The Scorpion King ably rehashes the plots of the variety of other, better films including Gladiator, the Indiana Jones series, Flash Gordon, Beastmaster, and even The Goonies. Set 5,000 years ago, a warlord named Memnon (Steven Brand), acting on crazed Napoleonic urges, ravages the land and bends its people into totalitarian rule. With the aid of a seer who foretells the future, Memnon stands invincible against all aggressors.
Continue reading: The Scorpion King Review
Unfortunately for Perry, it's April 1992, and not a very good time to be an arrogant, white LAPD officer. The Rodney King trial has set L.A. on the precipice of Armageddon, and the verdict - to be announced imminently - has become the focal point for a metropolis simmering with class and racial tension. Perry, however, has more pressing matters to worry about. His partner, a wet-behind-the-ears rookie named Bobby Keough (played with baby-faced blankness by ex-Felicity hunk Scott Speedman), has screwed up an arrest, and Perry - always looking to back up a fellow brother in blue - has killed the defenseless perp (with Keough's gun) rather than letting him escape. The film begins with both officers knee-deep into lying their way through an eight-hour inquiry, since Perry has decided that his incompetent protégé should take the heat for the killing anyway. As far as Perry is concerned, one's first shooting inquiry is a right of passage - a baptism into an immoral system that's primarily sworn to protect and serve its own members.
Continue reading: Dark Blue Review
The latest from Sam Raimi (For Love of the Game) is a muddled thriller, filled with tired clichés and some of the worst casting in years. Raimi, along with screenwriters Billy Bob Thornton and Tom Epperson, try so hard to create a "serious" psychic chiller that the film is practically drained of any excitement.
Continue reading: The Gift (2000) Review
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