Melissa Rosenberg

Melissa Rosenberg

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Melissa Rosenberg On How Kilgrave's Death Affects Jessica Jones In Season 2


Melissa Rosenberg

When Krysten Ritter stepped into the titular role of Jessica Jones in the Netflix original series from Marvel TV, not many knew about the character, but expectations were high following the success of the universe's 'Daredevil' series. Thanks to a stunning performance, she ensured the character would quickly become one of the most recognisable from the world of Marvel, with Jones now a fan-favourite for many.

Melissa Rosenberg serves as showrunner on Netflix original series 'Jessica Jones'Melissa Rosenberg serves as showrunner on Netflix original series 'Jessica Jones'

Throughout the first season, Jones would go head-to-head with her longtime nemesis Kilgrave (David Tennant); a man who could bend the will of people at ease, making him one of the most powerful villains to have ever been created. Though he was defeated and died at the end of season 1, Jones will still be dealing with the ramifications of her experience going up against him.

Continue reading: Melissa Rosenberg On How Kilgrave's Death Affects Jessica Jones In Season 2

The Twilight Saga: Breaking Dawn Part 2 Review


Very Good

With a flurry of bonkers action and cross-species bonding, The Twilight Saga surges to a howling conclusion that has more attitude in it than all four previous films put together. There's no time for moping now, as things build to a crescendo of girly emotion, portentous pronouncements and more decapitations than you can count. Even the plot itself gets rather playful.

We pick things up immediately after Part 1 ended: Bella (Kristen) is getting used to her heightened vampire senses and intense lovemaking prowess with her new husband Edward (Pattinson), while their daughter Renesmee (Foy) ages alarmingly from infancy to about 10 in just a few weeks, overseen by soulmate-protector wolf-boy Jacob (Lautner). But the ruling Volturi boss (Sheen) has been misinformed that Renesmee is a feared immortal child, rather than a rare but apparently harmless human-vampire hybrid. As the Volturi army heads to Seattle to obliterate Edward and the Cullen clan (including Facinelli, Reaser, Greene and Lutz), the Cullens draft in an army of their own from around the world.

Essentially the film is a long build-up to a big showdown, as everyone jostles for position. This makes the film feel much pacier than the earlier chapters, as we jump from scene to scene while the Cullens prepare for the onslaught. Many scenes involve the introduction of the vampires who support their effort, and like X-men many have some sort of supernatural ability that can aid the fight. Thankfully, director Condon refuses to take this nonsense seriously, and has quite a lot of fun with the various story elements. He also gleefully ramps up the tetchy interaction between Jacob and Edward, and even makes a joke about the fact that actors playing vampires must wear red contact lenses.

Continue reading: The Twilight Saga: Breaking Dawn Part 2 Review

Breaking Dawn: Part 1 Review


Very Good
Finally, everyone stops taking the Twilight saga so seriously, creating a surprisingly entertaining romp. Yes, everyone still mopes, but they now do so with a twinkle in the eye and a growling sense of underlying menace.

After an idyllic woodland wedding and Brazilian-island honeymoon, Bella (Stewart) finds herself unexpectedly pregnant by her new vampire husband Edward (Pattinson). But what's growing inside her? Edward's family closes ranks to take care of her fast-growing foetus, watched over by her wolf-pal Jacob (Lautner). The problem is that if Bella dies, as seems likely since the baby is sucking the life from her, the tenuous treaty between vampires and werewolves will be broken, leading to all-out war. This of course puts Jacob in a tricky position.

Continue reading: Breaking Dawn: Part 1 Review

The Twilight Saga: Eclipse Review


OK
Part 3 of Stephenie Meyer's blockbuster tale continues the downward spiral of moping. It's efficiently made, with a few moments of energy and levity, but everyone really needs to lighten up.

Even though they're now pledged to be together forever, Bella (Stewart) and her dreamy vampire boyfriend Edward (Pattinson) are stuck in a gloomy funk. Not only does she have lingering feelings for Edward's mortal enemy, the hard-bodied werewolf Jacob (Lautner), but vengeful vampire Victoria (Howard) is still after her. Meanwhile, an army of young-blood vampires is building in nearby Seattle, mobilised by the hot-headed Riley (Samuel). And a Vulpari delegation, led by pain-monger Jane (Fanning) is on its way to clean up the mess.

Continue reading: The Twilight Saga: Eclipse Review

The Twilight Saga: New Moon Review


Good
Stephenie Meyer's Twilight saga continues with this darker and even mopier chapter. The relational knots of emo heroes and dreamy hunks are making it start to feel rather soapy. It may not be as sharp as Catherine Hardwick's Twilight, but it'll keep fans swooning.

Just as Bella (Stewart) turns 18 and begins her senior year in high school, her beloved Edward (Pattinson) decides he has to leave town for her safety. In a deep funk, she eventually turns to neighbour Jacob (Lautner) for company, but their friendship takes a twist when he starts getting hunky and tetchy and hanging out with gang-leader Sam (Spencer). But it's not steroids; the gang members are actually werewolves, locked in mortal combat with vampires. And she needs (and wants) to keep both Edward and Jacob in her life.

Continue reading: The Twilight Saga: New Moon Review

Step Up Review


OK
Advertising materials tell us all we need to know about Step Up. She's a little bit Fame, and he's a little bit West Side Story. She's an ice queen, while he's a Vanilla Ice clone. We get it. Yet choreographer-turned-director Anne Fletcher does everything short of laying down railroad track and positioning her leads on opposite sides to hammer home the from-different-worlds hook that carries her fleet-footed tween fairy tale.Channing Tatum fills the baggy jeans of street-tough foster kid Tyler - all the truly edgy names must have been taken. Using a baseball cap and blank stare as method tools, the actor aims for the fiery rebellion of James Dean or early Richard Gere but achieves a flatness reserved for James Franco.This watered-down Eminem walks his own 8 Mile until the cops bust him for vandalizing property at the Maryland School of the Arts. Tasked with serving 200 hours of community service, Tyler mouths off to authority (Rachel Griffiths, longing for her Six Feet Under days), romances self-centered dancer Nora (Jenna Dewan), and discovers a career path that might one day lead him out of the ghetto.Fletcher's resume is littered with professional choreography jobs on films like Bring it On and Ice Princess. She pours her creative juice into this film's numerous dance routines, and it's during those moments that Step Up shows flashes of potential. Tatum and Dewan have limited ability as dramatic actors, but each can move to the beat with the best of them.Fletcher desperately needs someone in her cast to - pardon the pun - step up and elevate the film past the stacks of storytelling clichés cranked out by screenwriters Duane Adler and Melissa Rosenberg. Their script half tries, with unfinished results. Days after Tyler arrives on campus, Nora's dance partner conveniently drops out of her senior routine with a temporary injury. Nora's mother frowns on her unyielding dedication to dance, yet pays for her daughter to attend a private arts program. When Step Up reaches beyond the dance floor, exploring a gang grudge that leads to the death of someone close to Tyler, the movie fatally stumbles and never regains its footing.Step up? How 'bout you step off!?
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Melissa Rosenberg Movies

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Stephenie Meyer's Twilight saga continues with this darker and even mopier chapter. The relational knots...

Step Up Movie Review

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