Stories We Tell Review
By Rich Cline
With Away From Her and Take This Waltz, actress-turned-filmmaker Polley has proved herself as an unusually gifted director, but this inventive, moving documentary reveals even more artistic ambition. Not only is it a riveting exploration of her own family history, but it's also a pungent comment on the nature of storytelling itself. By the end, we wonder if it's ever possible to get to the truth of a past event. And we don't really mind that it probably isn't.
"When you are in the middle of a story it isn't a story at all." From this Margaret Atwood quote, Polley sets out to understand a key fact about her late actress mother Diane Polley. She encourages everyone to tell their side of the story: her father Michael (who also attempts to objectively narrate the film), brothers Mark and John, sisters Joanna and Suzy, and a variety of her mother's friends and colleagues. All of this centres on a major revelation that redefined the family. But of course everyone sees themselves as the protagonist, even though it's actually Diane's story. And while Sarah tries not to make it all about her, she can't really help it.
By taking such a playful approach, Polley packs the film with inventive layers, allowing us to peer around the corners of the documentary itself, breaking the fourth wall in the to-camera interviews and even in the re-created home movies. We're never quite sure if what we're seeing is truly archival material, or if it's all been re-made for this movie. And that's the whole point: if we can't find the real version of any event, is that truth only created within us as we understand its relevance in our own life?
These hugely personal ideas swirl around within a movie that's funny, sexy, intense and sometimes cathartic. By watching this situation through each person's eyes, we not only get a full picture, but we also begin to internalise it ourselves, seeing Diane's family story in our own memories and histories. In other words, we become so involved in the film that the moment it's over we want to share it with everyone in our family. Because now it's our story too. A truly extraordinary film.
Rich Cline
Facts and Figures
Year: 2013
Genre: Documentaries
Run time: 108 mins
In Theaters: Thursday 17th January 2013
Box Office USA: $1.6M
Distributed by: Roadside Attractions
Production compaines: National Film Board of Canada (NFB)
Reviews
Contactmusic.com: 4.5 / 5
Rotten Tomatoes: 95%
Fresh: 120 Rotten: 6
IMDB: 7.7 / 10
Cast & Crew
Director: Sarah Polley
Producer: Anita Lee
Screenwriter: Sarah Polley
Starring: Michael Polley as Himself - Storyteller, Harry Gulkin as Himself - Storyteller, Susy Buchan as Herself - Storyteller, John Buchan as Himself - Storyteller, Mark Polley as Himself - Storyteller, Joanna Polley as Herself - Storyteller, Cathy Gulkin as Herself - Storyteller, Marie Murphy as Herself - Storyteller, Robert MacMillan as Himself - Storyteller, Anne Tait as Herself - Storyteller, Deirdre Bowen as Herself - Storyteller, Victoria Mitchell as Herself - Storyteller, Mort Ransen as Himself - Storyteller, Geoffrey Bowes as Himself - Storyteller, Tom Butler as Himself - Storyteller, Pixie Bigelow as Herself - Storyteller, Claire Walker as Herself - Storyteller, Rebecca Jenkins as Diane Polley, Peter Evans as Michael Polley, Alex Hatz as Harry Gulkin, Justin Goodhand as John Buchan, Seamus Morrison as Mark Polley, Allie MacDonald as Joanna Polley, Lani Billard as Susy Buchan, Andrew Church as Geoff Bowes, Dave Kiner as Wayne Robson, Jeff Mallory as Tom Butler, Kristen Corvers as Deirdre Bowen, Christine Horne as Anne Tait, Jeanie Calleja as Victoria Mitchell, James Downing as Mort Ransen, Tracey Ferencz as Aunt Sheila, Eric Hanson as Mark Polley (age 11), Kaylin Griffin as Joanna Polley (age 8), Mairtin O'Carrigan as Director (1967), Thomas Hauff as Actor (The Caretaker), Sarah Polley as Herself (uncredited)
Also starring: Anita Lee