Really, both should've been covered when Miramax reunited Scream's writer and director, Kevin Williamson and Wes Craven. In the Scream trilogy, these uneven artists brought out the best in each other: Williamson's overwritten self-referential dialogue felt smarter braced against Craven-directed tension, which flourished with funny and likable characters. Cursed starts with the likable characters, and then jams on the brakes.
Continue reading: Cursed Review
Easily the biggest problem with this movie is in the marketing. I can only imagine how pissed off Williamson, Rodriguez, and everyone else involved in the movie must have been to see the film marketed as just another schlocky entry into the horror genre, which generally takes the words aliens; teenagers; battle; suspicious; killer; small town; etc. and jumble them up to come up with a concept (to wit, this time: suspicious small town teenagers battle killer aliens). Now if you are already a big 80s horror fan, just skip this review, because you already saw the movie, but this review is for people who are highly suspicious of shelling out eight bucks to see a horror flick. The only reason I actually saw The Faculty was because my little sister begged me to. But now I'm trying to convince you to.
Continue reading: The Faculty Review
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