Director Antoine Fuqua (Training Day, Olympus Has Fallen) talks about what makes The Equalizer (Denzel Washington) different from other action movie heroes. The name comes from how he spends his days as a "regular Joe", but uses hand-to-hand combat in order to fight his way through legions of bad guys "levelling the playing field". Producer Todd Black (A Knight's Tale, The Pursuit of Happiness) goes on to explain The Equalizer's skill set. He uses impeccable awareness of his surroundings to manipulate his environment into a weapon - this leads to stunt coordinator Keith Woulard discussing Washington's desire to make the fight scenes "dirty and gritty, but he want[ed] it smart".
Continue: The Equalizer - Featurette and Clip
The everlasting trail of violence, death and deceit continues with the return of several characters from the original ‘Sin City’ movie. Dwight McCarthy is back, this time running to the rescue of his ex-girlfriend Ava Lord who claims she is being abused by her wealthy husband Damien; he has his own reasons for wanting to help her, but he could be in for a nasty surprise. The framed and punished Marv wakes up after supposed execution by electric chair only to find that he is lying amongst several dead bodies and can’t remember how he ended up there. Following, her near miss at the hands of serial child-killer Roark Junior, Nancy struggles to deal with the painful death of her rescuer, police officer John Hartigan. Plus, a new face shows up in Sin City, a gambler named Johnny who lands himself in mortal danger when he tries to take on the town’s most formidable villain.
Continue: Sin City: A Dame To Kill For Trailer
When news gets round about a gold discovery in the Klondike region of the Yukon, Canada in 1897, it becomes one of the last great gold rushes in history. Bill Haskell and Byron Epstein are two hopeful travellers with an ambition of wealth who travel up to Dawson City (often dubbed 'The Paris of the North') to receive their fortune. However, digging up a life of luxury becomes less straightforward as they are forced to face bitter sub-zero temperatures, gold-digging temptresses and men who won't think twice about killing for profit. Making an easy fortune is one thing; surviving long enough to use it is another.
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Peter Parker has always had difficulty trying to prioritise his life. There's the personal side of it; the ordinary teenage angst, trying to hold down a relationship with the lovely Gwen Stacy and mourning the death of his Uncle Ben; then there's the side about saving the world from supervillains and general criminals terrorising the street as Spider-Man. While more often than not successful, he is about to face his biggest challenge yet as he is swamped by enemies such as the formidable Rhino and the quick as lightning Electro. Not only that but, as his friend Harry Osborn returns, he begins to realise that weapons manufacturer OsCorp is cropping up in all situations regarding his foes - just what is Osborn's father plotting?
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When Noah is faced with a dark message from God thanks to his gift of envisioning the future, he realises he is the only person who can save the world. The Lord is angry with the entirety of humanity for their increasingly violent behaviour, and is thus forced to oversee an enormous flood deadly enough to wipe out all people and animals on the planet. Noah and his family are the only humans on the planet who God is willing to save, and so they build an ark big enough to home two of every animal as well as themselves as God attempts to start over again. However, when word gets around that Noah is given the gift of survival while everybody else is doomed to die, naturally a siege ensues and Noah must protect himself and his family against more than one great threat.
This Biblical dystopian tale is based on the Genesis story 'Noah's Ark' which depicts an apocalyptic flood destroying mankind. It has been directed by Darren Aronofsky ('Black Swan', 'The Wrestler', 'Requiem for a Dream ') who co-wrote the screenplay alongside his previous collaborator Ari Handel ('The Fountain'). 'Noah' will be released next year on March 28th 2014.
Isaac is an avid photographer whose recently deceased father encouraged his passion throughout his childhood growing up in Australia. Following his father's funeral, he is determined to travel to a village in Greece to scatter the ashes over the rocks. However, he is in for a shock that will turn his life upside down when he is prevented from doing so by a local who informs him that his family is cursed. At first, he ignores the rumours but is haunted by hidden secrets everywhere on his journey around Europe. He discovers that his father had to run away to Australia years ago following a disturbing incident with a Jewish boy; due to his upbringing and being consistently brainwashed by both his parents that 'Jews and Muslims go to hell', he finds what he is discovering increasingly unnerving. Isaac tries in vain to escape his history but winds up getting mixed up with a young and desperate refugee called Josef who he is required to rescue and take to Australia. His European adventure quite rapidly turns in to a journey of self-discovery he'd rather not take.
This Australian drama was recently released in December 2012 and has been directed by Tony Krawitz ('Jewboy', 'The Tall Man' documentary). It is based on the novel by the award-winning author Christos Tsiolkas whose previous works, 'Head On' and 'The Slap' for example, have also been adapted to screen. The screenplay has been written by Louise Fox ('Full Frontal' TV series) in her movie debut and Krawitz has already received a nomination at the Sydney Film Festival for an Official Competition Award.
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Even if the plot takes too long to come together, this film has a darkly foreboding tone that's thoroughly mesmerising, drawing us into its mysteries while touching on issues of race, religion and sexuality. It's a finely crafted film, although the filmmakers keep everything so enigmatic that we grow impatient to understand what's going on.
It centres on Australian photographer Isaac (Leslie), son of Greek immigrants who forbid their children from returning to the old country. Which of course makes them curious. Isaac's older brother Nico (Czokas) moved to Hungary years ago and never came back. And now that their father has died, Isaac decides to scatter his ashes in Greece and visit Nico. But when he gets to the ancestral village, he discovers that there's a curse on his branch of the family. It has something to do with a young Jewish boy during the war, and looking for answers in Paris and Budapest only deepens the mystery.
As Isaac travels around Europe he meets a wide variety of freaky characters who add to the film's unhinged mystery. These include his helpful Greek cousin Giulia (Skiadi) and her seductive friend Andreas (Samaras), a nutty woman (Fragos) who performs a psychic steam-reading, a Parisian couple (Balmer and Lebrun) who knew Isaac's father, an Arab woman (Bukstein) who's being trafficked, and Nico's cohort (Naor) in the drug-porn business. And there's also a homeless teen (Smit-McPhee) who seems to haunt Isaac wherever he goes.
Continue reading: Dead Europe Review
As a boy, Abraham Lincoln learns from his father, Thomas, that vampires are real. Worse still, it was vampires that took the life of Abe's mother, Nancy, rather than 'milk sickness' as he previously believed. The news, understandably, shocks Abraham, who vows to avenge his mother and hunt down and kill vampires.
Continue: Abraham Lincoln: Vampire Hunter Trailer
Will (Craig) has just quit his job as a Manhattan editor to spend more time with his wife (Weisz) and young daughters (Geare and Geare) in their suburban home. But something isn't right. A suspicious man (Koteas) is lurking in the night, while the ex-husband (Csokas) of the neighbour (Watts) across the street oozes pure rage. Then Will starts to realise that nothing is what it seems to be. And he'll need to face reality if he hopes to sort things out.
Continue reading: Dream House Review
The facts are these: In 1945, as the American army is pushing back the Japanese in the Philippines, Tokyo has issued an order to exterminate every prisoner of war, an order enthusiastically carried out in the beginning of the film, which recreates an episode in which 150 U.S. POWs were covered in gasoline and set on fire. The Americans know that as they advance, the Japanese will do the same thing at every camp they get close to, and that the American Sixth Army is only days away from the camp at Cabanatuan, with over 500 prisoners - a starving and miserable bunch who survived the Bataan Death March and three years of privation only to face murder just as their fellow soldiers approach. So a team of 121 soldiers, mostly inexperienced Rangers, are ordered to sneak 30 miles behind Japanese lines and liberate Cabanatuan. It's a jury-rigged, rag-tag sort of mission, with the soldiers knowing it's a suicide detail, but also knowing they couldn't stand not to try.
Continue reading: The Great Raid Review
For almost five years now, Hollywood studios have beentrying to duplicate the success of "Gladiator"by making the same big-budget historical battle epic over ("TheLast Samurai") and over ("Troy")and over ("KingArthur") and over ("Alexander").
Each movie has re-imagined history from a modern, let's-keep-an-open-mindperspective and hewed to a shopworn formula in which the hero rallies hismen against great odds and for a greater good. He invariably leads theminto the same blood-and-mud war scenes, which are always shot in the samestaccato slow-motion that characterizes the chaos of combat but forgetsthe audience needs to be kept abreast of who is winning. The hero alsoalways finds time to romance a beautiful woman from another culture.
Aside from having different casts, the only significantvariations between these films seem to be 1) whether the hero was of noblebirth or came up from nothing to become a great leader, and 2) whetherthe battlefields are green and forested or brown and sandy. One thing mostof them definitely have in common is that they've bombed at the box office.
Continue reading: Kingdom Of Heaven Review
Staying 100-percent true to the surprising, cerebral, cliché- and catch-phrase-eschewing spirit of 2002's "The Bourne Identity," screenwriter Tony Gilroy (returning from the original) and director Paul Greengrass have put together a breathless sequel with tense intellectual punch, smart, seat-gripping action, and a hero who is utterly compelling, almost without saying a word.
Still suffering from amnesia and nightmarish recovered flashes of his past assignments as a CIA assassin, the now-tempered Jason Bourne (Matt Damon), and the girl (Franka Potente) who helped him survive a relentless manhunt in the first picture, begin "The Bourne Supremacy" having their peaceful incognito existence on an Indian beach shattered by a rogue Russian secret service agent (a silently daunting Karl Urban) with a sniper rifle.
In one of the film's few conventional contrivances, the plot is set in motion when, after a nerve-racking chase through the tight, ancient streets of this third-world seaside town, their jeep plummets off a bridge and this otherwise professional killer heads home, assuming they're dead. Bourne in turn assumes the CIA has come to finish the job they started two years ago, and immediately begins a hunt of his own -- fulfilling his pledge that "if I even feel somebody behind me, there is no measure to how fast I will bring this fight to your doorstep."
Continue reading: The Bourne Supremacy Review
"The Monkey's Mask" is an old-fashioned film noir murder mystery, complete with a hard-boiled private eye narrator, a pretty young victim, a host of nebulous suspects and a smoky, enigmatic femme fatale.
With whispered intensity, it oozes 21st Century Raymond Chandler ambiance as the detective probes the apparently gruesome strangulation slaying of a tormented poetry student, makes stunning discoveries about her sordid sex life and falls for the girl's voluptuous professor in spite of knowing full well it's a bad idea.
The film is a brilliantly modern homage to everything that was great about the golden era of gritty gumshoe flicks, with two significant twists: 1) its inventive, gorgeously coarse, full-color cityscape cinematography, and 2) the detective...is a woman.
Continue reading: The Monkey's Mask Review
Date of birth
30th June, 1966
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