Po and The Furious Five return in Kung Fu Panda 3! Po might now be the undisputed Dragon Warrior but his mission of self-growth and protection for the citizens of the Valley of Peace. Taking advice from the person he trusts most, Master Shifu Po discovers that his real journey is just beginning as he must transition from warrior to teacher.
After finding his birth father, Li, Po finally feels he belongs to someone. Po's stepdad, Mr Ping on the other hand isn't so convinced that this new panda is a relative at all! The Panda's travel to a secret panda village where Po, for the first time, is surrounded by Bears - most clumsy - just like him.
When a supernatural beast named Kai comes to their region, he threatens to put the lives a of some of the animals Po loves most in danger. To survive the attack by Kai, Po must train his new family and teach them how to fight for themselves - after all, surely they all have some of the Dragon Warrior in them?
Continue: Kung Fu Panda 3 Trailer
Jimmy Price knows his days as a doubles tennis player are nearly over, and since he's made a few enemies on the pro circuit, things start to look bleak when his latest partner drops him. With no other option, Jimmy tries to revive his career by convincing his estranged brother (and former tennis partner) Darren to give their partnership another shot. With the help of an 11-year-old named Barry, the duo enter a grand slam tournament, but are they out of their depth?
Continue: Break Point Trailer
This declining franchise really needed a jolt to the head, but the producers disappointingly opt to play it safe with an unambitious script and child-friendly action. After the OK part 3 (2003's Rise of the Machines) and a weak part 4 (2009's Salvation), this film is unlikely to win new fans or keep the old ones hoping for more. Even though it's made to a high technical standard, the movie feels derivative and safe, avoiding any properly dangerous tension for a series of badly contrived action set-pieces.
It opens in 2029, as plucky rebel John Connor (Jason Clarke) is fighting the world-dominating Skynet machines with the help of his right-hand man Kyle Reese (Jai Courtney). When Skynet sends a Terminator (the young Arnold Schwarzenegger) back to 1984 Los Angeles to kill John's mother Sarah (Emilia Clarke), Kyle follows to rescue her. But he arrives to find the timeline already altered. Sarah had been attacked years earlier, rescued at age 9 and raised by an ageing Terminator she calls Pop (the present-day Arnie). Since everything has changed, Sarah and Kyle decide to jump forward to 2017 San Francisco so they can stop Skynet from taking over the planet with its Genisys operating system. But when they arrive, they realise that there's been even more jiggery-pokery in the timeline.
The way the film wraps in and around the 1984 original is clever, with added intrigue in the fact that Kyle and Sarah haven't yet fallen for each other and conceived John. So when he turns up in San Francisco, there are all sorts of mind-bending possibilities. Alas, the screenwriters can't be bothered to play with them. Instead they structure the film as a series of rambling expository conversations leading to yet another pointless flurry of explosive carnage. Honestly, if Terminators are literally indestructible, why bother trying to defeat them with guns? And yet everyone keeps shooting at them, just making them mad.
Continue reading: Terminator Genisys Review
With the war between mankind and Skynet drawing to a close, resistance leader John Connor (Jason Clarke) discovers a terrible invention - a time machine. Knowing that the almost defeated Skynet have sent a terminator back in time to kill his own mother and stop the human resistance from forming, Connor has to send his best friend and most trusted lieutenant, Kyle Reese (Jai Courtney) back in time to protect her. When Reese arrives, Sarah Connor (Emilia Clarke) is already prepared for the coming storm, as she has been raised since childhood by the machines themselves. A reprogramed Terminator (Arnold Schwarzenegger) has protected her for years, and is not preparing for the ultimate fight against the greatest enemy.
Continue: Terminator Genisys Trailer
J.K Simmons could be heading back to the Spider-Man universe.
J.K Simmons, the man who will win the Oscar for Best Supporting Actor at the Academy Awards for Whiplash later this month, says he could reprise his role as Daily Bugle editor J. Jonah Jameson in future Spider-Man movies. The actor's performances in three Spider-Man movies were among the memorable moments of the Raimi era.
J.K Simmons will win the Oscar for best supporting actor for Whiplash
Simmons didn't go into any detail though when asked by Howard Stern on his Sirius XM show whether he would consider reprising the character, the actor said, "I just heard that we.that's a possibility."
Continue reading: J.K Simmons Could Play J. Johan Jameson In Future 'Spider-Man' Films
It's hard to think of another film that leaves us quite so out of breath. Adapting his short film, first-time feature filmmaker Damien Chazelle grabs hold of the audience and never lets up, pounding us into submission with an exhilarating pace, blistering performances and never-flagging energy levels. It's an astonishing movie that reminds us of the visceral power of cinema in a story about the tenacity required to make it to the top.
At the centre of the storm is Andrew (Miles Teller), an aspiring drummer who is attending New York's most prestigious and cutthroat conservatory. His goal is to get into the elite jazz band led by Professor Fletcher (J.K. Simmons), whose brutal reputation is well-earned. A demanding, often cruel teacher, he belittles students with vein-popping diatribes. And he seems to have an extra well of bile just for Andrew, who is willing to put up with anything to be in his band. The question is whether Fletcher is trying to break him or push him to achieve even more. If Andrew hopes to survive, he might not be able to maintain a relationship with his new girlfriend Nicole (Melissa Benoist). But maybe it's worth the pain.
This is the blackest comedy imaginable, so harsh that our only response is to laugh bitterly at every hideous insult Fletcher heaps on his young musicians. Chazelle directs the film with such a brisk pace that it sometimes feels difficult to hang on for the ride, and even though some of the plot turns feel rather contrived, it's moving so quickly that we don't have time to worry about that. The entire film charges forward with the rhythms and energy of a powerful jazz riff, and even though it's often terrifying the ride is so much fun that we don't want it to end.
Continue reading: Whiplash Review
'Whiplash' is one of the best movies of 2014 - no question.
It is difficult to figure out which is the most accomplished achievement within Whiplash - the tense new drama that deserves to be nominated for Best Picture at the Oscars. Is it the fact that this is director Damien Chazelle's debut feature? Is it J.K Williams tour-de-force turn as the terrifying instructor Terence Fletcher, or Miles Teller's stunning lead performance as aspiring jazz drummer Andrew Neyman? Or maybe it's the cinematography talents of Sharone Meir who arguably created one of the most gripping final scenes in movie history.
Miles Teller [L] and JK Simmons [R] deliver sensational performances in Whiplash
Whiplash tells the story of a young musician who begins a single-minded pursuit to rise to the top of the world's greatest music conservatory, before taking on the role. He is accepted into the school's top band by Fletcher - an instructor whose reputation precedes him. However, Andrew's passion to achieve perfection spirals into disaster as his ruthless teacher attempts to push him beyond his means.
Continue reading: Sensationally Tense 'Whiplash' Deserves Oscars Success
'The Imitation Game' and 'The Theory Of Everything' stars among the 26th annual festival's honourees.
The 2015 Palm Springs International Film Festival Awards saw accolades going to some very well-deserved movies from the last year - with some even more well-deserved individuals picking them up.
Unsurprisingly, the Ensemble Cast Award went to the actors from 'The Imitation Game'; a movie depicting the era-defining career of codebreaker Alan Turing during World War II and his subsequent arrest for being homosexual. It stars Benedict Cumberbatch in the lead role, with the likes of Allen Leech, Matthew Beard and Alex Lawther - the latter of whom plays Turing's younger self. Directed by the BAFTA nominated Morten Tyldum, the movie has already been nominated for five Golden Globes, and it definitely looks to be in line for an Academy Award.
Continue reading: Biopics Win Big At 2015 Palm Springs Film Festival Awards [Photos]
There's a fundamental flaw to this multi-strand social media-themed drama: it's told completely from the perspective of older people who are fearful about the possibilities, rather than the generation for whom electronic communication is the norm. It's well-made by director Jason Reitman (age 36) and his cowriter Erin Cressida Wilson (50) from the novel by Chad Kultgen (38), but it kind of misses the point that this is the future of human interaction. So younger (or more switched-on) viewers won't buy the cautionary message.
IR's set in Austin, Texas, where Rachel and Don (Rosemarie DeWitt and Adam Sandler) are each so focussed on finding space outside their marriage that they don't notice that their teen son Chris (Travis Tope) is hanging out with self-proclaimed slutty cheerleader Hannah (Olivia Crocicchia). Her best friend Allison (Elena Kamporis) is starving herself to be like her, spurred on by her mother (Judy Greer), who is doing everything she can to make Allison a star. Meanwhile, Patricia (Jennifer Garner) is desperate to control how her daughter Brandy (Kaitkyn Dever) uses small-screens, especially worried about her growing friendship with Tim (Ansel Elgort), whose father (Dean Norris) is annoyed that he has quit the school football team.
Oddly, the film seems to adopt the adults' fears as its central tone: the internet and mobile phone communications are potentially dangerous, addictive and isolating. But this makes the film feel more like a sermon than a set of intertwined stories. A far more interesting approach would be to explore how communication and relationships are shifting due to the influence of online media. Indeed, the generational aspects to the films various plotlines are the most compelling elements, with clashing points of view between grown-ups and kids. But audience members who believe that mobile phones and social media sites are the future will struggle with the way Reitman presents them as inherently troublesome.
Continue reading: Men, Women & Children Review
From 'Whiplash' to 'The Fantastic Four', we're looking forward to seeing more of Miles Teller.
Miles Teller first gained our attention as hedonistic ladies man Sutter in the 2013 rom-com 'The Spectacular Now', before going on to another comedy love story 'That Awkward Moment' earlier this year. Now, Miles Teller is exploring a range of projects over the coming months.
He was convincing as a rom-com fixture until he played the nasty piece of work Peter in 'Divergent', so now we're pretty sure his versatility renders him unpredictable. One look at his upcoming movie projects and you'd never think they were all starring the same guy.
Andrew Neyman is a jazz drummer whose massive ambition has landed him a place at a prestigious American music academy. It's there he is picked up by Terence Fletcher; a notorious jazz composer who may be renowned for his teaching abilities, but is also feared for his unconventionally cruel methods. He is invited into his band where he is eventually given the chance to substitute the usual drummer after memorising the entire music sheet and subsequently is made to perform in the next competition. Unfortunately for Andrew, it seems Terence's faith in him has made him eager to push Andrew to the brink of insanity as he slowly turns him into a volatile obsessive with the desire to become the greatest drummer of his time. Meanwhile his father is furious at the treatment of his son and Andrew forces himself to break up with his girlfriend in order to put more time into practice.
Continue: Whiplash Trailer
With one of Kate Winslet's most layered, resonant performances, this film is definitely worth a look, even though the indulgent filmmaking style pushes it perilously close to Nicholas Sparks-style sappiness. Clearly, writer-director Jason Reitman (Juno, Up in the Air) is shifting gears as a filmmaker, but the movie is in dire need of just a hint of his usual jagged wit.
It's set in 1980s New Hampshire, as the agoraphobic Adele (Kate Winslet) is struggling to raise her sensitive teen son Henry (Gattlin Griffith) on her own after her husband (Clark Gregg) left. Then one night escaped convict Frank (Josh Brolin) arrives at their house in need of a place to hide. The next day, Frank offers to help with some repairs on the house. He also notices that Henry needs to learn how to throw a baseball. And that Adele needs some affection. So over the long Labor Day Weekend, he becomes the badly needed man of the house. Then when a neighbour (J.K. Simmons) and a cop (James Van Der Beek) start snooping, they make a plan to run for the Canadian border.
Instead of a dark, menacing edge, Reitman washes the film in sun-dappled earnestness, ramping up the soapy emotions rather than the grittier issues these people so badly need to deal with. This reaches a low point when Frank teaches Adele how to bake a peach pie in a scene reminiscent of the lusty pot-spinning sequence in Ghost: laughably ridiculous. Fortunately, Winslet and Brolin generate some uneasy chemistry, and Griffith is a fine young actor in a very difficult role. Together, they pull the film back from the sudsy brink just in time for a genuinely tense final sequence.
Continue reading: Labor Day Review
New rom-com unites two unlikely lovers from different walks of life.
You'd think we'd be sick of sweet and smoochy rom-coms by now but it seems that our appetite for an original and entertaining love story hasn't completely been sated. Cue Barefoot, a brand new comedy starring Evan Rachel Wood, Scott Speedman and J.K. Simmons, that's sure to have you headed to the movies come the month of love: February.
Evan Rachel Wood & Scott Speedman Star In Exciting New Rom-Com, 'Barefoot.'
The sweet and poignant movie stars Speedman as Jay, the 'black sheep' of a very wealthy family who fritters away his money on the dogs, sleeps around, drinks away the nights in seedy bars, and often gets involved in fights. He meets Daisy (Wood), a mentally unstable but well-intentioned psychiatric patient who has lived a sheltered life without sampling any of the world's pleasures.
Jay's lived a less than honest life, sleeping around with women he could never care about, fritting away money he doesn't have in casinos and at races and drinking away his problems every night at seedy bars. However, when he meets Daisy, a mentally unstable but harmless young girl who has lived virtually her whole life indoors sheltered from the harms the real world can bring, his life begins to change and he endeavours to take her along to his wealthy parents' house on the weekend of his brother's wedding to prove to them that he can change his ways. Having never tasted a drop of alcohol in her life, kissed a boy, gone to school or owned a pair of shoes, Daisy also sees her life turn into an adventure as she seemingly becomes the only one who can change this man's stony heart and force him to love her.
Continue: Barefoot Trailer
Marvel heroes Iron Man, Hulk, Thor, Captain America, Hawkeye, Black Widow and Falcon - The Avengers' winged new member - are setting out on their latest missions to save the world for the universe's most formidable supervillains from Red Skull to M.O.D.O.K. However, evil becomes the least of their worries when they struggle to find common ground with each other and must first fight a bout of cabin fever if they want to have any hope in saving humanity. Can these heroes stand to live under one roof? Or will their own tensions and disagreements have catastrophic consequences?
Steve Jobs founded Apple Inc. with his techie pal Steve Wozniak after leaving Reed College in Portland, Oregon at which he managed only a 6 month stint. He became a technician for Wozniak and fell instantly in love with the world of computers and his own ideas in revolutionising computers for the public. However, he proved to be a difficult person to work for when Apple became a major business, leading to him leaving the company for some time while he started over on another project. But through all the hardship and controversial leadership skills, Jobs is remembered as a pioneer who built an empire with the brand that everybody loved before passing away from pancreatic cancer in 2011 after an eight year health struggle.
Continue: Jobs Trailer
Like a Russian nesting doll, this film tells a story within a story within another story, playing around with fact and fiction, as well as the nature of creative inspiration and integrity. These themes are thoroughly engaging, although the film has a nagging familiarity to it because of its cliched story elements. And the structure prevents us from getting properly involved in any of the three story strands.
The main narrator is Clay (Quaid), who is reading from his book The Words, which tells the story of writer Rory (Cooper) and his wife Dora (Saldana), who struggled for five years before his first novel was published to rapturous acclaim from both critics and the public. But out of the shadows emerges an old man (Irons) who knows Rory's secret: he found the manuscript for the novel in a briefcase he bought in a Paris junk shop, then passed it off as his own. So the old man in turn tells Rory his own story, about when he was a younger man (Barnes) in Paris married to a French waitress (Arnezeder).
The layered storytelling lets filmmakers explore quite a few big issues, from the way most novels are based on elements from the writers' lives to the ruthlessness of the publishing industry, in which even the most talented authors struggle to earn a living. But of course, most of the characters in the film are fictional, so we never become very invested in their situations. And the only "real" person is Quaid's cocky, leery Clay, who's engaged in squirm-inducing flirtation with a grad student (Wilde) who stalks him.
Continue reading: The Words Review
Daniel and Lacey Barret have always lived a happy and quiet life in their typical suburban American home with their two loving children Jesse and Sam. However, their tranquillity is tested when strange things start happening around the house. Objects are rearranged in their home, hundreds of migrating birds are killed after flying into their windows compelled by some unknown energy and the family start to develop strange illnesses and injuries on their bodies starting with Sam. It becomes obvious that they are dealing with a malevolent alien force intent on destroying the family, children first, and Daniel and Lacey must confront the force head on if they have any chance of survival. To help them, they enlist the help of an expert who claims to have knowledge on what has been happening, after discovering that similar things have happened elsewhere.
Continue: Dark Skies Trailer
Steve Jobs is the late founder of Apple Inc. and who was a technological pioneer in terms of computers and general electronics. 'jOBS' is the brand new biopic on this extraordinary and charismatic man who sadly passed away from pancreatic cancer on October 5th 2011 aged just 56. This movie chronicles his career from 1971 to 2011 beginning with his dropping out of the expensive Reed College in Portland, Oregon after only 6 months before going on to his first job as a technician which later saw him work with business partner Steve Wozniak for the first time; a partner who became a major player in the creation of Apple Computers.
This long awaited biopic is soon to be released following a lengthy wait since production began in June 2012; just eight months after Jobs' death. It has been directed by Joshua Michael Stern ('Swing Vote', 'Neverwas'), produced by Mark Hulme and written by Matt Whiteley in his screenwriting debut. Much of the filming even took place at Jobs' actual childhood home in Los Altos, California. The independent flick was chosen to close the 2013 Sundance Film Festival in January 2013 and is set for theatrical release in the US on April 19th 2013.
Director: Joshua Michael Stern
Continue: Jobs - Clip
Date of birth
9th January, 1955
With a cast and crew packed with A-list talent, this film seems like it should...
The planet is in turmoil. Superman is apparently dead and crime rates have surged around...
When Ginnie introduces her boyfriend Martin to her father Mr. Gallo, it's safe to say...
In the wake of his friend Clark Kent's monumental sacrifice, Bruce Wayne and Diana Prince...
The third time's a charm for Mark Wahlberg and director Peter Berg, who previously teamed...
After storming awards season with Whiplash two years ago, writer-director Damien Chazelle returns with something...