Gene Lockhart

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The Devil And Daniel Webster Review


Extraordinary
It's the 1840s, and times are tough for New Hampshire farmer Jabez Stone, just as they are for other New Englanders. He's a hard-working, God-fearing man, but he's prone to cursing ("consarn it" is his favorite), and he doesn't always find time to attend church on Sundays. He has a good wife (named Mary, of course) and a Bible-reading Ma, but when he can't make his mortgage payments, that just doesn't seem like enough. In Washington, a heroic Massachusetts senator named Daniel Webster is introducing legislation that will ease his plight. But in the meantime, what's a working man to do?

In this folklore New England, the devil is a real thing, like a fox that steals hens or a dog that barks at nights, and if you want to make a deal with him, it's not too hard to do. One rainy day Jabez curses in the barn, and a little man named Scratch (Walter Huston) appears out of nowhere with a bargain to make: Jabez will have seven years' worth of prosperity and everything that goes with it, and at the end of the seven years, Scratch will get his soul. Jabez signs the contract, and Scratch kicks at the floor of the barn, where a pile of gold rises up from a loose plank. The devil is in the details though, and anyone who's ever seen a movie knows there's going to be Hell to pay.

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The Man In The Gray Flannel Suit Review


Very Good
You've heard of "the man in the gray flannel suit." He's the workaholic office drone who commutes into the city every day and struggles wearily to climb a daunting corporate ladder while dealing with petty office politics. In The Man in the Gray Flannel Suit, Gregory Peck plays Tom Rath, that quintessential '50s organization man, an archetypal tormented post-war striver and father of the baby boom who wonders if he's making the right choices... or if he has the freedom to make any choices at all in his conformist world.

A Madison Avenue advertising executive, Rath lives in a comfortable Connecticut bedroom community and commutes in and out of the city, leaving him little time for his wife Betsy (Jennifer Jones) and his funny, television-addicted kids. Betsy, who in typical '50s suburban style is deeply concerned about keeping up with the Joneses, pushes Rath to find a better job, and he agrees even as he realizes that more work and stress is not what he wants. In fact, he's heading toward what we now call a mid-life crisis, although they didn't have a word for it back then.

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