Julie Haggerty

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U Turn Review


Excellent
I can't imagine U Turn in any director's hands except Oliver Stone's. Breaking free from his political obsessions, Stone explores new territory, giving the material a stark edge, innovation, and a thick, memorable atmosphere. In one film he investigates adultery, incest, bad luck, Indian philosophy, gambling, paranoia, murder, deception, fraud, money, and the Russian Mafia. This is an original tale with a full plate, but surprisingly U Turn never feels crowded, contrived, or recycled. It's a feast for the senses, as long as you have a strong stomach.

Similar to Natural Born Killers in style, the film includes black & white inserts, frequent use of hand-held cameras, overexposed shots, vivid close-ups, zip-switches from smooth to grainy, unique camera angles, time-lapse sequences, and hallucinogenic effects. Stone rounded up some of his Nixon crew to establish the technical aspects of the film, including director of photography Robert Richardson, production designer Victor Kempster, and editors Hank Corwin and Thomas Nordberg. The crew shot U Turn in just 42 days, entirely on location in the actual town of Superior, Arizona, fully utilizing the vast landscape. According to the film's production information, the filmmakers revamped four blocks of Superior's main street, even creating new restaurants out of unused storefronts.

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