It's been nine years since Matt Damon and Paul Greengrass collaborated on The Bourne Ultimatum, and now they're back. The plot feels like it was agreed by a committee, as thin as the non-title of this film. Honestly, this franchise offers endless options for titles, and they just decided not to bother this time. So even though the story has a whisper of soap-opera silliness about it (yet another blurred memory comes to light), the film is relentlessly entertaining, building momentum as it surges from dark drama to intense action.
Since finally figuring out who he is, Jason (Damon) has been earning a living as a bare-knuckle boxer on the Greek-Albania border. Then his former cohort Nicky (Julia Stiles) uncovers a new piece in his life puzzle, which allows the CIA's Director Dewey (Tommy Lee Jones) to track them down. As he sends in a ruthless assassin (Vincent Cassel) to get rid of them once and for all, plucky CIA analyst Heather (Alicia Vikander) takes a different approach, determined to bring Jason back into the firm. But he's not coming in without a fight, and as the stakes rise, the chase shifts from Athens to Berlin, London and finally Las Vegas.
As all of this is happening, Dewey is also trying to strong-arm the billionaire founder (Riz Ahmed) of a hot social media platform to allow the CIA to have access to its customers. And he's heading to Vegas as well. This sideplot integrates cleverly with the main narrative, although its message about government overreach is a bit heavy-handed ("Privacy is freedom!"). Still, it adds some kick to the whizzy computer gadgetry that fills this franchise, from tracking devices and tiny earpieces to miraculous hacks.
Continue reading: Jason Bourne Review
‘Misconduct’ managed to make just £97 during its limited UK release.
With 12 Oscar nominations between them, you would think that any film which boasts Al Pacino and Anthony Hopkins among its cast would be a sure fire success. But sadly this wasn't the case for thriller Misconduct, which manage to take less than £100 during its opening weekend at the UK box office.
Al Pacino stars in Misconduct.
Alongside Pacino and Hopkins, the film also stars Josh Duhamel and Julia Stiles. It follows an ambitious lawyer (Duhamel) who finds himself caught between a corrupt pharmaceutical executive and his firm's senior partner (Hopkins and Pacino). As the case takes a deadly turn, lawyer Ben must search to uncover the truth before he loses everything.
Jason Bourne comes as the fifth instalment in the revival of Bourne to our screens where the film sees the return of Matt Damon as the protagonist and its returning director Paul Greengrass. Bourne is a former secret agent who has previously failed to understand his own identity and battles with a constant process of finding out new information about himself. In this sequel Bourne is once again at war with the people that have turned him into the man he is and struggles to cope with the sheer amount of pressure he is put under from the state.
Continue: Jason Bourne Trailer
‘Guerrilla’ is among a number of new dramas announced by Sky, which include shows starring Julia Stiles and Christina Hendricks.
Idris Elba will be starring in a new political drama for Sky Atlantic set in 1970s London. Titled ‘Guerrilla’, it will be Elba’s first small-screen drama since BBC1’s ‘Luther’. The six-part series is set to debut on Sky Atlantic next year.
Idris Elba will star in new Sky Atlantic drama ‘Guerrilla’.
‘Guerilla’ follows a politically active couple after they liberate a political prisoner and form a radical underground cell. Their target becomes the “black power desk”, a true-life, secretive counter-intelligence unit within Special Branch which was dedicated to crushing all forms of black activism.
Continue reading: Idris Elba To Star In Sky Atlantic Drama 'Guerrilla'
Jason Bourne is used to living in the shadows. Since uncovering the wrongdoings of operation Blackbriar and Treadstone, Bourne has been in hiding, to the outside world Jason Bourne does not exist. Once again finding himself having to surface, Jason Bourne is a hunted man.
Memories of his past are slowly returning to Bourne but what as his limited allies are quick to remind him, there's a war going on and what Jason might not remember are the things that might be most important.
Ben Cahill is an ambitious lawyer with an overwhelming urge to see justice for those who often can't fight for themselves and he has a new target in his sight. Pearson pharmaceuticals are a huge global corporation and the chief at the top of the company is the founder Arthur Denning. When Ben learns about some possible manipulation in drug trails, he goes to his bosses and tells them that he can convict Denning of fraud.
Continue: Misconduct Trailer
Are 'She's the Man' and 'The Lion King' really rooted in Shakespeare? In a word, yes.
Shakespeare might be celebrating his 450th birthday but the classic playwright is far from being irrelevant. Whilst his works have been adapted many times on screen, there are also many more unlikely films whose script owes more than a little to Shakespeare. Take these five for example, which prove that Shakespeare’s work is alway open to interpretation.
Amanda Bynes starred in She's the Man
She's the Man
Martin and Claudia are two lawyers who were formerly in a relationship. They are roped into a case together on the defense team of an alleged terrorist, following a tragic bombing in a London market one morning in November. It may be a difficult job to being with, but things don't get any easier when they covertly discover that their client was actually assigned as an undercover spy for MI5 and was supposed to lead them to the bombers before the attack. They soon begin to realise that their every move is being closely watched, and with threats on their life by some powerful people following their investigations and risky suggestions in court, they must escape the controlling force that is the government before they are eradicated - though it could be too late.
Continue: Closed Circuit Trailer
Anne Hathaway is likely to pick up the Best Supporting Actress prize at the Oscars in February, though it's likely she'll be competing for Best Actress upon the release of writer Abi Morgan's adaptation of The Taming of the Shrew. The latest movie - based on Shakespeare's late 16th century comedy - was announced this week, though a director is yet to be attached, reports The Wrap.
The Taming of the Shrew has been adapted dozens of times by Hollywood, though most notably in 1967, with Elizabeth Taylor and Richard Burton in the lead roles. The teen-movie 10 Things I Hate About You, starring the late Heath Ledger and actress Julia Stiles, was also based on Shakespeare's play. Morgan - the screenwriter behind The Iron Lady and the critically acclaimed Shame - will transfer the action to the modern day, though the movie will be set in Italy. The main plot depicts the courtship of Petruchio, a gentleman of Verona and Katherina, the headstrong shrew. She is an unwilling partipant to the relationship, though is "tamed" until she becomes a compliant and obedient bride.
Continue reading: Can Anne Hathaway Outdo Elizabeth Taylor In 'The Taming Of The Shrew'?
Guests arrive at the 'Silver Linings Playbook' premiere in New York City. Among them are some of the movie's stars Brea Bee with her partner Bill Eccleston, Shea Whigham, John Ortiz and Julia Stiles, as well as the author of the 'Silver Linings Playbook novel' Matthew Quick with his wife Alicia Bessette, radio presenter Howard Stern with his model wife Beth Ostrosky, 'Huff' star Oliver Platt, singer Vanessa Carlton, talk show host Donny Deutsch and 'Pieces of April' star Patricia Clarkson.
The Silver Linings Playbook premiere was a predictably star-studded affair in New York on Monday evening (November 12, 2012), though its star Jennifer Lawrence was conspicuous by her absence. With the Oscar-tipped female lead nowhere to be seen, it was down to co-star Julia Stiles to take all the attention on the red carpet. Styles – best known for her role in 10 Things I Hate About You – rocked a short black dress.
Continue reading: PICTURES: Silver Linings Playbook Premiere, Jennifer Lawrence No Show!
But will you guess that a major subplot will blatantly (and explicitly) rip off The Rocking Horse Winner? Or that MacLaine will spew a monologue about rubbing manure on her breasts? Wow. How could you?
Continue reading: Carolina Review
The Bourne Identity is based upon Robert Ludlum's famous series of spy thrillers about the elusive and extra-human Jason Bourne. Matt Damon plays Bourne, a spy who survives a shipwreck in the middle of the Mediterranean Sea but does not remember his identity or past. Implanted in his back are a series of bullets and a capsule containing an account number for a safety deposit box in Zurich. Once inside the box, he uncovers a supply of passport identities, money, and weapons - which only adds to his confusion.
Continue reading: The Bourne Identity Review
So goes the curious event that A Guy Thing -- a well-meaning but almost completely worthless trip through a minefield of infidelity, masculinity and self discovery -- is based upon.
Continue reading: A Guy Thing Review
This updated 20th century Hamlet is brought to vivid realism by independent director Michael Almereyda. Almereyda places the play in the year 2000, creating the state of Denmark as a huge conglomerate, the slain king a CEO, and Hamlet as a digital video maker. This interpretation sounds almost like it's going to be as much fun as a ten-car pileup on the expressway; you want to turn your head away from in disgust but are strangely curious about what happened.
Continue reading: Hamlet (2000) Review
Staying 100-percent true to the surprising, cerebral, cliché- and catch-phrase-eschewing spirit of 2002's "The Bourne Identity," screenwriter Tony Gilroy (returning from the original) and director Paul Greengrass have put together a breathless sequel with tense intellectual punch, smart, seat-gripping action, and a hero who is utterly compelling, almost without saying a word.
Still suffering from amnesia and nightmarish recovered flashes of his past assignments as a CIA assassin, the now-tempered Jason Bourne (Matt Damon), and the girl (Franka Potente) who helped him survive a relentless manhunt in the first picture, begin "The Bourne Supremacy" having their peaceful incognito existence on an Indian beach shattered by a rogue Russian secret service agent (a silently daunting Karl Urban) with a sniper rifle.
In one of the film's few conventional contrivances, the plot is set in motion when, after a nerve-racking chase through the tight, ancient streets of this third-world seaside town, their jeep plummets off a bridge and this otherwise professional killer heads home, assuming they're dead. Bourne in turn assumes the CIA has come to finish the job they started two years ago, and immediately begins a hunt of his own -- fulfilling his pledge that "if I even feel somebody behind me, there is no measure to how fast I will bring this fight to your doorstep."
Continue reading: The Bourne Supremacy Review
There's just no excuse for making a Shakespeare knock-off with "Savedby the Bell" quality dialogue. When a movie modernizes The Bard, evenif it's set it in a high school, the chief obligation is to dialogue aboveall else.
"10 Things I Hate About You" -- a "Clueless"-spawnremake of "The Taming of the Shrew" -- while an above averageentry in the recent pool of teen-targeted pics, is sorely lacking in thisarena.
Penned by two office temps-cum-screenwriters and directedby a feature film rookie (Gil Junger) as well, "10 Things" isa bright idea (I'm always an advocate of fiddling with Shakespeare), butit is an interpretation without poetry or rhythm, occasionally cashingin on multi-syllabic, Scrabble-winning words in a misguided attempt tomake its characters look rebelliously intellectual.
Continue reading: 10 Things I Hate About You Review
Jason Lee is usually the funniest guy in any Kevin Smith movie (Banky in "Chasing Amy," Azrael in "Dogma"). Julia Stiles has had fine comedic timing ever since her big splash in "10 Things I Hate About You." But they couldn't be more mismatched as romantic leads in "A Guy Thing."
A cold-feet comedy of accumulative misunderstandings about a groom-to-be who wakes up with a blonde in his bed the morning after his bachelor party -- and assumes the worst -- the movie spends most of its time mining very familiar territory. Lee hides the girl's forgotten panties, discovers she's his fiancée's cousin, and has generic nightmare run-ins with his future in-law and Stiles' ex-boyfriend.
Most of its jokes come from the compounding lies that make it hard to sympathize with the hero, and the moment you meet each one-trait character, you can see his or her entire story arc mapped out in front of you. Example: Stifled Lee, who's going to veer from his buttoned-up, conservative bride-to-be (Selma Blair) and fall in love with wild-child Stiles, has a buttoned-up, conservative brother (Thomas Lennon) who is secretly in love with Blair. Hmmm...I can't imagine where that's going.
Continue reading: A Guy Thing Review
Gilly Hopkins is a little girl who's full of gumption and an attitude to boot....
It's been nine years since Matt Damon and Paul Greengrass collaborated on The Bourne Ultimatum,...
Jason Bourne comes as the fifth instalment in the revival of Bourne to our screens...
Jason Bourne is used to living in the shadows. Since uncovering the wrongdoings of operation...
Ben Cahill is an ambitious lawyer with an overwhelming urge to see justice for those...
An unusual setting gives this low-key horror some added interest, stirring a whiff of issue-based...
Martin and Claudia are two lawyers who were formerly in a relationship. They are roped...
Writer-director David O. Russell's out-of-control filmmaking style is perfectly suited to a romantic-comedy involving mental...
Pat Solitano has just come out of a mental institution where he was sent after...
Last year, Christopher Nolan took memory loss to a new level with his masterful thriller...
It's a week before you get married, and your bachelor party isn't treating you right....
A new school of acting should be constructed based on the method of Ethan Hawke....