From were-rabbits to sabre-toothed bunny rabbits, Nick Park returns with a Stone Age adventure featuring characters in the world's favourite stop-motion animation style. But sabre-toothed bunnies are not, of course, the only creatures these cave men and women have to worry about; this is a time when prehistoric beasts like dinosaurs and woolly mammoths are roaming everywhere. Soon though, one brave caveman named Dug along with his pet warthog Hognob decides he must bring his rather timid tribe together if he wants to save them from one major nemesis which threatens the peace of their lives for good; the dastardly Bronze Age. But, unexpectedly, that battle soon turns into modern day football.
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While this slick dramatic thriller plays with some intriguing ideas and themes, it never actually breaks the surface, relying on silly plotting and simplistic moralising. It also uses autism as little more than a plot point. Still, it's sharply shot and edited to create plenty of interest, with comical asides and some intense action. So it's entertaining even if it's both preposterous and shallow.
It centres on Christian (Ben Affleck), a mild-mannered autistic accountant with a big secret: he's not only cooking the books for top gangsters around the world, but he's also an efficient killer. In his day job, he's hired by Lamar (John Lithgow) and his sister Rita (Smart) to locate an anomaly in their robotics company's books. Working with company accountant Dana (Anna Kendrick), Christian crunches the numbers and finds more than anyone expected. Meanwhile, Federal Agent Ray (J.K. Simmons) wants catch this mythical mob accountant-killer before he retires, so he coerces analyst Marybeth (Cynthia Addai-Robinson) into tracking him down. But just as they close in on Christian, so does hyperactive hitman Brax (Jon Bernthal).
The script by Bill Dubuque (The Judge) never even remotely holds water. Christian's autism provides some intriguing flashbacks, which build throughout the movie to a climactic moment, as his militaristic father cruelly treats his condition by sending him to Karate Kid-style training in Indonesia with his silently annoyed little brother. Where a real autistic child would revert into the horror of all of that, Christian emerges as adeptly skilled at engaging with everyone he meets and also able to fight more efficiently than experienced military commandos, whom he kills by the dozen as Brax and his army surround him. No, it makes absolutely no sense, but as a movie it's a rather amusing waste of time.
Continue reading: The Accountant Review
Mark Williams at the 'The Accountant' European Premiere held at Cineworld, Leicester Square, London, United Kingdom - Monday 17th October 2016
Mark Williams - Filming takes place on location for the Open All Hours one-off Christmas Special - Doncaster, South Yorkshire, United Kingdom - Wednesday 20th November 2013
In 1898, Albert (Close) works at an upscale Dublin hotel, and no one suspects that he's actually a woman. Quietly going about his work while saving to open a tobacco shop, Albert is unassuming and relentlessly polite. Then he's asked to share his room with visiting painter Hubert (McTeer), who learns his secret and reveals one of his own: he's a woman too. But Hubert has managed to have a normal married life. This inspires Albert to pursue the hotel maid Helen (Wasikowska), which is complicated by her lusty relationship with handyman Joe (Johnson).
Continue reading: Albert Nobbs Review
Harry Potter and his friends, Ron Weasley and Hermione Granger, continue their search for Voldemort's Horcruxes - dark magical objects that help the user gain immortality. Having found and destroyed one Horcrux - a locket belonging to Hogwarts founder Salazar Slytherin - the three friends travel from Ron's older brother Bill Weasley's house by the sea to the wizarding bank, Gringotts and then to Hogwarts to look for the final remaining Horcruxes.
The women in question, Mel (Peyton List) and Jules (Cameron Goodman) have just returned from a Caribbean holiday. It's dark, and they're getting drenched in a downpour. So, they take a van driver's (Tony Curran) offer to provide cheap rides home from the airport. There are only three other passengers -- Seth (James Snyder), a shaggy-haired horn dog, Matt (Dave Power), his sensible, chilled-out companion, and Andy (Cullen Douglas), a nervous milquetoast. No sooner have they set out that the driver, who's gruff and bullying without quite being menacing -- a common trap that sub-par thrillers often fall into - "gets lost" in a desolate stretch of the city, pulls out a gun, demands cash from his passengers, and begins his reign of terror.
Continue reading: Shuttle Review
Chaos immediately descends into doldrums, with Conners and extremely strange partner Shane (Ryan Phillippe) trying to figure out who Lorenz is and why he robbed a bank but didn't steal anything. Cat and mouse ensues, Seven style, until we figure out the truth that's been telegraphed since the very beginning. (And trust me, everything you need to fill in the pieces can be found in the last two paragraphs.)
Continue reading: Chaos (2005) Review
She then opted to write her own ticket, returning to stand-up, making occasional film appearances, and honing Jesus is Magic, the one-woman mostly-stand-up show, now available as a feature film. The film version combines her standup act with a handful of cutaways to songs and skits. A few of her comic buddies make appearances, but as Silverman informs us during the opening number, the film is really about her, and only her.
Continue reading: Sarah Silverman: Jesus Is Magic Review
In his second big-screen outing, adolescent wizard Harry Potter is blessed with enough cinematic magic to overcome several of the very same problems that left last year's "Harry Potter and the Sorcerer's Stone" feeling a little protracted and rambling.
Sure "Harry Potter and the Chamber of Secrets" spends twice as much screen time on atmosphere and adventure scenes than on plot and character. But this time around every episode seems relevant, which is a vast improvement over last year's film, bloated as it was with Quidditch matches and monster moments that didn't advance the plot one iota.
Returning director Chris Columbus retains the enchanted ambiance as Harry heads to Hogwarts School of Witchcraft and Wizardry for his second year of instruction in the black arts. But nothing is ever easy for our young hero, as unseen forces seem to be conspiring against him -- not the least of which is some kind of elusive beast that's loose in Hogwarts' halls, turning students to stone.
Continue reading: Harry Potter & The Chamber Of Secrets Review
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