Wright was a Rolling Stone reporter who somehow got himself embedded in the First Recon Marine unit that was frequently at the very point of the entire American military machine rolling into Iraq in 2003. In the capable hands of Simon and Burns, his story of these turbo-trained alpha-male hunter-killers becomes something unlike most any other film project about the war. It opens in the sands of Kuwait, with the platoons tussling in the sand like overgrown boys, primed with teeth-bared intensity to launch themselves at Saddam's forces; only, in the manner of Jarhead, that great battle never quite seems to come.
Continue reading: Generation Kill Review
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