Marcello Mastroianni

Marcello Mastroianni

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A Very Private Affair Review


Weak
In A Very Private Affair, Brigitte Bardot gets to basically play herself, an overacting, overstacked blonde goddess who just can't take it any more when the pressures of celebrity get to her. Her performance is just short of a tragedy, and the plot is saccharine, asking us to feel sorry for the plight of her movie starlet when the paparazzi flock to her country place after word surfaces about her "very private" affair with an older man. When press light a bonfire in your yard to keep warm and helicopters hover right over your roof, sure, you should get upset. But in that case reality will have dissolved completely, so why worry?

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Un, Deux, Trois, Soleil Review


Good
What's real in Un, deux, trois, soleil is the teeming multiracial housing project in the slums of Marseilles where Victorine (Anouk Grinberg) struggles through her childhood and early adulthood. What's not real in this feverish dreamscape of a film is just about everything else. The story seems to unwind -- and then tangle -- inside Victorine's troubled mind as she seeks the affection her parents can't provide in the back seats of the cars of teenage Moroccan gangs and in the arms of a petty thief.

And mon dieu, what parents she has! Victorine's mother (Myriam Boyer) is quite insane, and her father (Marcello Mastroianni) is a raging alcoholic who spends most of the movie hunched over a bar drinking pastis. They torment Victorine at every stage of her young life, and we see every stage, with Grinberg acting 12, 16, 20, or 25 as the scene demands. With just the change of an outfit and some altered body language, we get Victorine as a middle schooler in love with her daddy, as a married woman with several children (it's hard to tell how many), as a tough teenager looking for trouble, and as a preteen willing to give up her virginity to anyone who'll be nice to her. Linear chronology flies out the window, and you're never quite sure what you're seeing, especially when dead characters reappear to chat with Victorine or address the audience. It's a tour de force for Grinberg, although some of its power dissipates in the overall confusion of the storytelling.

Continue reading: Un, Deux, Trois, Soleil Review

Intervista Review


Bad
It is movies like this that give Fellini -- and foreign films altogether -- a bad name. A compilation of nonsense and leftovers from dozens of years in the moviemaking biz, Intervista is self-described as a celebration of Fellini's love affair with the movies.

Au contraire. Intervista is little more than a celebration of Fellini's love affair with himself.

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Marcello Mastroianni

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Marcello Mastroianni Movies

Un, deux, trois, soleil Movie Review

Un, deux, trois, soleil Movie Review

What's real in Un, deux, trois, soleil is the teeming multiracial housing project in the...

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