Healthy eating is one thing, but with all the pressure to be thin in Hollywood it's easy to slip into extremes.
Anyone who knows anything about Hollywood should know that Tinseltown can make people slip into some really questionable behavior. We’re not naming any current offenders here: you know who you are. But one actress, who has come out with an entertaining – or maybe terrifying, it’s difficult to decide – story from her naive youth, is former “breatharian” Michelle Pfeiffer. If you’ve never heard the term, you’re probably better off for it, because the breatharian diet sounds suspiciously like the start of an eating disorder.
Nowadays Pfeiffer is happy and healthy, but it wasn't always so.
Under the influence of a friendly couple, a young, 20-year-old Pfeffer, new to the Hollywood lifestyle, essentially stripped her diet of everything – she wasn’t allowed food or even water, just sunlight. For those of you, who remember basic biology, that’s not even enough to sustain a photosynthesizing plant, let alone an adult human.
Continue reading: A Young Michelle Pfeiffer On The Border Between A Diet And A Cult
Michelle Pfeiffer revealed she was involved in a cult-like relationship with a couple when she first arrived in Los Angeles. The 55-year-old actress stated the couple were "very controlling" and believed in "breatharianism", the belief that a human could reach "their highest state" through not drinking or eating.
Michelle Pfeiffer admitted to being in a cult when she was younger. The 55-year-old actress discussed her involvement with an unusual couple which led to her involvement into a cult called breatharianism. This involved abstaining from drinking or eating as they believe it food and drink are not necessary to live.
Michelle Pfeiffer discussed her cult-like lifestyle in a magazine article promoting her latest film, The Family.
The Batman actress spoke to The Sunday Telegraph's Stella magazine (published on 3rd November) about her youthful involvement in the cult. Pfieffer described how, after leaving home at the age of 20, she became involved with a "very controlling" couple when she arrived in Los Angeles. She described the couple as "kind of personal trainers" who placed her on an extreme diet, breatharianism, which "nobody can adhere to."
Continue reading: Michelle Pfeiffer Led Cult-Like Lifestyle As Young Actress In L.A.
Robert De Niro teams up with Martin Scorsese and Luc Besson for 'The Family'.
Thinking of heading to the theater this weekend to catch a new release? Well, as the major studios prepare their premium Oscar-bait for the November and December release dates, there isn't a whole lot to choose from. Still, Luc Besson's new comedy The Family - starring Robert De Niro and Michelle Pfeiffer and executive produced by Martin Scorsese - should satisfy family crowds not keen on seeing another Insidious movie.
Robert De Niro Means Business In 'The Family'
The off-beat movie follows a mafia boss and his family who relocate to a sleepy town in France under the witness protection program after snitching on the mob. Despite the best efforts of Tommy Lee Jones's Agent Stansfield, the family can't help but revert to its old ways and eventually get tracked down by a couple of former mafia cronies. Of course, chaos ensues in the most unlikely of settings.
Continue reading: 'The Family': Who Says Robert De Niro Doesn't Make Good Movies Anymore?
The Trailer for upcoming black comedy 'The Family', starring Robert De Niro and Michelle Pfeiffer, has been released.
From director Luc Besson (Taken, Léon) comes a new gangster movieThe Family- only this time Besson has made a black comedy. The Family stars Hollywood heavyweights Robert De Niro and Michelle Pfeiffer as a husband and wife duo. The pair co-starred together in 2007's Stardust but hadn't actually 'performed' together until now.
The plot follows the Manzoni family, led by patriarchal Giovanni (De Niro), who are placed under witness protection after snitching on the mafia. After the mafia turn on him, wanting him dead, Giovanni's family are moved en masse from Brooklyn to Normandy in France reinventing themselves as 'the Blakes' but encounter difficulties when trying to fit in.
Giovanni Manzoni is a gangster boss who has been placed under witness protection by Agent Stansfield after betraying the mafia. However, wherever they are relocated and whatever names they are given, they always manage to get themselves into trouble as blending in to their new towns becomes more and more difficult. With their lives under threat from their old pals again, the Manzonis are moved to Normandy in France where they become the 'Blakes'. Unfortunately, they have barely moved one day before the family manage to create chaos yet again, with Mrs Blake blowing up a convenience store in response to a snide comment from the French shopkeeper, the daughter getting into numerous fights and the son in trouble at school for theft and bribery. As expected, they manage to attract attention from the mob and they are forced to fight back to protect themselves in the only way they know how.
Continue: The Family Trailer
There's an intriguing true story buried inside this overly structured drama, and by playing by simplistic screenwriting rules the filmmakers make everything trite and predictable. Fortunately, the cast is much better than the material, and they bring their characters to life with jaggedly engaging interaction and some resonant emotion.
The story centres on Sam (Pine), a fast-talking New York salesman who is in big trouble professionally. So when his estranged father dies in Los Angeles, it gives him a chance to escape. He heads off to see his mother (Pfeiffer) and find out what he has inherited. But the lawyers hand him a bag of cash that he has to give to smart 11-year-old Josh (D'Addario), whose barmaid mother Frankie (Banks) is the half-sister Sam never knew he had. Without revealing his identity, he worms his way into Frankie and Josh's life. But the Feds are catching up with him, and Frankie is about to learn who he really is.
This is one of those films that hinges completely on the characters' inability to talk to each other. So one honest conversation at the beginning would make this a very short movie! But no, the screenwriters force everything into an unnatural formula that completely undermines the genuinely interesting things going on. Even so, the actors manage to hold our interest, mainly due to some terrific chemistry. At the centre, Pine nicely holds his own in scenes with the wonderful Pfeiffer and Banks, while D'Addario proves to be a young actor to keep an eye on. Meanwhile, side characters add texture, most notably Duplass as a neighbour with the hots for Frankie, and Wilde as Sam's frazzled girlfriend.
Continue reading: People Like Us Review
Sam is a successful salesman in his twenties who is dire need of a plan after he loses an $84,000 sale to debt. The loss comes at the same time he is informed of his estranged record producing father's sudden death. After reluctantly flying home to LA for the funeral, he is informed that his father left him $150,000 that he must deliver to his long lost sister Frankie who he never knew even existed, and her difficult pre-teen son Josh. Sam develops a close bond with Frankie and Josh and is shocked to learn that his father left Frankie's mother to be with his own mother.
Continue: People Like Us Trailer
After spending nearly 200 years trapped in a coffin, Barnabas Collins (Depp) is released to rejoin what's left of his wealthy New England family in 1972. The matriarch Elizabeth (Pfeiffer) now lives in the falling-down manor Collinswood with her brother Roger (Miller), her daughter (Moretz) and his son (McGrath), as well as a live-in shrink (Bonham Carter), a caretaker (Haley) and a new governess (Heathcote). But Angelique (Green), the witch who turned Barnabas into a vampire, is still trying to destroy the family.
Continue reading: Dark Shadows Review
As the countdown to 2012 begins, an executive (Swank) is frazzled about a technical glitch in the iconic Time's Square ball-drop. Meanwhile, a courier (Efron) is trying to help a frumpy secretary (Pfeiffer) achieve her dreams. A chef (Heigl) is catering a glittering event while trying to avoid her rock star ex (Bon Jovi), whose back-up singer (Michele) is stuck in a lift with a lovelorn slacker (Kutcher). A mother (Parker) is worried about her teen daughter (Breslin). And a tuxedoed millionaire (Duhamel) is trying to get to an important event in the city.
Continue reading: New Year's Eve Review
In 1752, The Collins family moves from Liverpool for a new life in North America. Barnabas, the son of the family, grows up and soon earns a reputation as a playboy. One day, his antics break the heart of a young woman, Angelique. She reveals her true nature to Barnabas - she is really a witch! She curses Barnabas and turns him into a vampire, burying him alive.
Continue: Dark Shadows Trailer
Pacino and producer Martin Bregman had a good idea in wanting to make an updated version of the original 1932 Scarface, which chronicled the rise and fall of a Prohibition-era Capone-like criminal overlord (screenwriter Ben Hecht was a Chicago journalist with a lot of intimate knowledge of Capone). Handing it over to director Brian De Palma (who had specialized mostly in psychosexual thrillers like Dressed to Kill and The Fury), and screenwriter Oliver Stone (whose credits included an Oscar for 1978's Midnight Express but also Conan the Barbarian), was a daring move. Stone did a lot of research for the screenplay, hanging out and doing coke with drug lords all over Latin America, and De Palma promised to bring a certain visual flair to the proceedings.
Continue reading: Scarface Review
In the film, Sam Dawson (Sean Penn) is a mentally challenged single father raising his daughter Lucy (Dakota Fanning). Sam is a sweet, good-natured man who earns a living by sweeping up at a local coffee store. His mental capacity is that of a seven-year-old, and as his daughter turns seven, she begins to intellectually outgrow her father. Soon, their lives come under the scrutiny of a social worker, who, "for the good of the child," wants Lucy placed into foster care.
Continue reading: I Am Sam Review
The novel White Oleander was a 1999 selection of the ubiquitous Oprah Winfrey Book Club and you can tell why: There are so many brutally dysfunctional people in the story that Dr. Phil could produce months of television delving into their sorry lives. Astrid (Alison Lohman) is an only child, growing up in the Hollywood Hills with Ingrid (Michelle Pfeiffer), her eccentric, urban-arty mother. After a series of events that Kosminsky smartly keeps off-camera, Ingrid kills her boyfriend. Or does she? And how? Regardless, the beautiful, hopeful, young Astrid is picked up by state services and sent to live in a double-wide with a foster family.
Continue reading: White Oleander Review
The title is evidently the former, though the movie is hardly the overwrought mess that I'd expected to see (for example: Message in a Bottle). Instead, The Deep End of the Ocean is a surprisingly thoughtful and laconic character study, full of nuance and genuine emotion, largely driven by Pfeiffer's unraveling character Beth. The well-known plot involves the sudden disappearance of Beth's 2 year-old son Ben, who vanishes while she is visiting Chicago. Nine agonizing years later, a kid who can only be Ben shows up -- as Sam, a neighbor's boy who wants to mow the lawn. Sure enough, it's him, but he doesn't remember his family,
Continue reading: The Deep End Of The Ocean Review
Robert Zemeckis' self-indulgent direction hangs like an albatross around the celluloid neck of "What Lies Beneath," a soft-peddled yuppie horror flick that could have been -- with some fine tuning -- a sharp and genuinely scary thriller.
Forty minutes longer than necessary and featuring a cry-scream-and-run climax so drawn out that every ounce of tension evaporates from the screen half an hour before the credits roll, it's a frustrating movie to watch because of all the wasted potential.
Anything but a standard teens-in-peril slasher movie, "What Lies Beneath" stars Michelle Pfeiffer as a New England mom with empty nest syndrome after packing her daughter off to college in the opening scenes. Now alone in the house a lot, she becomes a busy body, spying on the new next door neighbors and witnessing what she thinks is a murder.
Continue reading: What Lies Beneath Review
To understand how completely, contemptibly and cavalierly DreamWorks has gutted the Arabian legend of Sinbad for its every-cliché-in-the-book animated adaptation "Sinbad: Legend of the Seven Seas," all you need know is one line of dialogue, delivered by the hero in a feeble attempt at outdated hip-hop dialect:
The fact that this line is delivered by an appallingly miscast Brad Pitt as the voice of a Santa-Monica-beach-bum-looking Sinbad only makes it worse.
Continue reading: Sinbad: Legend Of The Seven Seas Review
I've always seen "A Midsummer Night's Dream" as one of Shakespeare's daffier comedies -- what with the fairies and all -- so this film version, adapted by director Michael Hoffman ("One Fine Day," "Restoration"), came as something of a surprise because it takes itself so seriously.
Hoffman seems to hold the Bard's less jestful observations on amour ("The course of true love never did run smooth") in higher regard than his saucy slapstick of miscommunication.
The laughs are definitely present, but they're subdued as two pairs of young sweethearts steal away into the forest (of 19th Century Tuscany in this adaptation) trying to escape the consequences of an arranged marriage, and rush headlong and unknowingly into the domain of impishly interfering immortals.
Continue reading: A Midsummer Night's Dream Review
Date of birth
29th April, 1958
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