To Jenny's family, she's always been somewhat of a loner. Even though she's the oldest sibling, as far as they're aware she still lives a bachelorette lifestyle with her roommate in the city.
When Jenny returns home for the christening of the newest member of their family, it doesn't take her mother and father long to start the usual 'when are you going to find a man and settle down' lecture. Finally caving to their questioning, Jenny lets slip that she is in a relationship and that this partner might just be the one that she's ready to settle down with. What all Jenny's family don't know is that her partner is actually her current roommate Kitty.
After years of living together and being open about their relationship with their city friends, Jenny comes out to her parents and announces her wish to marry the love of her life. Having lived a sheltered existence, this comes as a huge shock to Eddie and Rose and neither know how to take the news - asking Jenny to keep her partner a secret. As time passes and the lie becomes unmanagable, the Farrell family find themselves being pulled apart. To find a way to keep their family together, each must face facts and find a way to adapt to make a future together.
Continue: Jenny's Wedding Trailer
The novel White Oleander was a 1999 selection of the ubiquitous Oprah Winfrey Book Club and you can tell why: There are so many brutally dysfunctional people in the story that Dr. Phil could produce months of television delving into their sorry lives. Astrid (Alison Lohman) is an only child, growing up in the Hollywood Hills with Ingrid (Michelle Pfeiffer), her eccentric, urban-arty mother. After a series of events that Kosminsky smartly keeps off-camera, Ingrid kills her boyfriend. Or does she? And how? Regardless, the beautiful, hopeful, young Astrid is picked up by state services and sent to live in a double-wide with a foster family.
Continue reading: White Oleander Review
Watching the 1989 movie today, it's not just an unabashed chick flick, it's also revealed as a plain-old Bad Movie. For starters, it's not really about anything, instead preferring to work (or not) as a collection of loose scenes that illustrate the ups and downs of two friends (Midler and Barbara Hershey) from their pre-teens to the grave. Things happen, but not much. The film's only real plot point comes in the last act (spoilers ahead if you care), when Hershey's character croaks on us, sticking Midler with her daughter.
Continue reading: Beaches Review
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White Oleander is one girl's dramatic coming-of-age story -- emphasis on the word "dramatic." A...