, here’s Brad Pitt, you can definitely attract Brad Pitt to your bedsit if you smell like this.’ And, most importantly, they have confirmed to straight guys across the globe that it’s OK to buy your girlfriend a bottle of Chanel No.5 because it’s exactly what Brad Pitt would do.
The main ad itself, as published in the Telegraph, depicts Brad Pitt staring at a giant bottle of Chanel No. 5. He looks bemused. He looks well-groomed. He looks like he doesn’t really knowing what he’s doing there or why he’s staring at a bottle of ladies’ perfume. Inside, he’s probably having a good old chuckle at the £4.32 million he reportedly got paid to stand around looking bemused and well-groomed, to shift a few tonnes of perfume to other bemused men, the world over.
Charlotte Bless is a busty, blonde, middle-aged woman who enchants most men she meets with her looks and sexual appeal. She has fallen emphatically in love with Hillary Van Wetter, an inmate on death row accused of murdering a sheriff with whom she is regularly in correspondence with, and plans to marry him once she finds a way of getting him released. She enlists the help of two newspaper reporters to investigate the circumstances surrounding the crime and to gather evidence to prove his innocence. One of their main objections is that the judge who sentenced Wetter did not see the evidence that was presented before him in court. Whilst Charlotte is convinced that Wetter is not a bad person, young Jack Jansen is equally convinced that she doesn't really love Wetter and becomes deeply infatuated with her.
Continue: The Paperboy Trailer
Danny is a successful plastic surgeon who likes playing the field. Most guys who are practised in the bachelor world have a pick up line and Danny has come up with quite a unique way of attracting women; he tells them that he's in an abusive relationship and that his wife is horribly cruel to him. Danny finds it a massively effective way of hitting on women but when he meets Palmer, a girl he instantly falls for he doesn't even go down his usual route, it appears Palmer reciprocates his feelings but when she finds the wedding ring in his pocket, Danny finds himself repeating his much rehearsed speech but this time he tells her his marriage is over. Like all the others Palmer falls for Danny and his ways, but being a genuine person Palmer requests she meets his wife to clear the air.
Continue: Just Go With It Trailer
At 165 minutes, Australia is ambitious to a point -- and then, to a fault. You can actually point to two movies jockeying for position on screen (well, one full story and the seeds of another). And while I quite liked the primary story, the third-act coda struck me as fodder for a potential sequel I wasn't prepared to sit through at the time.
Continue reading: Australia Review
I should note that I have read the original Philip Pullman books that this trilogy will be based on. Like Tolkien, Pullman creates a multi-layered world to journey through, but he tends to be tighter with narrative style than Tolkien. What he lacks in verbosity he makes up for in texture, and this may be where some problems will lie for an audience, as he is comfortable not sharing useful character and cultural details immediately. Over the course of this film, some information does get left out to respect the audience's time in a theater, but it in no way affects the enjoyment of watching Lyra's (Dakota Blue Richards) story unfold.
Continue reading: The Golden Compass Review
Filled with virtuoso special effects and spectacular song-and-dance sequences, Baz Luhrmann's long-awaited Moulin Rouge makes every minute of our collectively held breath worthwhile. In fact, during its opening hour, this critic found it hard to look away even for a second to jot down a note, for fear of missing even a nuanced sparkle in the eye of some French whore.
Continue reading: Moulin Rouge Review
Birth hangs its hat on a delicate premise that demands kid gloves if it seriously hopes to sustain the already shaky credibility. An elegant transition of life forces starts the film. Physician Sean dies while jogging. Simultaneously, a baby is born. Fast forward 10 years, where a cave-eyed child coincidentally named Sean (Cameron Bright) claims to Upper West Side basket case Anna (Nicole Kidman) that he is her reincarnated ex-husband. Anna's humorless fiancée (Danny Huston) scoffs at the idea. Her mother (a neglected Lauren Bacall) displays indifference. ("I never liked Sean, anyway," she articulates.) But Anna's not so quick to write the boy off.
Continue reading: Birth Review
That aside, this is one hell of a movie. A somewhat bizarre cross between A Clockwork Orange and The Shining, Eyes Wide Shut is the work of a meticulous craftsman -- a luscious and rich odyssey through the streets of New York, and into the minds of a couple of its residents.
Continue reading: Eyes Wide Shut Review
While its trailers make you believe the small screen gem has been reincarnated from its TV Land graveyard, those expecting a proper big screen revival will be sorely disappointed. In fact, the sisters Ephron have carefully crafted a film that tries and succeeds at not resembling the original. Too bad the parts they took out are all the best bits. The finished product is new and different, but it's too predictable and remarkably devoid of anything entertaining or enduring.
Continue reading: Bewitched Review
But seriously, that's what you're going to be doing if you see The Portrait of a Lady -- Jane Campion's follow-up to The Piano, based on Henry James's "classic" novel that you've probably never read. Now, I'm wishing that I had, though, because Portrait is a fantastic movie to watch, exquisitely crafted and painstakingly detailed, gorgeously photographed and full of style -- but it is just plain impossible to follow.
Continue reading: The Portrait Of A Lady Review
Predictability reigns for much of the film, because we've seen the story far too often before. A stranger comes to town where the residents are skeptical of outsiders. She proceeds to go out of her way to ingratiate herself, they finally accept her, and then show their true colors against her of what they fear to inflict on one another due to extended co-habitation. The dysfunction turns into a gang of all versus one, regardless of any normal sense of morality, which they are able to slowly rationalize. On the one hand, the unhurried process through which this evolves respects the fact that nobody changes actions or views over night. But because we know it's going to happen, the path to getting there feels arduous.
Continue reading: Dogville Review
The circumstances of her accidental eavesdropping are alittle suspect as well -- she just happened to be in a sound booth lateat night, where a microphone inexplicably left on just happened to pickup a conspiratorial conversation in a regional dialect she and only a handfulof others speak outside of the fictional African country of her birth.
Couple this with a covered-up past of rebel activity aimedat the dictator she claims will be targeted during an controversial upcomingaddress on the floor of the U.N., and it's no surprise that the SecretService agent assigned to investigate (Sean Penn) finds her revelationto be dubious at best.
Although the milieu is unusual, "The Interpreter"is largely a variation on a standard Hollywood template about a broodingcop assigned to protect a pretty witness. With a less talented cast anda less interesting director than Sydney Pollack ("Havana," "TheFirm"), it could have easily been dumbed down into an action moviecocktail with a romantic chaser.
Continue reading: The Interpreter Review
Lars von Trier's peculiar compulsion to humiliate his heroines (and by extension the actresses who play them) has finally crescendoed to a deafening din of indiscriminate, exasperating martyrdom in "Dogville," a daring experiment in heightened performance and minimalist filmmaking that is fatally undermined by the Danish writer-director's conceit as a narrator.
His last four movies ("Breaking the Waves," "The Idiots," "Dancer in the Dark" and now "Dogville") have all dealt largely with the psychological (and sometimes physical) torture of vulnerable female protagonists. While his storytelling and cinematic style are almost always compelling, he's never seemed so arbitrary in his sadism than in this allegory of a beautiful, 1930s flapper fugitive hiding from the mob in a ragged, remote, austere Colorado mountain hamlet, where the tiny populace goes from distrustful to accepting to maliciously cruel on little more than von Trier's say-so.
Played with discernible dedication by Nicole Kidman, Grace is a porcelain enigma of self-flagellation so determined to escape some kind of shadowy past that, in exchange for the skeptical township's shelter, she agrees to indentured servitude -- doing handy work, favors and manual labor one hour a day in each of the seven households. She gradually comes earn the friendship of all -- even those most reluctant to accept her.
Continue reading: Dogville Review
So effective is writer-director Alejandro Amenábar's manipulation of the viewer's psyche that his English language debut -- a seriously goosepimply homage to old-school haunted house movies entitled "The Others" -- would be unshakably bone-chilling even if you blacked out everything on the screen except Nicole Kidman's porcelain face, her eyes frozen wide with fear.
The scariest parts of this movie -- which takes place in an creaky, empty estate house on the eerily foggy English Channel of Jersey just after World War II -- have no music, no special effects, no bleeding walls, rattling furniture, claps of thunder or flashes of lightning. The scariest parts of this movie consist, quite simply, of Kidman and her two children becoming frightened out of their wits by the very presence of unseen spirits that have come to occupy their home.
For all practical purposes, Grace (Kidman) is trapped in this house because her two children (Alakina Mann and James Bentley) are fatally allergic to sunlight, and she spends her days obsessed with their protection, closing heavy curtains and locking doors of any room they enter to prevent even a sliver of light from invading. Without a car or telephone since the occupying Nazis abandoned the island, the family would be helpless if not for the coincidental arrival of three new servants (the old staff recently vanished without explanation) who came round looking for work because they'd served at the house under a previous owner.
Continue reading: The Others Review
Despite all the tongue-wagging about philandering shrinksand other rumor mill jazz, "Eyes Wide Shut" turns out to notbe entirely about sex after all.
Instead its something even more shocking by Hollywood standards-- a complex and intimate study of a couple surviving a very big bump intheir marriage.
There is sex. Plenty of it. But more frequently there'salmost sex and fantasy sex when a small marital spat between a rich,handsome couple of nine years escalates into a confession that begets adownward spiral jealousy, obsession and, most of all, temptation.
Continue reading: Eyes Wide Shut Review
"The Hours" is an Oscar voter's nightmare. An adaptation of Michael Cunningham's novel about three women in three different time periods whose lives are profoundly affected by Virginia Woolf's "Mrs. Dalloway," the film features equally magnificent performances of nearly equal screen time from three of the best actresses working in film today.
Meryl Streep submerges herself in the self-sacrificing soul of Clarissa Vaughan, a modern Manhattan book editor whose longtime dear friend -- and volatile ex-lover -- Richard (Ed Harris) likes to ruffle her feathers by comparing her to the heroine of Woolf's book. Both women are externally serene, perfectionist party-throwers hiding deep reservoirs of regret over missed opportunities while living lives as mother-hen caretakers to others.
Julianne Moore plays Laura Brown, a fragile, pregnant 1950s housewife in the midst of reading "Mrs. Dalloway," whose deep depression (like Woolf's) and suicidal musings (like Dalloway's) go all but unnoticed by everyone except her young son (Jack Rovello), who clings to her apron strings with worry.
Continue reading: The Hours Review
Rock legend Lenny Kravitz has taken some time to discuss and explain his multiple pubic piercings and how they are apparently very pleasing to his lovers.
Lenny Kravitz has expressed delight towards the piercings he has for his penis as they allegedly increase his sexual performance. The rock legend behind 'Are You Gonna Go My Way?' turns 40 on 26th May, 2004, and has stated that his "public piercing" has caused no end of pleasure for his lovers.
Kravitz explained the piercing and boasted that: "I've never taken it out. It's a hoop about the size of a quarter. It hits the lady where she likes it and, because it swings, it can be effective in any position." Kravitz has been part of multiple celebrity relationships, dating stars like Kylie Minogue, Nicole Kidman, Natalie Imbruglia, Vanessa Paradis and Devon Aoki.
Date of birth
20th July, 1967
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