It's the early 1940s and World War II is in full swing. Bombs are raining down on London in the Blitzkrieg threatening to tear the country in two, but the British are made of sturdier stuff. Catrin Cole is a writer who comes to realise that the absence of ambitious young men in the workplace due to recruitment into the army has opened a door for her. She is appointed by the film division of the Ministry of Information to write the supplementary women's dialogue of a new propaganda film about Dunkirk, however she is told that she'll get no screen credit and won't be paid as much as her male counterparts. She goes one step further and writes the whole script, impressing all involved if leaving them a little indignant. Plus, she finds an unlikely ally in an aging film star named Ambrose Hilliard, who longs for the days he had major roles.
Continue: Their Finest Trailer
Dr. Bennet Omalu is a pathologist who loves his job and, in many ways, the patients that he looks after. His methods are his own but they work for him and he's very successful at his job. When ex-American Football star Mike Webster turns up on his morticians table, Omalu treats his body just like he would any other. What isn't initially known to Omalu is that after years of playing professional football Webster had become something of a recluse whilst suffering with Dementia and depression.
Bennet's initial findings with the late Mr Webber is that he died of cardiac arrest, but unhappy with this conclusion, the pathologist begins to dig deeper. Looking at every possible outcome, Bennet beings to study the brain of the ex-footballer and what he discovers is a new disease that hasn't been seen before.
Before this point, people knew about a condition called Punch Drunk, a disorder often associated with contact sport such as boxing, but up until Dr. Bennet Omalu's discovery the disorder hadn't been seen as a physical effect.
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As another full-on Irvine Welsh adaptation Trainspotting did in 1996, this bracingly original movie puts a new filmmaker on the map. Not only is this a loud blast of both style and substance, but it refuses to water down its subject matter, taking us through a shockingly profane story in a way that's both visually inventive and emotionally resonant.
This is the story of Bruce (McAvoy), an Edinburgh detective who's determined to beat his colleagues to a promotion. He's also a relentless womaniser, sexist, racist and drug addict. And he'll do anything to get ahead, hiding the sordid details of his private life from his boss (Sessions) while undermining the other cops at any chance while pretending to be their friends. In quick succession, he gets young Ray (Bell) addicted to cocaine, flirts continually with Amanda (Poots), has a fling with the kinky wife (Dickie) of fellow officer Gus (Lewis), torments Peter (Elliott) about his sexuality, and takes Bladesey (Marsan) on a sex-tourism holiday while making obscene calls to his needy wife (Henderson). All of this happens while Bruce leads the investigation into a grisly murder.
McAvoy dives so far into this role that we barely recognise him in there. Bruce is so amoral that we are taken aback by each degrading moment. And yet McAvoy somehow manages to hold our sympathy due to the film's blackly hilarious tone and a startling undercurrent of real emotion. Even though he's a monster, we see his boyish fragility, especially in surreal sequences involving his therapist (Broadbent), which merge with his fantasies, hallucinations and nightmares.
Continue reading: Filth Review
After Shaun of the Dead and Hot Fuzz, Pegg and Wright conclude their so-called Cornetto Trilogy with yet another riotously inspired exploration of British culture: the pub crawl. And this time it's apocalyptic! But what makes the film thoroughly endearing is its focus on old friendships that are so well-played that we can't help but find ourselves on-screen even when things get very, very silly.
Pegg plays Gary, the ringleader of his band of school pals. It's been more than 20 years since their failed attempt to visit all 12 pubs in their hometown of Newton Haven. Now approaching 40, Gary hasn't grown up nearly as much as his friends, so it takes a bit of convincing to get the now-settled Andy, Ollie, Pete and Steve (Frost, Freeman, Marsan and Considine) to reunite for a renewed attempt to drink their way through town. Then after the first couple of pints, they start to suspect that something isn't quite right. People are behaving strangely, as if there are alien body snatchers taking over the town. So to avoid attracting attention, the boys just carry on getting blind drunk on their way to the 12th pub, The World's End.
As in the previous films, Pegg and Wright continue developing the characters and their inter-relationships even as everything falls apart around them. Sure, the end of the humanity seems to be upon them, but there's unfinished business between them that needs sorting out, and besides there are more pints to drink. Along the way, things are spiced up as they meet Ollie's sister Sam (Pike), who shocks Gary by refusing to pick up where they left off. They also encounter a former teacher (Brosnan), the town's crazy old man (Bradley) and a shady guy known as The Reverend (Smiley).
Continue reading: The World's End Review
The World's End was based on a real life pub-crawl in the 1990s, though Edgar Wright only managed six of the pubs.
Edgar Wright's hugely anticipated sci-fi comedy The World's End premieres in London on Wednesday (July 10, 2013) bringing together the British director, Simon Pegg and Nick Frost for the final time (for the Cornetto trilogy, at least). The movie stars Pegg as an immature 40-something who persuades four friends to undertake a marathon drinking session in a small English town. 12 pubs. 12 pints.
The gang's likely unreachable goal is to make it to the final pub - The World's End - though events taken an unpredictable turn.
What audiences may not be aware of is that Wright's comedy is based on a true life pub crawl he and friends undertook in the 1990s. The filmmaker enlisted some of the finest British actors around - Frost, Martin Freeman, Paddy Considine and Eddie Marsan - to play his buddies, though made sure to invite the original pub-crawl line-up to the premiere.
Continue reading: The Real Pub Crawl That Inspired Edgar Wright's 'The World's End'
Critics' reviews of Showtime's latest drama series 'Ray Donovan' suggest, if it continues in the same vein as its first four episodes, it will prove popular and highly successful.
Early reviews for Showtime's latest series Ray Donovan have been extremely favourable. Critics have said this latest offering is 'testosterone' filled, 'muscular' and with great performances by Liev Schreiber and Jon Voight.
Liev Schreiber plays Ray Donavan, a man who does the dirty work of the rich and famous. The first series centres around his antics with the L.A. elite and his relationship with his wayward father Mickey Donovan. Mickey has an equally shady past as he has recently been released from prison. Jon Voight plays Mickey and his performance has been praised with Ed Bark saying it is Voight "who gives this drama its ferocious, dangerous and sometimes creepy edge" (Ed Bark of Uncle Barky).
Liev Shreiber at the Ray Donavon premiere.
The World's End sees Simon Pegg and pals return to their hometown for one epic pun crawl.
12 Pubs 12 Pints...
The first trailer for Edgar Wright's new movie The World's End has rolled out online - and it looks a riot. The final instalment in the Blood and Ice Cream Trilogy (Shaun of the Dead, Hot Fuzz) follows Gary King, a 40-year-old looking to reclaim the glory of his teenage years by vowing to complete the infamous Newton Haven pub crawl that he and his pals failed to finish 20 years ago. The problem lies in the fact that his friends are now middle class, comfortably living blue collar workers: why would they possibly agree?
Gary King is a 40-year-old still living in his teens and who can't wait to gather up his four friends from his teenage years to complete a pub crawl that they failed 20 years ago as kids in their hometown of Newton Haven. Unfortunately for him, his now corporate, higher-living friends are reluctant to agree though with much pressure from Gary, they eventually relent. However, things aren't exactly as they remember; the townsfolk are acting oddly and they are about to embark on a mission to rescue their childhood home from a threat of galactic proportions. But will they manage to complete their drinking quest and reach 'The World's End' pub as well as save the world from certain destruction?
Continue: The World's End Trailer
This trailer is only suitable for persons aged 18 or over.
Bruce Robertson is a vile, devious and emotionally disturbed individual who also happens to be a Detective Sergeant. Off duty, he lives a life of debauchery; snorting line after line of cocaine and indulging in sordid sexual encounters with numerous women while trying to control his unpredictable bipolar personality. On duty, he does everything within his power to trick, deceive and ruin the lives of his colleagues with whom he competes to achieve a promotion to detective inspector. He does nothing to hide his radical views on race and women as he attempts to solve a grisly murder that seems to have more to it than he initially thought. With the web of lies he weaves throughout his life, will he be able to sort out truths from the untruths in order to maintain his sanity as his deteriorating mental health threatens to cripple him? And will he ever be reunited with the wife he is so desperate to resolve things with?
Adapted from the novel by Irvine Welsh, 'Filth' has been directed and written by Jon S. Baird ('Cass') and sees an intense star-studded cast convert to screen an compelling story of insanity, romance and deceit. This shocking 18-rated crime drama is set to hit UK cinemas in September 2013.
We may sigh heavily at the thought of yet another fairy tale blockbuster, but the filmmakers and cast here demand a bit more attention. And sure enough, it's refreshingly smarter and funnier than we expect. There are still the problems of unnecessary 3D and far too many digital characters, but the restless pace and the witty performances make it a lot of fun to watch.
It's Jack and the Beanstalk with added action mayhem, as orphaned farmboy Jack (Hoult) sells his horse for a bag of supposedly magic beans. When one inadvertently gets wet, a massive beanstalk manages to propel Princess Isabelle (Tomlinson) into the realm of the giants, reawakening a legend that had died off centuries ago. So the King (McShane) enlists Jack to join a rescue team of guards (including McGregor, Marsan and Bremner) and Isabelle's intended, the shifty Roderick (Tucci). Up above the clouds, they encounter two-headed giant Fallon (Nighy) and his nasty horde. But rescuing Isabelle is only the first problem they face.
The freewheeling plot zips along without pausing for breath, encompassing massive set pieces and more gritty battles as well as small moments of drama and romance. Meanwhile, Jack and Isabelle cast lusty glances at each other, even when they're in physical peril. Director Singer brings out the energy of the characters to keep us involved, playing on the vertiginous angles of the settings while playfully deploying fairy tale imagery in the sets, costumes and landscapes. it's understandably why he decided to digitally create the giants rather than have actors play them, but this leaves a hole where the monsters should be. Aside from Nighy's more obviously performance-captured face, all of them look like dead-eyed cartoons, which essentially turns the film into a medieval Transformers movie.
Continue reading: Jack The Giant Slayer Review
Even though this British mystery-drama is rather too creepy for its own good, it gives Rampling yet another superb character to sink her teeth into. She's working with her son, writer-director Southcombe, who reveals the plots secrets very slowly, manipulating the audience by withholding key details and misleading us with red herrings. But Rampling makes it gripping.
She plays the eponymous Anna, who is trying to get her life back on track after the end of her marriage. Living with her single-mum daughter (Atwell), Anna attends speed-dating events to meet men, and one night goes home with George (Brown), who turns up dead in the morning. Police detective Bernie (Byrne) connects Anna to the death and secretly gets to know her without telling her that she's a suspect. Meanwhile, Bernie's colleague Kevin (Marsan) follows the trail to a mother and son (May and Deacon). And as clues begin to emerge, Anna starts to remember what happened that fateful night.
Southcombe cleverly creates an eerie tone that often makes this feel like a horror movie. So before he gives us any real details about what's going on here, we already know that something very nasty is involved. The problem is that he dribbles the truth to us so slowly that we lose interest in the plot long before the actual revelations. Which makes it all feel like a cheat when he pulls the rug out, since the filmmaker has been lying to us all along.
Continue reading: I, Anna Review
After the gorgeous Ravenna (Theron) marries and then murders a benevolent widower king, she locks his beautiful daughter Snow White (Stewart) in a tower.
All the better to continue draining the youth from the entire kingdom. But just as she prepares to take the now of-age Snow's heart, Snow escapes into the woods, and Ravenna hires huntsman Eric (Hemsworth) to find her. Of course, Eric switches sides when he finds her, joining with Snow's childhood sweetheart William (Claflin) and a gang of dwarves to end the evil queen's reign.
Continue reading: Snow White And The Huntsman Review
The Evil Queen, Ravenna, is very beautiful but very deadly. Early in her reign, she despaired over 'battles fought and lives lost' but now, she draws strength from the cries of war. Each day, she looks in her magic mirror and asks 'who is the fairest of them all?' The answer is always her.
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In early 1900s Devon, teenager Albert (Irvine) lives on a farm with his impulsive-drunk father Ted (Mullan) and his tough-minded mum Rose (Watson).
When Ted overpays for the wrong horse to work the fields, Albert adopts the horse, names him Joey and teaches him the ropes. But when war breaks out in Europe, Ted sells Joey to a cavalry captain (Hiddleston). At war, Joey changes hands between British and German officers, a young soldier (Kross) and a French farmer (Arestrup). Meanwhile, Albert joins the army, heading into the trenches to search for Joey.
Continue reading: War Horse Review
Joseph (Mullan) is an angry man whose inner rage is like a habit he can't shake. When it costs the life of his beloved dog and threatens the safety of a young neighbour (Bottomley), he seeks solace in a charity shop run by the compassionate Hannah (Colman). And her life is just as conflicted, as she is struggling with a husband (Marsan) whose loving religiosity sits at odds with his brutal jealousy. And Joseph and Hannah's tentative, supportive friendship is also rather precarious due to Joseph's fiery temper and Hannah's inner turmoil.
Continue reading: Tyrannosaur Review
Jamie (Sturgess) is a shy photographer who avoids contact with people because of the large birthmark on his face. Working with his brother (Salinger) and nephew (Treadaway), he longs for a normal life. Then a series of events propels him into a nightmarish new reality in which a demon-like man (Mawle), his young assistant (Mistry) and their intense weapons expert (Marsan) offer him freedom from his scars in exchange for an act of chaos. He also falls in love with a girl (Poesy) who seems too good to be true.
Continue reading: Heartless Review
Richard (Efron) is a 17-year-old wannabe in 1937 New York, determined to get into the groundbreaking Mercury Theatre company run by 22-year-old genius Orson Welles (McKay). When he stumbles into a role in their landmark production of Julius Caesar, Richard can't believe his luck. He's working alongside such ascending stars as George Coulouris (Chaplin), John Houseman (Marsan), Muriel Brassler (Reilly), Jopseph Cotton (Tupper) and Norman Lloyd (Bill). And he feels even more fortunate when Orson's hard-to-get assistant Sonja (Danes) agrees to go out with him.
Continue reading: Me And Orson Welles Review
Arthur Conan Doyle's tales of Sherlock Holmes are known all over the world, both him and his partner Dr. Watson are his most famous characters. In this new film from director Guy Ritchie, a new side to Sherlock Holmes is revealed, one where his fighting skills are just as strong as his celebrated intellect.
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Eddie Marsan Wednesday 18th June 2008 London premiere of 'Hancock' at Vue West End - Arrivals London, England
Gangster No. 1 feels like pieces a bunch of other, better movies slapped together -- GoodFellas' musical selections, the violence from American Psycho and Henry: Portrait of a Serial Killer, a dash of any Quentin Tarantino or Guy Ritchie style of editing, Malcolm McDowell in a performance recalling A Clockwork Orange. Some of it's fun, but it just isn't original or creative.
Continue reading: Gangster No. 1 Review
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