Jason Statham may be playing essentially the same character he always plays, but this noir-style thriller has a somewhat groovier tone thanks to the Las Vegas setting and a scruffy William Goldman script. It's also directed with wit and energy by Simon West, who keeps everything moving very briskly. Although not fast enough for us to miss the fact that it's all rather thin and pointless.
As always, Statham is a former black-ops agent whose jaded, frazzled exterior obscures his fighting-fit action moves. His name this time is Nick Wild, and he works as a bodyguard for wealthy clients like Cyrus (Michael Angarano), who needs protection as he visits Vegas casinos with vast sums of money. He also has a lot to learn from Nick about gambling and wants to learn some of those action moves too. Meanwhile, Nick's ex-girlfriend Holly (Dominik Garcia-Lorido) asks him to help her get revenge against the swaggering gangster Donny (Milo Vengimiglia), who kidnapped and viciously terrorised her. Nick knows that getting even with Donny will put him on a collision course with mob kingpin Baby (Stanley Tucci), but he can't resist a challenge.
Nick is one of those characters who can't resist much. He's addicted to high-stakes blackjack, life-threatening confrontations and his own seedy poverty. So clearly the goal of the screenplay is to find some sort of uneasy redemption. Statham has played this role before in his sleep, so he looks almost bored here, which makes him vaguely intriguing. His gimmick this time is an ability to turn everyday objects into lethal weapons, including a seriously nasty moment with a pair of hedge clippers. It also helps that the film is packed with colourful scene-stealers who add plenty of badly needed spark, including a ripped Ventimiglia and the reliably wonderful Tucci, plus lively cameos from the likes of Sofia Vergara and Anne Heche.
Continue reading: Wild Card Review
The freshman spy drama is gone after pulling terrible ratings.
NBC have announced they've pulled the plug on freshman series 'Allegiance' after airing just five episodes of the drama. While eight episodes of the series had already been filmed, the show's cancellation is effective immediately, so it looks like the remaining three episode wont be seeing the light of day.
Hope Davis starred in 'Allegiance'.
'Allegiance' starred newcomer Gavin Stenhouse as Alex O'Connor, a CIA analyst who is unknowingly investigating his own family. Alongside Stenhouse the series also starred Hope Davis and Scott Cohen as O'Connor's parents, as well as Margarita Levieva and Kenneth Choi. It had been based on Israeli television series 'The Gordin Cell'.
Continue reading: NBC Cancels 'Allegiance' After Just Five Episodes Thanks To Poor Ratings
Nick Wild (Jason Statham) is working as a Las Vegas bodyguard for hire, mainly due to his lethal professional skills, but also because of a slight gambling problem he has. Unfortunately for Wild, he allows business to get mixed up with his personal life, as he chooses to help a friend of his that gets savagely beaten by a Vegas thug. After extracting a bloody revenge on the thug, Wild finds his simple little existence challenged by an entire crime family that seem hell-bent on sending him to a shallow grave in the desert. Wild knows that one way or another, he's not gonna be in Vegas by the morning.
Continue: Wild Card Trailer
With the 21st century world revolving around the it, people are becoming gradually more and more dependent on the internet, and it isn't without consequences. Derek and Cindy's marriage is on the rocks as he struggles to curb his online gambling habits and she enters into an extramarital affair with a stranger on a social networking site. Unfortunately, their secrets are forcibly uncovered when they realise that money is going missing from their accounts, due to an alarming case of identity fraud. Elsewhere, a teenaged social outcast is delighted when a girl online becomes seemingly interested in him leading him to send her some intimate pictures on her request. However, when the pictures show up around school, he is devastated to learn that he has been the victim of a cruel joke at the hands of a cyber-bully who created a fake account. Meanwhile, an ambitious journalist is curious to learn about young teenagers being intimate via webcam with strangers and sets out to get the scoop on the shocking practise despite ruining lives on the way.
Continue: Disconnect Trailer
In the near future, Charlie (Jackman) is an ex-boxer who now controls massive robots that have taken over the sport. A stubborn failure buried in debt, he has no interest in his 11-year-old son Max (Goyo), whose mother has just died, but agrees to care for him until his rich aunt and uncle (Davis and Rebhorn) return from holiday. But Max is far more savvy with robots than his dad. And with the help of Dad's lovelorn pal Bailey (Lilly), Max defies Charlie's expectations with his scrapheap robot Atom.
Continue reading: Real Steel Review
Richard Gere, perfectly cast, plays Clifford Irving, a down-and-out writer who in 1971 wrote (and nearly got published) a fake biography of Howard Hughes. Desperate to jump-start his career, Irving duped his editor Andrea Tate (Hope Davis) and the top dogs at McGraw-Hill into believing he was not only a friend of Hughes, the notorious recluse, but that the billionaire had tapped Irving to write his life story. Smelling a publishing sensation, McGraw-Hill offered Irving a then-record publishing deal, and the writer suddenly found himself the crown prince of the publishing world.
Continue reading: The Hoax Review
Loren Dean (Enemy of the State, Apollo 13) does a decent job as Dr. Mumford, the most popular psychologist in the small town to which he just moved. Listening attentively to the tormented visitors of the treatment couch, his apparent peace of mind and even temper become infectious. Ubiquitously available and sounding less like a shrink than a wise uncle who gives just enough advice at just the right time, it's no wonder Dr. Mumford is everyone's favorite confidant. But will those he's helped to see through their own faults be just as understanding if they find out the truth of his past?
Continue reading: Mumford Review
Harvey Pekar is the ultimate little guy -- not just in the comics world, where his American Splendor has been an underground phenomenon for decades, but in real life, as he has held down a steady gig as a file clerk in a Cleveland VA hospital since the beginning of the known universe.
Continue reading: American Splendor Review
Familiarity with Auburn's stage presentation may breed contempt for this version, which feels distinctly off-kilter from its first frames. Mysteries that held water longer in the theater instead land like Doc Marten's on a flimsy piece of plywood here. Director John Madden samples a chatty, analytical approach to his literal translation but gets swept up in stagy, awkward, and all-too-deliberate line readings. Much like last year's ill-conceived Phantom of the Opera, this movie has few cinematic qualities that elevate it above a tedious and emotionless play rehearsal shot on location.
Continue reading: Proof (2005) Review
There's just one thing standing in the way of "ArlingtonRoad" taking a place among the best film noir politics-and-paranoiathrillers -- the script is so tight that the hero is forced to make a dumbmistake now and again to advance the plot.
That hero is Jeff Bridges, playing a West Virginia historyprofessor who obsesses over his class in domestic terrorism because itdoubles as a form of therapy while grieving for his dead wife -- an FBIagent killed in a botched, Ruby Ridge-like raid.
He's a guy doesn't trust the government one bit, and inhis class sermonizes that federal and extremist conspiracies abound andthat the lone psycho theory applied to most American terrorists is a ruseby the feds to lull the populace into feeling safe again in the wake oftranquillity-shattering attacks.
Continue reading: Arlington Road Review
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