Jacqueline Obradors

Continuing on its recent arc of solid storylines in its animation and quality visuals, Atlantis is successful in both being a wide-eyed roller-coaster ride for kids and is interesting enough to keep adults from passing out from boredom. The film follows the adventures of Milo Thatch (Michael J. Fox), a bookworm/boiler room attendant/linguistics expert who probably hasn't had a date in years. Milo's grandfather was an explorer looking for Atlantis who knew where to discover the location of the lost city -- in a hidden journal. With the help of eccentric billionaire Preston Whitmore (John Mahoney), the lost journal is recovered, providing new clues to Atlantis's whereabouts. Milo then joins a group of rag-tag explorers -- including a 200-person Navy, enough surplus to take over a small county, and no cute sidekicks -- in the search for the city of Atlantis.

Continue reading: Atlantis: The Lost Empire Review

Disney animated features have never been known for their originality, but their creators almost always craft delightful entertoonment from threadbare grab bags of clichés and contrived plot devices.

This year's regularly scheduled summer cartoon release is a perfect example of this principle. "Atlantis: The Lost Empire" is a grand-scale archeological adventure that, if it were live-action, would be the kind of campy, glossy, bottom-rung syndicated stuff you find padding the prime-time schedules of the UPN and WB networks.

It's populated with an unlikely racial balance of stock characters -- a muscle-man African-American doctor (voice of Phil Morris), a sassy teenage Latina tomboy mechanic (Jacqueline Obradors) -- most of whom are mercenaries ("adventure capitalists," one proffers) on a quest for the legendary ancient city in the title. The catalyst for the endeavor is, of course, an eccentric millionaire (voiced by John Mahoney) who funds the expedition.

Continue reading: Atlantis: The Lost Empire Review