RT @allpointseastuk: Let's go!🤘Tickets are now on sale for @foals, @BombayBicycle, @caribouband and many more at All Points East! It’s go…
The acts that will be joining Adele, Coldplay and Muse this year have been revealed.
Glastonbury has unveiled its first line-up poster for the annual festival, which will take place this year from June 22nd to 26th at Worthy Farm. The newly confirmed acts will join already announced headliners Muse, Adele and Coldplay, with a further 800 acts to be announced on a second poster in the coming weeks.
Continue reading: Glastonbury Festival Reveals First Line-Up Poster
Andy Peterson's picks his top albums of 2015
10. King Midas Sound ft. Fennesz- Edition #1
Kevin Martin (AKA The Bug), poet Roger Robinson and singer Kiki Hitomi joined forces with Viennese avant garde composer Christian Fennesz to chart almost certainly the most enveloping travelogue of the year. The journey itself proved deep and magical.
9. Gengahr - A Dream Outside
One of the features on 21st century music is how 2nd and 3rd generation disciples of truly great bands - in this case golden oldies like the Beach Boys and Teenage Fanclub - are managing to make their inspirations sound so cool. London quartet Gehgahr replaced the now departed retro-future outfit Avi Buffalo in our hearts, to great effect.
Continue reading: Andy Peterson's Top 10 Albums Of 2015
The self described voice of "urgent" and "reflective" music in the UK and Ireland has once again picked a predictable shortlist of albums for the once prestigious award
The Barclaycard Mercury Music Prize this week announce the shortlist for it's 12 favourite albums of the last 12 months, albums that it claims are "urgent" and are "reflective" of the evolving sound of contemporary music. Once a haven for alternative acts like Portishead and Gomez, this years awards once again have gone for the most obvious choices and rather than celebrate any "urgent" talent, artists that routinely play on the radio or television have been picked ahead of the Hookworms and Darkstars of the British and Irish music scene.
The Arctic Monkeys are hardly an "urgent" band
The Arctic Monkeys are now a bonafied rock staple, whilst Foals and Laura Marling have each been nominated in the past and are regularly given air time on 6 Music or Jools Holland, etc., not to mention the fact that Marling has been handed a BRIT Award too. As for newcomers Disclosure, Rudimental and Jake Bugg, neither are exactly challenging their respective fields of house, drum and bass and rockabilly, but simply making it more radio-friendly and pop accessible. This isn't a dig either, this is something that all three artists should openly agree with. As for David Bowie; he's David Bowie. Need we say more?
Continue reading: Mercury Prize Shortlist Announced, But Does It Even Matter Anymore?
The returning Thin White Duke has emerged as the front-runner to take home this years Mercury Music Prize
David Bowie came back from his retirement/hiatus completely unannounced this January, when he released the video for the single 'Where Are We Now,' and managed to catch everyone off guard with his birthday announcement of a new release and the subsequent quality of his first album in a decade.
This is Bowie's first Mercury nomination
The Next Day made the critics swoon after Ziggy Stardust once again and now, five months after he released his twenty-fourth album, Bowie is still being fancied by critics as he emerges as the front-runner to win this years Barclaycard Mercury Prize.
Continue reading: David Bowie Leads The Pack In Mercury Prize Nominations
Who are the best new bands to see at Lollapalooza 2013?
You, being a seasoned festival-goer, will know that it’s Lollapalooza 2013 in Chicago’s Grant Park this weekend (August 2 – 4, 2013), which promises to play host to some of the biggest acts in the world as well as showcasing the most exciting and innovate new bands on the planet. And that’s what we’re here to concentrate on: the young, fresh and ready to impress.
It seems a long, long time since Disclosure’s first single Offline Dexterity, though the British electronic duo have gone from strength to strength in recent years and finally released their debut album, Settle, on PMR Records on June 2, 2013.It was met with both commercial and critical success, including a score of 9.1 from the notoriously picky musos at Pitchfork – no mean feat.
Sure, we’d rather see Disclosure in a club - perhaps in the early hours of the morning – though Lollapalooza-goers will have to settle for 6pm at The Grove, on Friday (August 2, 2013). Saying that, both Guy and Howard will be DJ’ing at The Mid club in Chicago’s West Town from 10pm on Friday.
Continue reading: Lollapalooza 2013: The Best New Bands Worth Checking Out
Chicago's biggest music festival Lollapalooza to feature stunning headline acts, great activities and shelters for all weathers.
Since it's revival in 2003, Lollapalooza has been bringing you the very best of rock, metal, punk, hip hop and dance from all the major music legends to the up-and-coming rookies of the business. Taking place at Chicago's Grant Park from August 2nd - 4th 2013, the festival this year features a bedazzling headline roster of Las Vegas indie rockers The Killers, West Sussex goths The Cure, Grammy winning folk four-piece Mumford & Sons and long-running industrial rock group Nine Inch Nails. There will also be a huge range of activities to occupy yourself with over the weekend from the Samsung Galaxy Experience where you can check out the latest gadgets, to art stations where you can become a comic strip or be transformed into a work of pop art.
Although technically a music festival the Henham Park, Southwold, gathering mixed arts, comedy and more for an experience like no other
Within it's scenic woodland surroundings, Henham Park in Southwold, Suffolk, was once again the place to be this past weekend (19 - 21 July) as the worlds of music, arts, comedy, cabaret and more all mixed seamlessly together for a weekend to remember.
Bloc Party rounded off the first day
Although it was Bloc Party who headlined the main-stage on the first night (Friday 19 July), revellers didn't have to wait around to get their first taste of the wonders of festival-life. With the Maccabees, Yo La Tengo and The Leisure Society coming before them, one of the most warmly received acts came from one of the smaller stages, the BBC Radio 6 stage. Texas were the headliners of the night and despite their more radio-friendly sound ging against the alternative grain most of the festival takes, their renditions of 'I Don’t Want a Lover,' 'Summer Son' and a host of new tracks had the audience eating out of singer Sharleen Spiteri's hands. Meanwhile Japandroids and DIIV were among the bigger names on the smaller stages, whilst Lee Nelson and Sean Lock were among those bringing the laughs to the Comedy Stage.
The three day spectacular mixed music, arts, comedy and more in what continues to be one of the UK's premiere festivals - and we've got plenty of pictures from all three days
Henham Park in Southwold, Suffolk once again held the coming together of music, comedy, arts and more in it's scenic woodland surroundings to a rapturous reception from the many revellers who travelled to see the likes of Foals, Kraftwerk, Texas and Bobby Womack rub shoulders with the likes of Eddie Izzard, Dylan Moran and Daniel Kitson. And that's just scratching the surface of what was on show.
Kraftwerk have been touring their 3-D show across the globe
On the first day (Friday 19 July) Bloc Party lit up the main-stage, having seen the likes of the Maccabees, Yo La Tengo and The Leisure Society come before them. Elsewhere, on the smaller BBC Radio 6 stage, Texas were the headliners of the night, with Willy Mason, Villagers, Beth Orton and more coming before them, whilst Japandroids and DIIV were among the bigger names on the smaller stages. Meanwhile, bringing the laughs to the comedy stage was Lee Nelson and Sean Lock, to name but two.
The preppy rockers gave a pretty hilarious take on the super-successful single from Thicke during a recent radio appearance
Just when we were all starting to get sick of 'Blurred Lines,' Robin Thicke's mega-hit featuring Pharrell Williams and T.I., New York rockers Vampire Weekend were on hand earlier this week to give us all another reason to care about the track once again as they gave their own take on the track. The performance was part of BBC Radio One's Live Lounge sessions and yes, it does feature an (attempted) rendition of T.I.'s rapped part as well.
The group made the track their own
The laughter-inducing version, that is filled with ad-libs and the occasional cry of "dat falsetto!" whenever someone forgets a line, was recorded with glee by the 'Diane Young' rockers at the London radio studio. Hearing Ezra sing “You the hottest bitch in this place!!!” and mumble “pimpin” and “shake your rump!” in his best T.I. impression is as funny as it founds too, as the white boy indie kids break down into hysterics by the end of the track.
DJing at the Bacardi Coachella after party at The Soho House are DJ Whitney Fierce, Foals, Alt-J and Twin Shadow who talk about the festival's atmosphere and what it means for musicians both new and well-established. We see the party's VIP guests arriving in 50s style convertibles in the background.
Albums of Note... Heaped with praise and riding high in the UK charts, Nick Cave and the Bad Seeds’ 15th studio album, Push the Sky Away is not only an artistic triumph but a commercial one, too. Cave’s songwriting style has mutated significantly since his early days as frontman and resident wildcard of The Birthday Party; he now resembles a particularly well-dressed bar fly and his songs are peppered with his quintessentially erudite turn of phrase.
For our reviewer, Push the Sky Away demonstrates Cave and his cohorts at their finest:“Knowing when to stop and what to leave out, when adding more will lessen the quality and having the strength of character to just cut away the surplus is most definitely driven by the ever uncompromising Cave and here it has clearly paid dividends… Push The Sky Away' has a delicacy and tenderness woven through it like a fine silken tapestry of beguiling beauty but it can still be unflinching and brutal.”
It's been nearly three years since Foals released their stunning second album Total Life Forever, and I wasn't really sure how and if they were going to top it upon their return. However, extensive touring and time back in the studio was clearly just the tonic, because their new release, Holy Fire is equally, if not even more, dazzling.
Total Life Forever demonstrated the band's ability to create a more mature and disciplined sound in comparison to their spritely debut, and this feel is continued in their new material. However, a more regulated style certainly doesn't equate to a lack of riffs or energy, and both are evident in abundance from the offset. Aptly named opening track 'Prelude' provides a distinct taste of what can be expected in the following ten tracks. Slowly building, electrifying chords and drum beats layer upon each other until fit to burst before tumbling with anticipation into lead single 'Inhaler'. Lead singer Yannis Philippakis is provided the opportunity to show off his vocal prowess here, flitting between high-pitched tones and impassioned shouting, driving the track forward with a sense of eager desperation. The chorus is a beautifully frenzied muddle of riffs and chords and will provide the perfect opportunity for Philippakis to lose all inhibitions and go crazy on stage; something he is somewhat known for during the band's live performances.
'My Number' is the most mainstream, pop-sounding track on the record but is also undeniably one of the standouts, both in terms of exceptionality and it's comparable nature, with its catchy lyrics and bopping underlying beat. However, those looking for more of this mainstream-esque regalia on the album will be sorely disappointed as the following tracks 'Bad Habit' and 'Everytime' resume proceedings in a controlled and intent manner. With additionally poignant lyrics such as 'Everytime I see you/I want to sail away' and ''Cause I'm a bad habit/One you cannot shake/And I hope that I change', you start to wonder if Foals are getting soppy in their old age. What happened to the light-hearted and nonsensical lyrics we heard in their debut? They are long gone, but arguably, all for the better. Seemingly meaningless and jovial lyrics are all very well if you're having a laugh but it's obvious that Foals are determined to be taken seriously as a band and not just another indie-rock fad. A change in lyrical tone paired with cultivated and immersive percussion-based instrumentals prove they have taken the perfect steps in sealing their fate for longevity. The only question now is how on earth can they make an even more impressive fourth album?
Continue reading: Foals - Holy Fire Album Review
Holy Fire is the third album from Foals and if the lead single ‘Inhaler’ is anything to go by, it will almost inevitably build the fanbase that they have cemented for themselves with their first two albums, Antidotes and Total Life Forever. The Oxford-born band have retained their experimental, post-rock tendencies, yet their songs now have a serious air of ambition about them.
Reviews thus far have been positive, with The Guardian’s Michael Hann describing it as “an album by a British guitar band who want to win a huge audience without writing chantalongs for the drinkers’ crowd, or lowest-emotional-common-denominator piano ballads.” High praise indeed and backed up by a solid 9/10 from NME’s reviewer, who gives Yannis’ new ‘feelings laid bare’ approach a thumbs up.
When Foals announced their return in October it was met with many a huge sigh of relief. Not least because of the current dearth of genuinely innovative guitar bands doing the rounds. While little was known about the new record other than its title ('Holy Fire') and that Alan Moulder and Flood would be sharing production and engineering duties, the fact they'd spent pretty much the whole of 2012 working on the album suggested the band were taking things lightly. Whereas debut long player 'Antidotes' exemplified a band rich in promise but just falling short as far as originality or song craft was concerned, its successor 'Total Life Forever' heralded their arrival as a force to be reckoned with in spectacular style. Mixing dreamy ambient overtures with a textured grace and beauty not witnessed from a home-grown outfit in years, its status as one of the 21st Century's classic records fully assured (and richly deserved), while also ensuring their music is destined to fill arena sized venues for the foreseeable future.
It's to their credit then that rather than simply head for the vacuous 02 caverns they could quite easily fill without having any new material to promote, Foals have taken the back-to-basics approach to launch 'Holy Fire'. Indeed, having started out as a band more akin to playing intimate club nights and house parties it's pretty apt they should mark their return by way of a tour in venues a band of their standing had far outgrown years ago.
Beforehand, Petite Noir led by Cape Town based frontman Yannick Ilunga play an energetic and well-received set eerily reminiscent of the embryonic Foals. Straddling the line between elegant dubstep and discordant electronica, 'Till We Ghosts' is the sound of TV On The Radio as reinvented by Kwes while Ilunga announces the as-yet untitled penultimate number as "a new one", which could be applied to the majority of the set bearing in mind this is Petite Noir's first full nationwide venture. However, as with fellow exponents in the art of cross-genre fusion such as the aforementioned TVOTR or Animal Collective, Petite Noir are a compelling anomaly whose progress looks imminent. File under "ones to watch".
Continue reading: Foals - The Venue, Derby Live Review 2012
RT @allpointseastuk: Let's go!🤘Tickets are now on sale for @foals, @BombayBicycle, @caribouband and many more at All Points East! It’s go…
Not wrong. @allpointseastuk 🎟 https://t.co/QNDA7J95lU https://t.co/9Pg7smkrR2
RT @TimSenna: HOLY CRAP I ACTUALLY DID IT I AM GOING TO SEE @FOALS & @BOMBAYBICYCLE AT @ALLPOINTSEASTUK 😭😭😭💥💥💥 https://t.co/a2WfAzjkVr
See you at APE in Vicky Park on 30 August @allpointseastuk 🌷 https://t.co/QNDA7J95lU https://t.co/ZcLPBjZD0M
RT @allpointseastuk: Our next lineup has landed! 🙌 Joining us in Victoria Park on Monday 30 August for the Bank Holiday Weekend will be Foa…
We're super happy to be playing at APE this summer. Victoria Park is one of our spiritual homes, so it's going to b… https://t.co/b27le1fKK3
check out our 2016 set from #6MusicFestival now 🏴☠️ @bbc6music 📺 https://t.co/JHJXV4i0UB 🔊… https://t.co/ep0aBpTXwZ
@celticbhoy64 Stay tuned for an update. Thanks for yr patience x
Tour update x https://t.co/z3AsYkcdDf https://t.co/VkkHWGAY1h
@inaseparatesky @wildairnyc @jackbevan Tomorrow only. Wildair opens at noon x
NYC! Head to @wildairnyc tomorrow to try @jackbevan’s speculoos glazed donut https://t.co/EruPa3h4DN https://t.co/zsZhDLNyYx
RT @YnnsPhilippakis: been a great few weeks for UK guitars. into it https://t.co/ZNzVq0YiqO
RT @transgressiveHQ: Some freshly uploaded beauties here... from Glaciers to Bluebird to wear&tear to Gold x 3 and Titan Arum there are som…
RT @LlSTENlNG_PARTY: 11 February 2013. Foals released Holy Fire. You can replay the @foals listening party here https://t.co/BoTPKIzD1U #Ti…
holy fire singles artwork by leif podhajsky https://t.co/YQtKwWvevM https://t.co/WPVF1O47qN
RT @FoalsWorldwide: Happy 8th birthday to this absolute beauty! 💛 ‘Holy Fire’ was released on February 11, 2013. 📸 Thomas Nebbia ✨ Album…
RT @FoalsGreece: I can't get enough space! Happy 8 Holy Fire 🔥 https://t.co/HLshl16S60 Inhaler video was released 5 November 2012. Di…
holy shit, holy fire is 8 today! throwing it back to our long lost friend Bluebird. she was recorded during the HF… https://t.co/7rSRZ0YgDd
RT @YnnsPhilippakis: All the old b-sides & new CCTV sessions are available online for feasting on now. Have a snack 🌷 https://t.co/8cev8tdE…
@gary_lee1990 @YnnsPhilippakis it's there x https://t.co/otjk8TMlwo