He may have been far from home, but he made sure to have a blast.
Working on a big budget blockbuster overseas when you're often more than 9,000 miles away from home has got to be pretty trying, but John Goodman wasn't going to let his homesickness get the better of him when he was shooting 'Kong: Skull Island'.
John Goodman stars in 'Kong: Skull Island'
Much of the Jordan Vogt-Roberts movie was shot in Hawaii, which is at least 4,000 miles from John's home in New Orleans, Louisiana. But often the movie took him to Queensland, Australia and even to Vietnam which is more than double the distance. Thinking about it has got to have been quite daunting, especially given that they were filming for five months, but John kept his spirits up thanks to his lively co-stars.
Continue reading: John Goodman: Kong Cast 'Aren't People You Whine In Front Of'
With the few remaining Autobots in hiding, the world is a dark place. Galvatron is still at large and Optimus Prime has left earth to fulfil a bigger mission, having gone to seek out the Creators. Having previously helped the Autobots, Cade Yeager is still in danger and the war between man and machine is reaching ever higher levels.
The Decepticons still have a wish to invade and take over the planet Earth and now it looks like they might be in the best position to do so. Why do these machines have such a fascination with our planet and how many genuine Autobots are left to help fight alongside humans?
The soundtrack to the first trailer for Transformers: The Last Knight is a re-working of Flaming Lips single 'Do You Realize' recorded by Ursine Vulpine.
It's the 1970s and Captain James Conrad and Lieutenant Colonel Packard are leading a group of soldiers and explorers to a seemingly idyllic unmapped location in the Pacific.
Unfortunately, their journey requires some serious collateral damage, as they are forced to bomb the island and unwittingly incite the treacherous ire of Kong, the King of Skull Island. He crushes them - literally. That's what happens when you bomb the habitat of a giant ape. But soon they realise that Kong isn't the only outsize creature they have to fear, because the island is home to a group of demonic monsters as well, some that resemble spiders and others that resemble reptiles. Their only hope is to enlist the help of the island's inhabitants, tribal men and women who worship the great Kong but disapprove of the Americans' willingness to attack their home.
Directed by Jordan Vogt-Roberts ('The Kings of Summer'), 'Kong: Skull Island' is a re-imagining of the King Kong story, following him to his home on Skull Island where he first originated. The screenplay was written by Dan Gilroy and Max Borenstein, and filming spanned locations the likes of Hawaii, Australia's Gold Coast and Vietnam. Starring Tom Hiddleston, Samuel L. Jackson and John C. Reilly, the film is scheduled to be released on March 10th 2017.
On the morning of April 13, 2013 the citizens of Boston city awoke in a good mood, it's Patriots' Day and also the day the Boston marathon is held on. As is usually the case, additional police are asked to put on their uniforms and help with crowd control for the event which is always popular with residents and tourists.
Tommy Saunders was one of the officers to take to the streets and help police the event. As the race starts, the mood in the crowd is high and all are seen to be having a good time; The sergeant talks to his boss, Police Commissioner Ed Davis and then sees a familiar face in the crowd; his wife Carol be beckons Tommy over and the two begin to have a brief chat before an almighty noise and tremor is unleashed through the streets.
The police officers on the street run into action and begin to help wounded runners and bystanders. Hundreds of people are on the streets injured and worried; first responders begin treating as many people as possible and sending the injured off to hospital.
Continue: Patriots Day Trailer
James Conrad is a British captain who leads an international envoy to the middle of the Pacific Ocean to charter some of Earth's most distant and mysterious lands. The captain is accompanied by a number of other members on the team including Randa, a government official who appears to know a few of the islands mysteries; a female photojournalist called Weaver who is known for her war photography; US Lieutenant Colonel Packard who is in charge of the UK troops who are also part of the mission.
As the vessel approaches the island, spirits are high and the team are ready to take choppers to the green land known as Skull Island. Soon their mission becomes disastrous as the inhabitants are far more feral than they could ever imagine. Equipped with guns, Ammunition and rocket launchers, the humans feel that they're able to overcome whatever may await them on the island but the truth is that they could never come face to face and beat the beast that awaits them.
Kong: Skull Island is the latest reboot of the King Kong story and it focusses on the start of the story originally told in 1933.
Continue: Kong: Skull Island Trailer
Rather than a sequel or spin-off, this is a spiritual successor to 2008's Cloverfield, a terrifically tense thriller that builds a genuine sense of horror. Director Dan Trachtenberg deploys a range of Hitchcock-style tricks to establish characters and crank up layers of intensity, keeping everything unnervingly close to the boiling point. When everything finally erupts, the climax is exhilarating, even if it never quite finds a sense of meaning beneath the surface.
It opens as Michelle (Mary Elizabeth Winstead) is packing up and leaving her flat, driving through the Louisiana countryside. Her fiance (voiced by Bradley Cooper) calls and tries to coax her into coming back, but she drives on determinedly. Then as the radio reports news of rolling unexplained blackouts, she's in a serious car crash and wakes up chained to a pipe in an unfinished room. Her host Howard (John Goodman) claims to have saved her life, bringing her to his fallout bunker just as everyone above-ground was killed by some sort of attack. And there's another guy taking refuge in the bunker, the rather goofy Emmett (John Gallagher Jr.), who like Michelle doubts Howard's story and rebels against his strict rules.
This is a rare film that manages to create thoroughly believable characters in just a few moments of back-story, then push them together in ways that continually surprise us. The snappy script uses wit and suggestion to undermine scenes with subtext as their power games escalate. So the tug of war between these three people has both subtle layers of intrigue as well as some seriously nasty conflict. Where this goes is impossible to predict, because all three actors are so good at portraying characters who are only pretending to trust each other. Goodman has never played a role like this, and is excellent as a nerdy religious nutcase who may or may not be a psychopath. Gallagher adds continual touches that undermine Howard's authority. And Winstead anchors the film as a smart, resourceful woman who refuses to accept anything at face value.
Continue reading: 10 Cloverfield Lane Review
'Monsters University' has remained at No.1 in the weekend box office. Responses to the two new releases: 'The Heat' and 'White House Down' have differed greatly. 'Superman: Man of Steel' remains stoically in the top 5.
Monsters University spent its second week at No.1 in the US Weekend Box Office grossing $46.2 million. The sequel of Monsters Inc. follows the early, not so jovial, relationship of Sulley and Mike as they attend college. Monsters University includes some big names from the acting community including Billy Crystal, John Goodman, Steve Buscemi and Dame Helen Mirren.
Billy Crystal with ‘Mike Wazowski’, the character he voices in Monsters Inc. and Monsters University.
Disney Pixar’s animation has fended off competition from Sandra Bullock and Melissa McCarthy’s cop comedy The Heat. The comedy has received favourable reviews and the weekend box office reflects this, grossing since its release on Friday $40 million.
Continue reading: 'Monsters University' Fends Off 'The Heat': Still No.1 In US Box Office
'Monsters University' has made $82.4 million in its opening weekend, outdoing 'World War Z' and 'Superman: Man of Steel'.
Monsters University, the prequel to Monsters Inc., has done extremely well during its first weekend of release. The Disney Pixar animation has made $82.4 million, placing it ahead of World War Z and Superman: Man of Steel in the box office charts.
The animation has outdone its predecessor, Monsters Inc. which, released in 2001, made $65.5 million during its opening weekend. In Monsters Inc. we saw the monster's world powered by the terror of children scared by Mike and Sulley during their night-time adventures into the human world. The two best friends overcome adversity to ensure a predictable happy ending in true Disney style.
Monsters University follows the relationship between Mike (the green Cyclops) and Sulley (the fluffy blue one) as they attend university. As it turns out the pair were not always as close as they were in Monsters Inc.
Continue reading: Monsters University Earns $82.4 Million On Its Opening Weekend
Monsters, despite its flaws, will apparently clean out at the box office.
The weekend box office is looking colorful as Monsters University, Pixar’s return to the 2001 comedy, is set to dominate. Gearing up for takings to the tune of $80 million (according to the Los Angeles Times) by the end of the weekend, Monsters University is set to topple other new releases, such as Brad Pitt’s nod to the zombie genre, World War Z and even Warner Bros.’ monster hit (no pun intended) Man of Steel. This would make Monsters University’s opening weekend the fourth biggest this year. It would also make it Pixar’s biggest opening weekend since Toy Story 3 in 2010. And if Monsters U doesn’t quite catch up to Toy Story in emotional depth or originality of plot, it still shows (hopefully) that the California-based animated dream factory is finally onto something – after flops like Cars 2 and lackluster releases, such as Brave.
Monsters University is a sort of prequel to the 2001 movie. While in Monsters Inc. Mike and Sully are a pair of bachelors, sharing an apartment and working together at the scare factory, here we see them back in their college days – at the beginning of their friendship, when Mike is a hardworking loser and Sully – an overly confident jock with a legacy at the university. After both join the same fraternity – the unimpressive Oozma Kappa and have to compete with rival frat Roar Omega Roar, their friendship begins to slowly unfold.
Continue reading: Weekend Box Office: Monsters University Makes Monster-Sized Debut
The glamour of Hollywood comes to Rye in Sussex as upcoming George Clooney film 'The Monuments Men' is shot on location. New photos show Clooney & Co at work.
A host of Hollywood stars, including Clooney, Matt Damon, John Goodman, Bill Murray and Hugh Bonneville have landed in southern English locations while filming World War II movie The Monuments Men in Rye, Sussex, and Duxford's Imperial War Museum in Cambridgeshire.
Adapted from the 2010 true story novel, Monuments Men: Allied Heroes, Nazi Thieves And The Greatest Treasure Hunt In History, by Robert M. Edsel, the film will be centred upon a group of historians and art curators - members of the 'Monuments, Fine Arts, and Archives' program - a taskforce who work together to recover priceless artwork stolen by Nazis and other important cultural items, before they are destroyed by Hitler or bombed in the six-year-long conflict.
The film, which is produced and directed by Clooney, will also co-star Cate Blanchett and The Artist's Jean Dujardin, and will use the former airfield in Duxford for plane scenes and American war-base footage, and the coastal Rye location for shotting of a nautical nature.
For the final instalment of the trilogy, filmmaker Todd Phillips takes a sharp left turn, abandoning the formula of the first two movies to send the Wolf Pack on a road thriller that isn't remotely funny. A few wacky moments are provided by the actors, but there isn't one punchline in the entire film. And it doesn't really work as a thriller either, since there's no real suspense.
Once again it starts in Los Angeles, where everyone has recovered from their antics in Bangkok. But Phil, Stu and Doug (Cooper, Helms and Bartha) are worried that Alan (Galifianakis) is refusing to grow up, so they hold an intervention and set out to drive him to a desert retreat. On the way, they're waylaid by mobster Marshall (Goodman), who holds Doug hostage to force the the Wolf Pack to find renegade nutcase Chow (Jeong), who has stolen Marshall's stash of gold bars. They track Chow to Mexico, but things quickly get even messier as Chow slips through their fingers. And to catch him, they'll have to return to the scene of their original adventure: Las Vegas.
There isn't much to the screenplay, which is a series of action scenes and caper-style set-pieces strung together with rapid-fire dialog and general vulgarity. But while the film is expertly shot and edited, with a solid cast and terrific settings, there simply isn't any actual humour. No one gets drunk, so there's no hangover this time. And the only amusing moments are offhanded character bits that are utterly irrelevant to the nonsensical chaos of the plot. Which kind of makes us wonder why we ever found these losers so hilarious to begin with.
Continue reading: The Hangover Part III Review
The Coen brothers latest movie appears to have a real chance of scooping the Palme D'Or this year.
The Coen brothers eighth placement in the competition for the prestigious Palme D'Or at the Cannes Film Festival could be their strongest chance since Barton Fink, which won the award in 1991. It's been six years since the filmmakers have been in competition at Cannes though it seems Inside Llewyn Davis could see the brothers back with a bang.
Llewyn (Oscar Isaac) At Jim and Jean's Apartment
The movie, loosely based on Dave Von Ronk's posthumously published memoir The Mayor of MacDougal Street, follows Oscar Issac as a singer-songwriter who navigates the testing New York folk music scene of the 1960s. The film, boasting an all-star casting including Isaac, Carey Mulligan (The Great Gatsby), Justin Timberlake (The Social Network), Garrett Hudlund (On The Road), Adam Driver (Girls) and John Goodman (Argo), Inside Llewyn Davis appears to have all the attributes of a possible Palme D'Or winner and the Coens appear to have spent time making it the best movie possible. It is believed the brothers could have rushed the film into last year's Oscar season though decided against it. Timberlake has contributed to the movie's soundtrack, as has Mulligan's husband Marcus Mumford and T Bone Burnett, who helped shift 8 million copies of the O Brother, Where Art Thou? score.
Watch The 'Inside Llewyn Davis' Trailer!
Llewyn Davis is a struggling folk musician attempting to find his place in the world by scouring New York's Greenwich Village at the height of folk in 1961. Along the way he meets old friends who are not particularly happy to see him because of his own unresolved mistakes in the past, and while he strives to find a venue to do what he loves doing, hitchhiking across roads in the freezing winter with a beat-up guitar and a homeless cat, he is forced to question not only himself as a person, but also where and what he really wants his future to be.
'Inside Llewyn Davis' is an emotional musical drama written and directed by Oscar winners Ethan Coen and Joel Coen, aka The Coen Brothers ('No Country for Old Men', 'True Grit', 'Fargo'). It has been very loosely based on the posthumous 2005 memoirs 'The Mayor of MacDougal Street' by the late New York folk artist Dave Van Ronk, and has been nominated to compete for the sought after Palme d'Or prize at the 2013 Cannes Film Festival. This passionate story about love, music, finding oneself and learning from one's mistakes will hit screens in the UK on January 24th 2014.
Monsters University is sure to be a summer hit for Pixar.
Mike and Sulley enter the Oozma Kappa house
The new worldwide trailer for Disney/Pixar's Monsters University introduces Helen Mirren's character Dean Hardscrabble whilst also featuring Steve Buscemi, John Krasinski, Alfred Molini and, of course, Billy Crystal and John Goodman as Mike and Sulley. The latest clip focuses on the duo as they study to become "scarers. The movie opens in the U.S. on June 21, 2013 and a few weeks later on July 12 in the UK.
The trailer opens with students extolling the virtues of Monsters University, "Imagine a university where I can unique...and learn what I love," says one wide-eyed student. It's quickly established that the institution's main job is to teach young monsters how to become scary. "I'm gonna scare circles around you this year," Mike tells his roommate Sulley, "You're not even in the same league as me," comes the confident reply, "You don't have to study scaring, you just do it!"
We can't wait to see the Monsters inc. prequel
Take your Amours, your La Haines, Amelies, City of Gods and Pan Labyrinths. You can even take your Taxi Drivers, Graduates and Citizen Kanes and just get the hell out of here. Animated films are everyone’s favourite, and it’s time we started admitting it.
Monsters University is the film we’ve all been waiting for, isn’t it? The prequel to Monsters Inc? Course it is! Although we know Sully and Mike landed well-paid jobs after college so that’s kind of a spoiler, but nonetheless we can’t wait to see it. In fact, the only other animated treat we can think of to outdo this would be Toy Story 4, and that ain’t happening any time soon. Forgetaboutit. This lovely new long trailer should whet your appetite for what is shaping up to be the year’s biggest animated event. Saying that, with Despicable Me 2 set for a summer release, it’s facing real competition.
Continue reading: Get Ready For Degrees Of Laughter With Monsters University [Trailer]
Alan Garner is going through real emotional trauma when his beloved father passes away. Following the funeral, his friends Stu, Phil and Doug decide to take him back to Las Vegas to recuperate with the hope that previous experience and lack of upcoming weddings will prevent them from getting into any major trouble again with gangs or escaped wild animals. However, that hope is soon shattered when they are jumped by a brutal gang who demand to know where they can find their flamboyant gangster friend Leslie Chow who has allegedly stole $21 million dollars. As expected, the Wolfpack end up in enormous, but hilarious, trouble yet again which leads them to question their friendship ties and vacation choices. Will the foursome survive Sin City this time round? And will Alan find the peace he's looking for?
The Wolfpack returns in the last instalment of this side-splitting trilogy. Academy Award nominated director Todd Phillips ('Road Trip', 'Due Date') returns once more with the co-writer from 'Part II', Craig Mazin ('Identity Thief', 'Superhero Movie', 'Scary Movie 4'). It looks to be a spectacular end to the film series as the foursome's previous alcohol-fuelled vacations come back to haunt them. It is scheduled for release in UK cinemas on May 24th 2013.
The prequel to Monsters Inc., Monsters University, is soon to be released in July this year seeing the return of the lovable Mike and Sulley.
Mike and Sulley return in the long-awaited Monsters University trailer, the Monsters Inc. prequel set to hit movie theatres globally in summer 2013 with a cast of brand new Monsters University characters.
It's been more than 10 years since the Oscar winning animation Monsters Inc. hit our screens in 2001, but even though those who were young enough to enjoy it then have probably grown out of it by now (or, at least, say they have), there's no question that this hilarious prequel will still be a must-see for all you Mike and Sulley lovers out there. It sees the two beastly individuals (voiced by Billy Crystal and John Goodman) in their college years, majoring in 'scaring' and victimising each other in an array of schoolboy pranks as they compete against each other to be the scariest monster around. Funnily enough, plenty of the kids who watched Monsters Inc. when it first came out will quite possibly be going through similar experiences in their own lives as students, which makes the timing of Monsters University charmingly apt.
The movie sees a brand new director, Dan Scanlon, who is likely to breathe fresh life into this memorable CGI flick though the previous director, Pete Docter, has made his return in the role of screenwriter alongside previous co-writer Andrew Stanton. Monsters University is soon to be released on UK cinema screens on July 12th 2013.
Stu, Phil, Alan and Doug return to Las Vegas in the hilarious third instalment of 'The Hangover' movie series. Nobody's getting married this time, but if you think the absence of a bachelor party will calm this lot down, you are so wrong. Following the events of 'The Hangover' which saw them get attacked by gangsters, mauled by a tiger, tasered by cops and inadvertently married, and of course the events of 'The Hangover Part II' which took them to Thailand where they got tattooed, shot by Russian mobsters and had sex with transgender hookers, the conclusion to this trilogy doesn't look to fare much better as these wild boys set out for one last mayhem-fuelled weekend in Sin City.
Continue: The Hangover Part III - Teaser Trailer
Billy and Nick thought they were the perfect sales team, but their careers hit rock bottom when the owner of their company shut up shop due to the ever increasing internet preference among consumers. However, Billy soon manages to find a way for them to pick up a new, more stable job in the world of technological advancement and lands them an interview for an internship with global internet giant Google. As interns, they are made to compete for a full time job with an army of young, genius students who way out-geek Billy and Nick and whose expertise in technology is formidable. As much as they try and fit in with them, the students just can't help themselves and find every opportunity to take advantage of their computer naivety.
Continue: The Internship Trailer
Being Valentine's Day week, cinemas are flooded with romantic movies like the new teen franchise-launcher Beautiful Creatures. US audiences can also weep their way through the new Nicholas Sparks drama Safe Haven, while in the UK couples instead can laugh at Judd Apatow's epic rom-com This Is 40 and the clunky British farce Run For Your Wife. And for alternative viewing, there's the ultimate date movie A Good Day to Die Hard, Bruce Willis' fifth instalment in the crashing, exploding franchise.
And this kind of action dominates the week's new selection of trailers, starting with the very explosive-looking Olympus Has Fallen, starring Gerard Butler as a Secret Service agent trying to retake the White House after a terrorist invasion. The muscly cast includes Morgan Freeman, Aaron Eckhart, Angela Bassett and Melissa Leo. It opens in March.
At last, that animation we’ve all been waiting for: Monsters University. This is the prequel to the 2001 movie Monsters Inc. (yes, it has been that long…) and with Pixar mainstay Dan Scanlon in the director’s seat, the movie also stars John Goodman, Billy Crystal and Steve Buscemi, providing some of the main characters’ voices.
Continue reading: Scare Tactics: Monsters University Trailer Hits The Net (Video)
Mike and Sulley haven't always been the best of friends that we know they were working at Monsters Inc. When they were amateurs and roommates both majoring in 'scaring' at the Monsters University, there was constant competition between the pair as Mike struggled to keep up with Sulley's natural big, hairy monster persona; Mike and his small physique and rather unscary retainer made him the favourite subject of mockery by Sulley and his friends despite their being in the same fraternity. It soon becomes clear, however, that they are better off together than alone while Mike has the brains and Sulley has the brawn.
Continue: Monsters University Trailer
Oscar hopeful Flight has it's long-awaited box office unveiling today (Feb 1) in the UK and if critical reception and US box office takings is enough to go by then Paramount shouldn't have too much to worry about when it comes to audience numbers.
The film's star, Denzel Washington, delivers yet another powerhouse of a performance that makes his entry into the Best Actor category at the Oscars totally justified as he takes on the role of a veteran commercial pilot who fills his days with women, alcohol and drugs. Supporting Denzel in the flick is Don Cheadle, Kelly Reilly, Bruce Greenwood and Melissa Leo, as well as John Goodman who both delivers a scene-stealing performance - as he so often does.
Whilst Contact Music's own review of the film isn't wholeheartedly positive, the singling out of Denzel's performance is a mainstay among contemporary reviews, such as Rolling Stone and The Guardian, who single out the performance for being "detailed, depth-charged, bruisingly true" and maintaining Washington's "natural gravitas" respectively.
Continue reading: 'Flight' Expected To Take Off At UK Box Office This Weekend
With another deeply committed performance, Washington brings badly needed complexity to what is otherwise a contrived, overstated drama about addiction. It helps that the film is directed by Zemeckis as a kind of companion piece to his last live-action movie, 2000's Cast Away, another film about a man whose life is dramatically changed by a plane crash. Although here he's lost in a wilderness of substance abuse.
Washington plays Whip, a veteran commercial pilot who fills his days with women, alcohol and drugs. Even when he's flying a plane full of passengers. On a routine flight from Orlando to Atlanta, a catastrophic malfunction sends his airliner hurtling toward the ground, prompting an outrageously inventive reaction that saves 96 of the 102 lives on board. Then the investigators discover that he had both alcohol and cocaine in his system at the time. His union rep (Greenwood) hires a high-powered lawyer (Cheadle) to represent him, but Whip doesn't even try to straighten up until he meets young junkie Nicole (Reilly), who's serious about cleaning up her life.
The main problem here is that Gatins' script completely misses the point of his own story, never remotely touching on the central theme of a flawed hero who has no real moral compass. So drugs are the villain; it has nothing to do with Whip's personal failings. Instead, the script just uses a variety of contrived characters to confront him with his drug problems until he finally cracks under all this pressure. Fortunately, Washington is excellent as the high-functioning addict, and the supporting cast is solid in providing whatever element Gatins needs at the moment: Cheadle's straight-arrow efficiency, Reilly's hopeful anguish and Greenwood's steadfast friendship, plus scene-stealer Goodman as Whip's hilariously honest dealer-buddy and Leo as a ruthlessly tenacious investigator.
Continue reading: Flight Review
The first trailer for Joel and Ethan Coen's new movie 'Inside Llewyn Davis' has been released, with Oscar Isaac playing a New York City folk musician who played a prominent role in the Greenwich Village music scene during the early 1960s. Joining Isaac (Drive) in the film is Carey Mulligan (The Great Gatsby), Garrett Hedlund (On The Road), John Goodman (Argo), Adam Driver (Girls) and Justin Timberlake.
The trailer features Bob Dylan's 'Farewell' and sees Davis getting turned away from various Manhattan music venues as he attempts to forge a career in the folk music business. The movie is loosely based on Dave Von Ronk's posthumously published memoir The Mayor of MacDouglal Street. Production began in New York in February 2012, and actor Isaac spoke to the Hollywood Reporter about putting his musical skills to the test. "I've been playing for 20 years, so it was kind of the perfect storm of things that came together for me to be a part of it.We did all the music live, no playback; it's like a concert movie. There's like six or seven songs in it."
Sure we could do with a wood-chipper death, but the Coen Brothers don't appear to be mellowing. The trailer features their usual sharp dialogue and humour - at one point, Llewyn's wife (Mulligan) advises him, "You should be wearing condom on condom and then wrap it in electrical tape."
Continue reading: First Look: Coen Brothers' New York Folk Movie 'Inside Llewyn Davis'
Next year looks set to be a seminal year for movies. Forget sequels and the so-called impending apocalypse; 2013 is all about beginnings as we discover the dubious past of 'The Wizard of Oz' in upcoming sequel 'Oz: The Great and Powerful' and how loveable 'Monsters, Inc.' protagonists Sulley and Mike got qualified to become scarers. Move over 'Breaking Dawn', 'The Dark Knight Rises' and 'Skyfall', and let's see what 2013 has in store! There have been plenty of dodgy trailers come out for 2013 releases, but here are ten of the trailers we consider worthy of your time!
Continue reading: 10 Of The Best Big Budget Film Trailers For 2013
Ben Affleck leaps on to the A-list of directors with this relentlessly entertaining thriller, combining comedy and nerve-jangling suspense to maximum effect. Based on a declassified story that's unbelievable but true, the film is also clear-eyed about politics without ever getting lost in the big issues. Instead, it keeps us engaged through terrific characters who are beautifully played by a lively cast.
As Iran's 1979 revolution boiled over into street protests over America's assistance to the deposed Shah, rioters stormed the US embassy and took 52 Americans hostage. In the chaos, six staffers snuck out the back door and took refuge in the home of the Canadian ambassador (Garber). With the Iranians on their trail, the CIA chief (Cranston) decides to try to get them out, and Agent Tony Mendez (Affleck) comes up with a wild idea: he creates a fake sci-fi movie called Argo with the help of a veteran producer (Arkin) and an Oscar-winning make-up artist (Goodman), so the six escapees can pose as a Canadian location-scouting crew and leave the country.
Yes, this plan sounds utterly ridiculous, but the fake Argo is exactly the kind of cheesy Star Wars rip-off everyone was trying to make at the time, so the idea of scouting colourful Iranian locations isn't as far-fetched as it seems. And screenwriter Terrio keeps us laughing as Mendez and his Hollywood cohorts concoct this elaborate scam. These scenes are so good that Arkin and Goodman walk off with the whole movie, giving loose, witty supporting turns that are likely to be remembered in awards season. Affleck gets in on the fun as well, then also effortlessly takes on the more intense action scenes to hold the whole film together.
Continue reading: Argo Review
George Clooney has signed up British actors Daniel Craig and Hugh Bonneville for his new World War 2 movie The Monuments Men. The Bond and Downton Abbey stars will join established Hollywood actors John Goodman, Bill Murray, Cate Blanchett and Oscar winner Jean Dujardin, according to Deadline.
The movie, written by Clooney and Grant Heslov, tells the story of a group of art experts chosen by the US government to retrieve works stolen by the Nazis, before Hitler destroys them. It's based on Robert M Edsel's book The Monuments Men: Allied Heroes, Nazi Thieves, And The Greatest Treasure Hunt In History. "I'm excited about it," Clooney told industry website TheWrap. "It's a fun movie because it could be big entertainment. It's big budget - you can't do it small - it's landing in Normandy". Hitler's forces swept through the museums and private collections of Europe during World War II, though 'The Monuments Men' were the directors, curators and art historians who risked their lives to retrieve the masterpieces. "I'm not opposed to doing a commercial film, I'm just opposed to doing a commercial film that doesn't feel organic to me," Clooney said of the subject matter, adding, "So if we're going to do a commercial film we thought 'let's do something that seems fun and actually have something to say."
The movie is due to begin production in March 2013, with a release date likely to be set for 2014.
Continue reading: George Clooney Signs Up Daniel Craig For WW2 Flick 'The Monuments Men'
It might not be Oscar season yet but Argo has already started filling up the trophy cabinet. At the 16th Annual Hollywood Film Awards Gala, the cast of Argo – which includes Ben Affleck, Bryan Cranston and John Goodman – were honored with the Hollywood Ensemble Acting Award. The event was held at the Beverly Hilton Hotel in Beverly Hills, California, yesterday (October 22, 2012), Examiner.com reports.
Ben Affleck leads the ensemble cast in this dramatic thriller, based on the true events of November 1979, when militants stormed the US embassy in Tehran, during the height of the Iranian revolution. 52 Americans were taken hostage but in the chaos, six Americans managed to escape. They sought refuge in the home of the Canadian Ambassador Ken Taylor and the CIA are asked to intervene.
The movie has received high praise since it debuted at the Telluride Film Festival in August 2012 and already, Oscar nods are being bandied about, with many claiming that this is Ben Affleck’s finest work to date. It’s received a 95% score rating on the Rotten Tomatoes site and such glowing reviews will surely serve Argo well when it comes to awards season at the start of next year. Peter Travers, writing for Rolling Stone, seemed to sum up the general attitude towards Argo, pretty succinctly: “Ben Affleck doesn't merely direct Argo, he directs the hell out of it, nailing the quickening pace, the wayward humor, the nerve-frying suspense. There's no doubt he's crafted one of the best movies of the year.”
When the Iranian Revolution protests began to take place in 1979, their main target was the US embassy in Tehran. It didn't take long for an army of militant Islamic extremists to infiltrate the building and seize 52 American citizens as hostages with only six victims managing to escape and take refuge inside the Canadian ambassador's home. It is decided that the six escapees must be found and smuggled out of Tehran before they are killed. Tony Mendez is a CIA officer specialising in covert government operations who is enlisted by the government to conceive a plan of exfiltration. His plan involves him and his team travelling to Iran under the guise of a film crew preparing to shoot a pretend movie called 'Argo'. However, as is expected, not everyone is confident in this less than risk free operation.
'Argo' is loosely based on a true story depicted in the real Tony Mendez' account of the events that took place during the hostage crisis as well as an article written in Wired in 2007 called 'How the CIA Used a Fake Sci-Fi Flick to Rescue Americans from Tehran' by Joshuah Bearman. It has been directed and starred in by Ben Affleck ('Good Will Hunting', 'Pearl Harbor') and written by Chris Terrio ('Heights') and will be released in US theaters on October 12th 2012.
Starring: Ben Affleck, Bryan Cranston, Alan Arkin, John Goodman, Victor Garber, Tate Donovan, Scoot McNairy, Rory Cochrane, Christopher Denham, Kerry Bishe, Kyle Chandler, Chris Messina, Zeljko Ivanek & Titus Welliver.
It's set in the sleepy town of Blithe Hollow, a tourist village cashing in on its grisly history of 18th century witch trials. This is where Norman (Smit-McPhee) lives, which is a bit annoying since he can speak to the ghosts which are lurking everywhere. His parents (Mann and Garlin) dismiss this as a childhood fantasy, while his boy-obsessed teen sister (Kendrick) just ignores him. At school, the class bully (Mintz-Plasse) makes his life miserable, and just when Norman thinks things can't get worse, his vagabond uncle (Goodman) tells him that he's the next in line to make sure the town's legendary witch doesn't enact her curse on the 300th anniversary of her death.
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When airplane pilot Whit makes an extraordinary landing following an engine failure which saves the lives of his passengers, he becomes a national hero mobbed by the press. It is only when he is introduced to an attorney that he discovers that he the one person he didn't manage to save was himself. The lawyer informs him that a blood test taken on the night of the crash revealed alcohol in system; an offence which is punishable by life imprisonment. An investigation follows and Whit reveals that he did drink the night before he was due for the flight, however, an experiment involving ten pilots in aircraft simulators with recreated circumstances from the crash revealed that, were any other pilot to land the plane in the way that Whit did, they would've killed every soul on board. Was Whit's risky landing a result of drunken recklessness, or was his decision made by the years of experience and general confidence in his area of expertise? This is the judgement the jury must make.
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Professional 'scarers' at Monsters Inc., Mike Wazowski and James P. Sullivan (nicknamed Mike and Sulley) haven't always been so scary. 'Monsters University' tells the story of the duo's time at the University of Fear, about ten years previous, where they took their education in scaring children and often practised on each other with various college pranks that obviously united them in the end.
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Based on the Jonathan Safran Foer novel, this film holds its heavy emotional weight in check right up to a rather overwrought conclusion. But along the way, its characters worm their way under our skin.
Oskar (Horn) is the son of a jeweller (Hanks) who died in the World Trade Center on 9/11. A year later, he's still struggling to make sense of what he calls "the worst day", worrying that his sense of his father is fading away. So when he finds a key in his father's things, Oskar embarks on a quest to find the lock. His mother (Bullock) is lost in her own grief, but Oskar finds companionship in the mute stranger (von Sydow) who rents a room from his granny (Caldwell).
With a dense Alexandre Desplat score, textured Chris Menges cinematography and fluid editing by Claire Simpson, this film feels almost like a wave that engulfs us right from the eerily effective opening shot. Daldry has done this before (see The Hours), although this film also has a more manipulative plot in which each character and situation seem to be packed with deeper meaning.
Fortunately, Oskar's sense of yearning helps undermine the sentiment.
Horn is terrific in every scene, beautifully bringing out Oskar's autistic quirks without letting us feel any pity. The way he so brutally dismisses his mother is heartbreaking because it's so honest, and his growing bond with von Sydow's enigmatic, engagingly cheeky renter is fascinating to watch. Bullock gets her most complex role since Crash, and Davis gives yet another terrific supporting turn as one of the first people Oskar encounters on his journey.
Where the film wobbles is in its over-reverent treatment of 9/11 itself, as if Oskar's grief is any more intense because his father died in such a public way.
It's the quieter, more personal aspects of the story that are far more moving, especially as the plot takes some lovely twists in the final act. But Daldry and screenwriter Roth seem even more obsessed with finding a cathartic resolution than Oskar himself, leading to final scenes that feel tidy and a bit sappy. Even so, the film leaves us emotionally stirred in all the right ways.
In 1927, George (Dujardin) is Hollywood's top star, swashbuckling through adventure blockbusters with his faithful sidekick dog Uggy. At one of his premieres he meets Peppy (Bejo), a mystery girl who gets her own shot at stardom as a dancing extra in one of George's films. His grumpy wife (Miller) isn't happy about this. And there's more trouble when the studio boss (Goodman) decides to switch to talkies. So George walks out to make his own silent film, while Peppy becomes a sound-movie star. But she doesn't forget that he gave her a break.
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Oskar Schell is an eleven year old genius who views the world differently to others. He is also a Francophile, an amateur inventor and a pacifist. He's very close to his father and together they make it their mission to find something from every decade of the twentieth century in what he called a 'reconnaissance mission.'
Dave (Jones) is a detective looking into the violent murder of a prostitute when movie star Elrod (Sarsgaard), filming nearby in a swamp, stumbles across the decades-old skeleton of a chained-up black man. In Dave's mind, the murders are linked, and as he questions a local mobster (Goodman), a partying investor (Beatty) and the film's director (Sayles), both cases get increasingly haunting. Dave also imagines that he sees a Confederate general (Helm) roaming the bayou around his house. And within this swirling mist, things start to make sense.
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A perfect example of this ideal is Rebecca Bloomwood. The heroine of P.J. Hogan's adaptation of Sophia Kinsella's Confessions of a Shopaholic, this spunky career gal wants a cushy job, a suave boyfriend, an understanding best bud, and an unlimited credit line... and that's just for starters. Only problem is, Rebecca (played with real drive by Isla Fisher) is neck-deep in debt. She just can't stop spending. When her job as a writer for a gardening rag falls through, she applies at the nation's number one fashion magazine. Named after its editor, Alette Naylor (Kristin Scott Thomas), the job represents the completion of all our heroine's career goals. Sadly, she has to settle for a gig writing at Successful Saving, a financial magazine. Oh, irony! Luckily, it's managed by the humble British hunk Luke Brandon (Hugh Dancy).
Continue reading: Confessions Of A Shopaholic Review
In many ways, it's hard to figure out exactly why. It's not, on the surface, particularly well made. It doesn't feature an exceptional amount of skin. Nor is it even really all that funny. It even has Ted McGinley in it. But it's about nerds, and for better or worse, that's a subculture that doesn't easily let go of its icons. Especially pioneering ones, like this film.
Continue reading: Revenge Of The Nerds Review
That's some dedication to your story, but it turns out that neither the original Hotchkiss nor the updated one merit that much consideration. The short is your expected coming-of-age tale: A kid named Steve hates girls, but over time (and thanks to Hotchkiss) he comes to love them, particularly a gal named Lisa.
Continue reading: Marilyn Hotchkiss Ballroom Dancing & Charm School Review
Aside from Solondz's decidedly risky topics, his format in Storytelling takes chances. It presents two separate shorts, entitled "Fiction" and "Non-fiction," with no obvious connection between the two. The only true thread is that both comment on the telling of tales, the shifting of points of view, and the way most people in Solondz's suburban landscapes constantly paddle their painful lives upstream.
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It's 1993. Some Hollywood bigshot reads an article in GQ magazine about a nutty bar called the Coyote Ugly in Manhattan. They only have women bartenders, see, and they, like, dance on the bar with fire and stuff! And they don't serve water. If someone orders water they hose down the crowd! Holy mackerel, what a nutty place!
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The result of this combination is an overly ambitious film that's as muddled and cryptic as a mumble-filled Dylan vocal. Dylan stars as the symbolically named Jack Fate, an apparent musical legend, jailed in the midst of a brutally downtrodden America where the government has taken over, war is rampant, and even the counter-revolutionaries have counter-revolutionaries.
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Unreedemable schlock, Blues Brothers 2000 is a blatant ripoff of the original. The script is virtually stolen verbatim, only perverted and twisted to seem different, while simultaneously robbing the film of all its originality, humor, wit, fire, and anything else that would make it watchable.
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Magical indeed -- the way it works is that all those monsters that hide in the closet and scare little kids only do so because they have to -- they use the screams as energy to power Monstropolis, which exists just on the other side of every kid's bedroom closet door in the world.
Continue reading: Monsters, Inc. Review
A comedian whose schtick has always been his acute social-sexual dysfunction, in "What Planet Are You From?" Garry Shandling is nothing if not well-cast as an alien packed off to Earth by his neutered, all-male race to impregnate an earth female as a prelude to invasion.
Given a crash course in inept pick-up lines and fitted with a motorized prosthetic penis that hums when he's aroused, Shandling is transported to the privy of a passenger jet and emerges to piggishly proposition stewardesses and every other female in sight, in what has to be the most awkwardly sexist comedy since the 1960s.
Populated by fundamentally unlikable, abusive men and pathetically needy, bitchy women, the drudging, deadpan farce tracks Shandling's libidinous frustration as he fails to pick up chicks and is chased by FAA investigator John Goodman (his arrival caused an air traffic incident), who figures out his secret with the flimsiest of suppositions.
Continue reading: What Planet Are You From? Review
This Bobby Darin biopic reportedly spent about 20 years going through various drafts by many different screenwriters -- including James Toback and Paul Schrader -- before Kevin Spacey grabbed it and made it all his own.
Borrowing more than just a little from Bob Fosse's "All That Jazz," the co-writer, director and star sets his film in a kind of flashback/dream structure in which Darin (Spacey) talks with himself as a little kid. This non-reality also allows for the 45 year-old actor to play Darin, who died at age 37, throughout his career.
Spacey's Darin thinks very highly of himself; when he snatches up teen heartthrob Sandra Dee (Kate Bosworth) as his wife, it feels more like trophy gathering than romance. Yet Spacey's own gigantic hubris fits the part perfectly, and when Darin grouses about not winning the Oscar for "Captain Newman, M.D.," you can feel Spacey going through the same thing. When Spacey sings in Darin's voice, it's an act of supreme ego; he's as sure of his Darin impersonation as he is of his own greatness, and it works.
Continue reading: Beyond The Sea Review
Date of birth
20th June, 1952
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