Michael is a promisingstudent living in Armenia during the Ottoman Turkish Empire, who agrees to marry a rich woman in return for a dowry than can put him through medical school. He travels to Istanbul where he meets a reporter for the Associated Press named Christopher and his Armenian love interest Ana who grew up in France. It isn't long before a love triangle develops between the three of them which causes tension in their relationships, but all of that ceases to matter when the Empire begins the Armenian Genocide. He manages to get out of serving in the army, but after trying to save a member of his family he gets locked up in a prison camp himself. With his village in danger, all he wants is to rescue his family and his people, and Christopher - freeing himself of his jealousy of Ana and Michael's attraction - insists on helping in their escape.
Continue: The Promise Trailer
It's nice to see Hollywood A-listers taking the subway, isn't it? We like that. So it was great to see Katie Holmes and a male companion putting on their warm coats this week and travelling into Broadway together. It's been a pretty rough year for the 33-year-old, though she smiled for photographers and went about her business as she made her way to prepare for a performance of her new play Dead Accounts.
In the black comedy, Katie portrays a Catholic woman named Lorna who takes care of her ailing parents. It's currently in previews and has an opening date on November 28, 2012. Wearing an oversized knitted sweater and skinny jeans, Holmes eschewed a private car, or even a cab, and chose to brave the chilly New York weather. She's already received a standing ovation for her role in the new play though still worries about the job at hand, "I have a hard time sleeping because I think about how serious this all is,' Katie told the New York Times of her role.I think about the cost of tickets. I think to myself: You better do a good job. People are paying a lot of money. You want to know your stuff," she recently told the New York Times. Dead Accounts marks the first time Holmes has appeared on Broadway since 2008, when she made her debut in a revival of Arthur Miller's All My Sons.
Over in Hollywood, she'll next appear alongside Jean Reno and William Hurt in a modern retelling of Anton Chekhov's The Seagull.
Continue reading: Katie Holmes And Pal Commute To Work On The Subway
The iconic dress worn by Judy Garland in The Wizard of Oz has been sold at auction for $480,000. The auction house Julien’s Auctions have revealed that the blue and white gingham pinafore fetched the staggering sum during a two-day auction of Hollywood memorabilia. It was the highest priced item in the auction, which attracted bids from across the globe. The auction ended on Saturday (November 10, 2012).
Other memorable items to have sold included Steve McQueen’s racing jacket, which went for $50,000. The purple skirt worn by Marilyn Monroe in River of No Return sold for a similar amount and the dress worn by Julie Andrews in The Sound of Music brought in $38,400. All unarguably impressive figures, but not a patch on Judy Garland’s ‘Dorothy’ dress. Sunglasses were another popular item, fetching relatively high sums The shades worn by Jean Reno in Leon sold $8,320, whilst Johnny Depp’s glasses went for $3,250.
There’s no news on who’s purchased the items or what use they’re intended for. We think anyone walking down the street wearing Dorothy’s dress would look a little incongruous in this day and age. Though, if you had the sparkly red shoes to match and a tin man, a lion and scarecrow in your entourage, you could at least convince people that you were off to a fancy dress party. Steve McQueen’s biker jacket though? Well, on the right person, there will most likely never be a time when that just doesn’t look insanely cool.
After living a life of crime, Charly Mattei decides to leave his past behind him and devote his family. It's been over three years since his last offence and as far as Charly is concerned his previous bad ways are far behind him. All is set to change when a previous friend leave Charly for dead with 22 bullets in his body.
Continue: 22 Bullets Trailer
It's eight years later, and Poiré has directed another small comedy about two 12th century Frenchmen (hmm, played by Jean Reno and that same popular French guy) who are mistakenly transported to Chicago 2000. Hey, wait a minute!
Continue reading: Just Visiting Review
There's an idea behind remaking old movies that weren't that great in the first place: Instead of screwing up a classic, make a better version of a failed film. Witness, for example, Steven Soderbergh's smarter, snappier Rat Pack-less retread of "Ocean's Eleven," which got several times the cinematic mileage of its predecessor.
But this concept seems to be lost on flash-bang action director John McTiernan, whose vacuous, pure-noise-and-atmosphere update of 1975's "Rollerball" -- a cautionary, futuristic parable of extreme sports bloodlust -- is so devoid of substance it almost defies description.
Rollerball is a ferocious team sport -- part roller derby, part motocross, part World Wrestling Federation -- played in fictionalized and extremely corrupt Central Asian nations. The sport's biggest star is virtuous pall-American import Jonathan Cross (Chris Klein), who has just discovered the league owners are rigging the games for more violence because spilt blood spells ratings for their TV networks.
Continue reading: Rollerball Review
A giant metaphor for freedom and self-discovery, directed by a young Luc Besson who had yet to discover his self-indulgent streak, "The Big Blue" is a visceral and turbulent, yet strangely tranquil and beautiful cinematic experience that plumbs the souls of a pair of competitive deep-sea divers who are at once best friends and bitter rivals.
Made in 1988 and reissued this summer in a 40-minutes-longer director's cut, it's one of those rare films you can't help but be affected by on some level. Its vivid photography and even more vivid performances strike a nerve as the film follows the warm but antagonistic friendship between bombastic Enzo (a pre-"Professional" Jean Reno) and quiet, private and deeply reflective Jacques (a pre-"Zentropa" Jean-Marc Barr) beginning with their shared childhood in a craggy, cliff-side, coastal Greek hamlet.
Years later they meet again and form a powerful bond and a dangerous rivalry after discovering they're both record-setting divers who can hold their breaths for super-human lengths of time and plunge to unimaginable depths in professional diving competitions around the Mediterranean.
Continue reading: The Big Blue Review
Imagine "Crocodile Dundee" with a 12th Century knight in Chicago instead of a leathery lifelong Outbacker in New York, and you've pretty much got the crux of "Just Visiting," a slapsticky, Hollywood remake of 1993's slapsticky French mega-hit "Les Visiteurs."
Jean Reno and Christian Clavier reprise their roles from the original as Count Thibault of Malfete and his groveling servant-sidekick André, who are transported to modern times by a wizard's miscalculated spell.
How they have the dumb luck to materialize in a Chicago history museum where a Malfete descendent (Christina Applegate) is in charge of the 12th Century France exhibit isn't explained. In fact, the vast majority of the movie is dependent on the audience blindly accepting supremely stupid plot holes. But somehow director Jean-Marie Gaubert (also returning from the '93 version) manages to keep this fish-out-of-water stuff amusing, even though the film seems a little too pleased with its own self-aware cartoony-ness.
Continue reading: Just Visiting Review
Date of birth
30th July, 1948
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