Jerzy Skolimowski

Jerzy Skolimowski

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Eastern Promises Review


Excellent
We're in London and the streets look like they are owned and operated by Beelzebub himself. The ghosts of the KGB death squads loom in the distance, but the Russian crime syndicate's stranglehold over the hoods and alleys is as strong as ever. Out of one of these decrepit alleyways crawls a 14-year-old girl who walks into a pharmacy only moments before hemorrhaging from the baby girl inside her. Her death is announced at the same time as her daughter's birth. Welcome to the decaying London of David Cronenberg's Eastern Promises.

A master at the ancient art of phantom punching, Cronenberg's examination of the Russian mafia's sex trade, currently flourishing in London, doesn't hit you till you're a good quarter mile out of the theater, as you're still contemplating Viggo Mortensen's slicked-back hairdo. Like a cccwolf right before the hunt, Mortensen snarls and calmly stalks as Nikolai, the driver for a sect of the elusive crime syndicate Vory V Zakone, a specter that arose from the ashes of Stalin's work camps. Nikolai works for Semyon (Armin Mueller-Stahl) and Semyon's volatile son Kirill (Vincent Cassel), taking care of their transportation and their criminal refuse. When Nikolai snaps off the fingers of a corpse, he asks Kirill and his business associate Azim (Mina E. Mina) to leave... but the audience is allowed to stay.

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Jerzy Skolimowski

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Eastern Promises Movie Review

Eastern Promises Movie Review

We're in London and the streets look like they are owned and operated by Beelzebub...

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