The biggest stars of the CBS network including 'The Crazy Ones' actors Sarah Michelle Gellar and Robin Williams, and 'Mom' stars Anna Faris and Allison Janney were snapped on the red carpet the CBS Upfront 2013 event. Sarah is photographed kissing Robin on the cheek which makes one paparazzo shout, 'Get a room!'
While stoner Kumar (Penn) is failing to cope with the chaos of his life, now-respectable banker Harold (Cho) is dreading Christmas with his wife's (Garces) extended family, including his terrifying father-in-law Perez (Trejo).
When Kumar drops off a mis-delivered package at Harold's house, their first meeting in six years causes instant chaos. Now they have to team up to replace Perez's prized Christmas tree. This involves scary encounters with a Scarface-style mobster (Koteas), mean-acting tree sellers (RZA and Da'Vone McDonald) and the real Santa (Richard Riehle).
Continue reading: A Very Harold & Kumar 3d Christmas Review
It's been six years since best friends Harold Lee and Kumar Patel escaped from Guantanamo Bay. In that time, Harold has a high paying job and is concentrating on starting a family with his wife Maria, while Kumar has dropped out of medical school due to a failed drugs test and been dumped Vanessa, all while still living in the same apartment.
John Cho and Kal Penn - John Cho and Kal Penn Toronto, Canada - appear on New.Music.Live to promote their upcoming movie 'A Very Harold & Kumar 3D Christmas'. Thursday 20th October 2011
The long-delayed sequel to the 1994 Jim Carrey hit is a terrible movie. Let's not mince words. It's an awful, unoriginal, infuriating, and endless mess. The always likeable Jamie Kennedy stars as Tom Avery, a struggling animator whose life is in flux. His wife, Tonya (Traylor Howard from TV's Monk), wants a baby badly, but the immature Tom doesn't want that responsibility. He's content to play with his precocious dog, Otis, draw on his sketch pad, and kid around with his tolerant wife.
Continue reading: Son Of The Mask Review
Have campus comedies really reached the point where fashionable, ante-upping gross-out gags are obligatory? I mean, do we really need a movie in which bulldog semen is served in pastries to unsuspecting frat jerks?
I ask only because "National Lampoon's Van Wilder" has such hilariously droll dialogue and such a witty, charismatic lead in Ryan Reynolds (of TV's "Two Guys and a Girl") that it's just bursting with untapped crafty comic energy that has been redirected toward the lowest of the lowbrow.
Reynolds emits an aura of smarmy charm in the title role of consummate collegiate slacker Van Wilder who, after seven years as Big Man On Campus and $40,000 in tuition, has been cut off by his fed-up father (played by Tim Matheson in one of the flick's many nods to "Animal House").
Continue reading: National Lampoon's Van Wilder Review
There are exactly two funny performances in "Malibu's Most Wanted" -- a one-joke comedy about an over-privileged white-boy wannabe rapper -- and neither of them are by top-liner and co-writer Jamie Kennedy.
Expanding on a two-bit sketch character from his self-titled WB network variety show, Kennedy plays B-Rad G (nee Brad Gluckman), a pathetic poser "from the 'Bu," where "everybody's strapped with a nine" (nine-iron, that is) and "most of the time the police won't even come through" (because the town is pretty much crime-free).
Being from a straight-laced political family, Brad has become such an embarrassment to his father's gubernatorial campaign that daddy (Ryan O'Neal) hires two Juilliard theater graduates to play gangstaz, kidnap the brat and drop him in Compton to scare the imaginary "ghetto" out of him.
Continue reading: Malibu's Most Wanted Review
There is a key to good'n'stupid lowbrow comedy that few lowbrow moviemakers understand, and it is this: If you have a thin but serviceable premise upon which to build cheap, vulgar, tasteless, but side-splitting dumb gags, don't slap together some insipid story clogged with clichés to prop it up -- just run with what you've got.
Don't turn your movie into Adam Sandler or Rob Schneider fodder, full of insulting attempts to make audiences genuinely feel for your imbecile heroes and wishy-washy life lessons for your stock characters to learn in the last act. Don't be an "American Pie" and backpedal on your vulgarity at the last minute with a hypocritical-apology "happy" ending.
Instead, be proudly, shamelessly, flippantly stupid, like "Harold and Kumar Go to White Castle," in which two recent-grad, odd-couple roommates don't discover anything about themselves, they never see any "bigger picture," and they don't grow up at all. They just get stoned out of their gourds on a Friday night, develop the munchies for those famous square hamburgers from the titular eastern-U.S. fast food joint, and spend the rest of the picture having preposterous misadventures while driving all over New Jersey hunting for the nearest franchise location.
Continue reading: Harold & Kumar Go To White Castle Review
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Have campus comedies really reached the point where fashionable, ante-upping gross-out gags are obligatory? I...
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There is a key to good'n'stupid lowbrow comedy that few lowbrow moviemakers understand, and it...
