Nick (Hassan) is an ex-criminal trying go straight so he can care for his wheelchair-bound mum (Blethyn). But New York gangster Thigo (Jackson), in the grip of the economic crisis, is calling in his loans. Now Nick has 24 hours to come up with ú100,000, or Thigo's goon (Davis) will kill both Nick and his mother. Nick's pal Bing (Dyer) offers to help, and they embark on an odyssey of underground fight clubs, fixed track-betting and drug deals in increasing desperation to round up the cash.
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Kiss the Bride is the kind of vanity project that every Hollywood actor dreams of making, and when it's all said and done they wonder why it never got theatrical distribution.
Continue reading: Kiss The Bride Review
One of the more gratifying feelings a movie critic can have is the feeling of going into a picture expecting tiresome clichés of an overplayed genre, only to discover delightfully surprising freshness and soul where all the hackneyed conventions usually are.
"40 Days and 40 Nights" is such a movie. Misleadingly marketed as just another misogynistic romp through the young male libido, this often ribald comedy about a frustrated 20-something giving up sex for Lent is what the puerile, simplistic "American Pie," "Tomcats" and "Saving Silverman" might have been, had they been made by people with imagination and wit.
Directed by Michael Lehmann -- the man behind the twisted teen angst and irony of the subversive '80s cult hit "Heathers" -- "40 Days" finds many new and inventive ways to make sexual frustration funny.
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Yet another retread of the Lock, Stock and Two Smoking Barrels, this London crime caper...
Industry-wise, egomania is probably at its worst in Hollywood, where seemingly anyone with a connection...