A gently comical undertone makes this thriller even creepier than expected, bolstered by sharp writing and directing from Dan Giloy and an especially clever performance from Jake Gyllenhaal. Comparisons to Taxi Driver have been obvious, as the lead character is a potentially dangerous sociopath on a very personal quest. And the film also taps into the current zeitgeist: how the media panders to a public that increasingly screams for blood. It's a thoroughly unnerving film that often feels more like a very grim satire than a proper thriller.
Gyllenhaal plays Lou Bloom, a loner who is desperate to make his mark on the world. Searching for something to do, he stumbles across the people who prowl the city streets after dark in search of an event they can film and sell on to a TV news outlet. Learning from a veteran (Bill Paxton), Lou gets his own camera and a police scanner and starts chasing car crashes, house fires and violent crimes all over Los Angeles. And when he finds that TV news director Nina (Rene Russo) wants to buy his footage, he hires Rick (Riz Ahmed) as an assistant, getting even more aggressive about arriving on the scene before the competition. But Lou isn't willing to settle for that, and starts manipulating the news to get even better stories.
Where this goes from here is pretty unimaginable, as Lou reveals himself to be utterly unencumbered by any hint of a moral compass. Of course, this is a central theme of the movie, as it explores the way audiences clamour for more explosive footage, which pretty much eliminates any sense of human decency in the way events are covered. Gyllenhaal portrays Lou as gaunt and hungry, but with an eerie charm that lets him get away with each audacious manoeuvre. Watching him snap at anyone who crosses him is truly terrifying. Although the way he quietly manipulates situations is even scarier.
Continue reading: Nightcrawler Review
Eva (Swinton) is a shell of her former self, living in isolation as the target of anger from an entire community. She clearly blames herself for an act of violence unleashed by her 15-year-old son Kevin (Miller), and misses her husband (Reilly) and daughter (Gerasimovich). But as she finds a job and starts to put her life together, the memories won't stop swirling in her mind. Does she even deserve to have survived such a horrific event? Can she ever make peace with the grieving, enraged people around her?
Continue reading: We Need To Talk About Kevin Review
It's impossible not to feel for Justin Bieber after watching the video for his latest single 'Lonely' performed with producer Benny Blanco.
For what is possibly the best queer anthem of the year, King Princess unveils a brand new video starring an AI version of herself.
'Electric Ladyland' was released on this day (October 16th) in 1968.
We truly are living some "Strange Days" right now, so The Struts' third output feels like one of the most appropriate albums we've heard all year.
Yungblud goes from shouting about the underrated youth to preaching sexual liberation in the video for his newest song 'Cotton Candy', which is as...
The Stone Roses' frontman Ian Brown has baffled his Twitter followers with his COVID-denying outburst.
Reality stars seem to be making their mark by hitting the recording studio.
As October symbolises the start of Black History Month in the UK; we take a look at some of the most influential black musicians of all time.
A gently comical undertone makes this thriller even creepier than expected, bolstered by sharp writing...