While it might make a charming book-on-tape for the Oprah crowd, this "love loves to love love" hokum masquerades as a real movie. The present day academics exist in counterpoint to the period movie flashbacks (basically Jeremy Northam donning his suit again and looking forlorn, intercut with shots of his beautiful mistress Jennifer Ehle looking voluptuous and forlorn). And they talk, talk, talk about subtext within the letters; but they're actually talking about each other. Yes, it's When Harry Met Sally in the Library. So help me God, Eckhart's emotional revelation is when he asks Paltrow, "Is there an Us in You and Me?" (If I were Paltrow, I'd say, "I'll call you.")
Continue reading: Possession Review
But seriously, that's what you're going to be doing if you see The Portrait of a Lady -- Jane Campion's follow-up to The Piano, based on Henry James's "classic" novel that you've probably never read. Now, I'm wishing that I had, though, because Portrait is a fantastic movie to watch, exquisitely crafted and painstakingly detailed, gorgeously photographed and full of style -- but it is just plain impossible to follow.
Continue reading: The Portrait Of A Lady Review
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