Possibly the most celebrated film of the 1970s -- at least among film snob circles -- Robert Altman's sprawling case study of five days in the Tennessee city is self-absorbed, overwrought, and dismissive. Nor is it particularly well-made, with poor sound (even after being remastered for its DVD release) and washed-out photography, not to mention a running time (2:40) that's at least an hour too long.
Continue reading: Nashville Review
A Madison Avenue advertising executive, Rath lives in a comfortable Connecticut bedroom community and commutes in and out of the city, leaving him little time for his wife Betsy (Jennifer Jones) and his funny, television-addicted kids. Betsy, who in typical '50s suburban style is deeply concerned about keeping up with the Joneses, pushes Rath to find a better job, and he agrees even as he realizes that more work and stress is not what he wants. In fact, he's heading toward what we now call a mid-life crisis, although they didn't have a word for it back then.
Continue reading: The Man In The Gray Flannel Suit Review
In addition to the Jaws sequels, Orca stands at the very nadir of these "nature's killers from the sea." In its opening scenes, Orca tries to tell us that Jaws was a wuss: A killer whale smashes into a great white shark, sending him shooting 20 feet into the sky and devouring him in a foaming mess of blood. Ooh, that killer whale's one to be reckoned with, ain't he?
Continue reading: Orca Review
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