Hepburn plays the title character, a shy girl who's desperately in love with David Larrabee (William Holden), a rakish Long Island playboy whose too busy chasing skirts and getting married to notice the wispy chauffeur's daughter. Nearly suicidal over David's lack of attention, she reluctantly goes to cooking school in Paris for a couple of years. It's time well spent. She meets a wealthy baron, gets a great new wardrobe, and secures some self-confidence. "I've learned how to live of the world and in the world," she writes her father before leaving Paris.
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In addition to witty, rat-a-tat dialogue and a fun plot that also touches on social issues of the day, the film is a visual spectacle, too. The songs are of course classic, and the sequence wherein a Siamese version of Uncle Tom's Cabin is presented as a play is an amazing work of art. Though it runs well into two hours long, the film is never tiresome, even when Kerr threatens to leave Siam for the umpteenth time. It's funny and touching, an altogether classic movie of the first rank.
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I kid, of course. Among movie musicals, West Side Story ranks in the top five in greatness, and it's arguably the most popular musical ever released. It may be awfully frou-frou -- and let's face it, the dance numbers are awfully similar -- but West Side Story has a tale as timeless as its source material (Romeo and Juliet) and countless songs that have become musical classics. "Maria," "America," "I Feel Pretty," "Tonight" -- you can probably hum these without even thinking about it.
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Funny thing is: The Sound of Music doesn't need protection from critics. Yes, it's schmaltzy, but it's not nearly as schmaltzy as, say, Titanic. Yes it has all those adorable kids and all those adorable songs and even a cute puppet show stuck right in the middle of it, but it also has grit, drama, and some harrowing moments. Hell, it's got Nazis racing around in big black cars! It is a total cinematic experience, and one that benefits greatly from technological advances that let you enjoy its lavish sights and sounds on a big TV screen with big surround speakers that make it feel like Julie Andrews is embracing your or the Nazis are sneaking up on you from behind.
Continue reading: The Sound Of Music Review
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