The Homesman Review
By Rich Cline
Strong characters and a vivid sense of life in frontier America give this film a kick of authentic energy that makes it a gripping journey. While it may be a little too serious for its own good, the movie is strikingly shot and played to bring out the gritty tenacity of people who dare to live in such a foreboding place. And a couple of shocking twists in the tale keep us on our toes.
In the Nebraska Territory in 1853, life was so difficult that three women (Grace Gummer, Miranda Otto and Sonja Richter) in a small community are driven mad by the isolation, desperation and harsh weather. Their husbands are too busy surviving to do anything about it, so the local pastor (John Lithgow) arranges for the strong-willed spinster farmer Mary Bee (Hilary Swank) to escort them back east to civilisation. She needs a "homesman" to help make the arduous five-week journey, so she drafts in drunken scoundrel George (Tommy Lee Jones). During their long trek across the plains, they have a series of potentially life-threatening encounters with the likes of well-armed Native Americans, an interfering opportunist (Tim Blake Nelson) and a cruelly dismissive hotel owner (James Spader).
The characters are strikingly feisty, starting with Swank's fiercely no-nonsense, self-sufficient Mary Bee, who one local observes is as good as any man around. She's also rather annoyingly holier-than-thou, which explains why she's has so much trouble finding a husband to help her. And these three women really push her to the breaking point: Gummer's Bella is consumed by grief, Otto's Theoline moans day and night, and Richter's Gro is a delusional menace. So it's a good thing that Jones provides some comic relief as the rapscallion George, a snarky realist who's the only likeable person on-screen.He also emerges along the way as the true protagonist of the tale.
Jones directs the film beautifully, capturing the bleak beauty of the settings with a clever spin on the usual sights and sounds of a Wild West adventure. So even though the film adopts Mary Bee's humourless attitude, it also injects some seriously freaky flashbacks as well as moments of dark humour and heart-stopping violence. By the time the little gang reaches the smiling face of Meryl Streep in Iowa, we're as worn out as they are. And it isn't until the very end that we realise the depths of the story. What has seemed like a rather pointless depiction of desperation and tenacity reveals itself to be a story about the cultivation of human decency. And just how much it takes to redeem someone who was lost.
Facts and Figures
Year: 2014
Genre: Dramas
Run time: 122 mins
In Theaters: Thursday 26th June 2014
Box Office USA: $45.4k
Budget: $16M
Distributed by: Roadside Attractions
Production compaines: The Javelina Film Company, EuropaCorp, Ithaca Pictures
Reviews
Contactmusic.com: 3.5 / 5
Rotten Tomatoes: 78%
Fresh: 72 Rotten: 20
IMDB: 6.6 / 10
Cast & Crew
Director: Tommy Lee Jones
Producer: Luc Besson, Peter Brant, Brian Kennedy
Screenwriter: Tommy Lee Jones, Kieran Fitzgerald, Wesley A. Oliver
Starring: Hilary Swank as Mary Bee Cuddy, Tommy Lee Jones as George Briggs, Grace Gummer as Arabella Sours, Meryl Streep as Altha Carter, Miranda Otto as Theoline Belknapp, Tim Blake Nelson as The Freighter, Hailee Steinfeld as Tabitha Hutchinson, Sonja Richter as Gro Svendsen, David Dencik as Thor Svendsen, John Lithgow as Reverend Dowd, James Spader as Aloysius Duffy, William Fichtner as Vester Belknap, Jesse Plemons as Garn Sours, Jo Harvey Allen as Mrs. Polhemus, Evan Jones as Bob Giffen
Also starring: Luc Besson, Brian Kennedy