Operatic, furious, and unrelenting, The Road Warrior is nearly devoid of humanity. It is a vision of a world where the only escape from maddening chaos is blinding speed - moving as fast as possible along a road with no ending, no future. And The Road Warrior captures that nihilistic bent wholly. Le Dernier Combat approaches the same chaos - civilization reduced to rubble, humanity profaned - and suggests that the only way out is order, not escape. Besson sees the same world but with a fanciful eye. (While Le Dernier Combat was begun in color, it is Besson's stunning use of B&W Cinemascope that lends the film its polished, big-budget look. The style is "cinema du look," vogue in the '80s relying heavily on aesthetics over depth, consumer fetishism and "window shopping.")
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A giant metaphor for freedom and self-discovery, directed by a young Luc Besson who had yet to discover his self-indulgent streak, "The Big Blue" is a visceral and turbulent, yet strangely tranquil and beautiful cinematic experience that plumbs the souls of a pair of competitive deep-sea divers who are at once best friends and bitter rivals.
Made in 1988 and reissued this summer in a 40-minutes-longer director's cut, it's one of those rare films you can't help but be affected by on some level. Its vivid photography and even more vivid performances strike a nerve as the film follows the warm but antagonistic friendship between bombastic Enzo (a pre-"Professional" Jean Reno) and quiet, private and deeply reflective Jacques (a pre-"Zentropa" Jean-Marc Barr) beginning with their shared childhood in a craggy, cliff-side, coastal Greek hamlet.
Years later they meet again and form a powerful bond and a dangerous rivalry after discovering they're both record-setting divers who can hold their breaths for super-human lengths of time and plunge to unimaginable depths in professional diving competitions around the Mediterranean.
Continue reading: The Big Blue Review
Olly Alexander shows off his journey of self-love in the video for Years & Years' newest single 'Starstruck'; the lead track from his forthcoming...
Shirley Manson is well known for her vocal political views, and she takes no prisoners with Garbage's latest single 'The Men Who Rule The World'.
The biggest names in music royalty.
One of the most diverse line-ups we've seen for a major awards show in a while.