Set in northern Italy in the summer of 1983, this internationally flavoured drama is a gorgeously nostalgic coming-of-age story that gets deep under the skin. With a career-best performance from Armie Hammer, the film is packed with complex characters and finely observed moments that have huge emotional resonance. And while the central story hinges on sexuality, it's actually about finding the courage to express our feelings.
Hammer stars as Oliver, an American in Italy for his summer internship with author Perlman (Michael Stuhlbarg) and his artistic wife Annella (Amira Casar). And he has an immediate connection with their 17-year-old son Elio (Timothee Chalamet), a smart, inquisitive young man who is initially wary of Oliver's brash American attitudes, then slowly develops a crush on him. Even more terrifying, Oliver seems to feel the same way. But Elio has a girlfriend (Esther Garrel), whose best friend Chiara (Victoire Du Bois) catches Oliver's eye. And as they spend the summer studying, eating, drinking and roaming the beautiful countryside, Elio and Oliver begin to admit their mutual attraction.
Continue reading: Call Me By Your Name Review
It's the summer of 1983 and 24-year-old Oliver has returned from his studies in America to stay with his parents at their villa in Northern Italy. It's there he meets a 17-year-old local named Elio; a free spirit who enjoys reading, playing music, swimming and partying. Elio offers to show Oliver the sights of the town, and it doesn't take long for the pair to start falling for each other. But it's a confusing time for them - for Elio especially. He has a complicated relationship with his female friend Marzia, and both of them face rejection and prejudice on the basis of their bisexual feelings.
Continue: Call Me By Your Name Trailer
It's 1963 and Elisa (Sally Hawkins) has spent her life trying to be as normal as possible, despite the fact that people rarely see her that way. She is a mute, which means there are few career opportunities for her at that time. But she does manage to land a job at a top secret government laboratory as a janitor, her brief being to get in, clean up and get out. Her life of silent solitude has left her curious to what's going on at her workplace, however, and she soon discovers that her bosses are hiding something deeply disturbing.
In a large tank of water she discovers a humanoid alien of sorts (Doug Jones), scaly and amphibious, and something about him makes her feel sympathy for him. She decides to visit him everyday, teach him about the world and how to communicate in the only way she knows how. She feels a bond with him; both of them are essentially trapped in the same lab, and both are thought of by society as outcasts in one way or another. But Elisa is in no danger of being dissected for science.
Her boss, Strickland (Michael Shannon), has no empathy for this incredible Amazonian creature. He is only interested in what he can gain from his prisoner. Elisa has no choice but to plan an rescue mission, though if she succeeds she'll surely be caught and arrested. But this isn't about being brave, it's about being human.
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As Guardians of the Galaxy did two years ago, this action romp comes at the Marvel universe from a witty angle that makes it a lot more fun than the overcrowded Avengers movies. This film has a strong central character, a boisterous sense of humour and a relatively simple plot that never gets bogged down in explaining its mythology. Most of all, it's hugely entertaining, with a great cast and head-spinning kaleidoscopic effects.
Stephen Strange (Benedict Cumberbatch) is a top New York neurosurgeon. Arrogant and dismissive, he maintains a friendship with his ex, fellow surgeon Christine (Rachel McAdams). But a car crash puts an end to his rock-n-roll lifestyle when his hands are seriously injured. After medicine fails to heal him, he turns to eastern mysticism, travelling to Kathmandu to study under the tutelage of the Ancient One (Tilda Swinton). She opens his mind to the magical power around him, and as he develops his powers with the serious, more experienced Mordo (Chiwetel Ejiofor), Stephen is pulled into an epic clash with the rebel sorcerer Kaecilius (Mads Mikkelsen), who wants to heal humanity by sending it into a dark, timeless parallel universe.
Despite the gloomy plot, Scott Derrickson directs the film with a very light touch, bringing out cheeky humour in every scene as these whip-smart characters interact with each other. Cumberbatch has probably never had a role that so fully draws on his real-life charisma and wit, and he shines as the swaggering, cocky doctor who has to rebuild his life in unexpected directions. For much of the film he's way out of his depth, which means that the supporting cast get a chance to steal scenes from him.
Continue reading: Doctor Strange Review
Before Doctor Strange was ever brought into existence, the man behind the hero was a dedicated neurosurgeon - one of the best of his time who dedicated his life to furthering his profession. When Stephen Strange is in an almost fatal automobile accident, he luckily escapes with his life but his hands are severely damaged and he goes through multiple surgeries in a bid to fix them.
Strange knows that his entire life will be completely altered if he can't fix them; it would most certainly be the end of his career, the one thing he's committed the majority of his time to. Many doctors try to fix his hands but they're unable to give the results Strange requires. In a last bid to find a cure for his hands - or at least find some solace - Steven travels to Napal.
Little did he know it but Steven Strange's life is about to make a drastic change. On a journey of self-discovery he finds himself researching and eventually coming in contact with a group called Kamar-Taj who hold ancient beliefs and have been known to heal people. As Strange is gradually taken in by the group, he finally meets The Ancient One who sees a great strength in Strange. She mentors the Doctor in the mystic arts and shows him his current reality isn't the only one in existence and teaches him how to manipulate it in order to gain great power and protect the world from others who only wish to destroy it.
Elizabeth Sloane is a lobbyist and often finds herself facing off against some of the most important politicians in America. She's a consummate professional and is often taken as cold and calculating but these elements of her personality only work to her benefit.
In many ways, being a successful lobbyist is like being a chess champion, you always must have the foresight to be at least one step ahead of your opponent and making sure they don't see your moves coming - and if they do, making equally sure that you have a counter measure in place.
After years of success, Elizabeth decides that her time has come to take on one of the biggest challenges; the Gun control laws and Elizabeth soon becomes aware at just what lengths people will go to in order to protect their second amendment right.
Michael Stuhlbarg seen at the premiere of 'Arrival' at the 41st annual Toronto Film Festival (TIFF) held at the Roy Thompson Hall Toronto, Canada -Tuesday 13th September 2016
Louise Banks is a communications expert, she's spent years studying linguists and is considered the go to person if you have any translation difficulties - especially with difficult scripts and ancient texts but never did she expect to be called upon to work on a language like the one her government is about to approach her with.
When a number of UFO's land on earth in different countries, no one knows what to do and what the outcome will be - the most everyone can hope for is a peaceful solution. Colonel Weber briefs Louise and informs her of her mission, she's been tasked with finding a way to translate and communicate the aliens demands - the top priority is to find out why they're on Earth.
Working alongside Louise is mathematician Ian Donnelly, the linguist and mathematician join a small team of military who must travel up inside the spaceship and race against time before a global war breaks out.
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Sidestepping arguments about accuracy, writer Aaron Sorkin and director Danny Boyle take an artistic, impressionistic approach to this biopic about the iconic Apple founder. Using a structure that would work perfectly on stage, the film tells his story through just three extended scenes. In the process, it reveals even more about human nature than it does about Steve Jobs or the tech business.
The first segment is set in 1984, as Steve (Michael Fassbender) is about to launch the game-changing Macintosh computer with cofounder Steve Wozniak (Seth Rogen), marketing expert Joanna Hoffman (Kate Winslet) and developer Andy Hertsfeld (Michael Stuhlbarg). As he organises the launch event to within an inch of its life, he's interrupted by his ex-girlfriend Chrisann (Katherine Waterston), but Steve still refuses to accept that her 5-year-old daughter is his. He also has an important conversation with the Apple chairman John Sculley (Jeff Daniels) just before going on-stage. This same scenario is repeated two more times, at the 1988 launch of NeXT and at the 1998 launch of the iMac, tracing Steve's fierce business acumen, complex interaction with his colleagues, and his evolving connection with his daughter.
Fassbender bravely never hedges his bets as Jobs, finding a tricky balance in an innovator who changed the world but never quite made sense of his personal or professional relationships. This is a man who is likeable and cruel at the same time, eliciting both laughter and gasps of horror from the audience. Fassbender's kinetic energy is hugely engaging, matched cleverly by Winslet's Hoffman, the only person with whom Jobs speaks about his own flaws. With both Rogen's generous Wozniak and Stuhlbarg's determined Hertzfeld, Jobs is much more dismissive, although there's respect under the surface. And its the literate banter with Daniels' thoughtful Sculley that gives the film its brainy kick, especially as it's so inventively written and directed to weave conversations right into flashbacks.
Continue reading: Steve Jobs Review
Steve Jobs is widely regarded as a pioneer in the age of technology, making the computer accessible to all with his billionaire organisation Apple Inc. Though as much as he was a genius, he made a lot of enemies on his way to fame, fortune and recognition while relying on his skilled best friend Steve Wozniak. He refused to co-operate with much of the staff at Apple including CEO John Sculley, and henceforth detached himself from the company, but meanwhile his personal life was no more amicable. Refusing to be a father to his college girlfriend Chrisann Brennan's daughter Lisa and denying all paternity shone a bad light on him in the eyes of his family, his colleagues and the public especially when paternity was proven. But upon his return to Apple came a new man, humbled by his previous behaviour and willing to be both a father and a fair businessman. But of all the sacrifices he made to make Apple great, his health suffered most of all.
Continue: Steve Jobs Trailer
Tobey Maguire, Liev Schreiber and Peter Sarsgaard talk about Bobby Fischer, the main inspiration and character in their new film Pawn Sacrifice. It's the 1970's and the relationship between Russians and the US is still very volatile. Bobby Fischer is a chess player at the top of his game, many consider him the finest Chess player to have ever lived, though away from the public eye, Fischer faces a battle of his own with inner demons and paranoia.
Continue: Pawn Sacrifice - Featurette
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