In a dark and corrupt world, the rich and powerful are the bad guys, while those who strive to bring them down are destined to fail. With sin and vice running wild, the dirty police force are pushed into a war with the criminals they have spent so long supporting. Cymbeline (Ed Harris) is a powerful drug lord that one day decides he no longer wants to pay the police for their protection, pushing both sides to put their financial goals aside and embark in a bitter and desperate battle to rid the world of one-another.
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The film is largely a platform for odd soliloquies from its odd cast members, and even the strangest among them seem to have trouble spouting off their improbable lines. Suzy Amis is particularly awful in one of her first starring roles. You might amuse yourself instead by watching for appearances from Tim Robbins, William S. Burroughs, and a few other notables. Director Michael Almereyda is clearly working on a budget of pennies here, and though he makes the most of it, the movie can't help but look pretty cheap. Characters come and go willy-nilly, the camera doesn't seem to move much, and the film's lame synth-driven music feels more like 1980 instead of 1990.
Continue reading: Twister (1990) Review
This updated 20th century Hamlet is brought to vivid realism by independent director Michael Almereyda. Almereyda places the play in the year 2000, creating the state of Denmark as a huge conglomerate, the slain king a CEO, and Hamlet as a digital video maker. This interpretation sounds almost like it's going to be as much fun as a ten-car pileup on the expressway; you want to turn your head away from in disgust but are strangely curious about what happened.
Continue reading: Hamlet (2000) Review
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