After the 2011 black comedy The Guard, Brendan Gleeson reteams with writer-director John Michael McDonagh for a darker comical drama grappling with issues of faith and forgiveness. McDonagh's usual jagged dialogue and snappy characters are on-hand in abundance while the film digs deep through a rather meandering, episodic plot.
In rural Ireland, Father James (Brendan Gleeson) is quietly enduring confessionals when one of his parishioners says he's going to kill him next Sunday. Shaken, James begins to explore his faith and mortality over the coming week. His daughter Fiona (Kelly Reilly) arrives following another suicide attempt, and he consoles a grieving French visitor (Marie-Josee Croze) and visits an imprisoned killer (Domhnall Gleeson). But almost anyone in the village could be the aspiring murderer: the over-emotional butcher (Chris O'Dowd), drug-addict doctor (Aidan Gillen), ladies-man African (Isaach De Bankole), shifty millionaire (Dylan Moran), eccentric fisherman (M. Emmet Walsh).
Intriguingly, it never really matters who issued the threat (James has a pretty good idea), because that's not the point of the film. McDonagh is exploring bigger ideas here, adeptly mixing riotously funny dialogue with startlingly bleak emotions. The film's languid pace nearly lulls us to sleep, then wakes us up with another sparky scene-stealing performance from the gifted cast. Gleeson is wonderfully muted, expressing more with an exhausted sigh than most actors can manage with a Shakespearean monologue. His moments with Reilly crackle with honest emotion, and the deceptively simple scene between father and son actors Brendan and Domhnall is a heart-stopper.
Continue reading: Calvary Review
It's dark, it's funny, it's Irish - it's John Michael McDonagh's new film.
The trailer for dark Irish drama Calvary (with black comedy twists) has hit the net, giving us a better look at John Michael McDonagh’s follow up to The Guard. Featuring an immensely talented cast, weaved into a compelling, dangerous plot, it’s got us excited for sure.
The story follows good natured and widely-liked priest James Lavelle (Brendan Gleeson) who receives an odd confession, in which a man says he will kill him, a week on Sunday, once he has his house in order. The rules of the 'Seal of the Confessional' mean he can’t go to the police with his newfound information, and must embark on a quest to discover who has murderous intentions for him – if anyone at all.
Father James Lavelle is a good-natured priest whose life is thrown into confusion and disarray when an anonymous man tells him in confession that he will kill him in a week's time - the only reason being because Lavelle is an innocent man. Of all the shocking things he's ever heard in confession, none have thrown him quite as much as this. Unable to go to the police under the rules of the 'Seal of the Confessional', Lavelle consults his church peers pondering whether it was merely an idle threat, or whether his life really is in danger. In his apparent last week in existence, he scrutinises the corrupt individuals of his sin-filled parish, wondering along the way why people seem to focus more on their vices than their virtues, but when his beloved church is burnt to the ground, his views on good and evil become distorted.
'Calvary' is the darkly comic drama about the timeless story of good and evil, and guilt and innocence. It has been directed and written by BAFTA nominated John Michael McDonagh ('The Guard', 'Ned Kelly') and is set in Ireland's beautiful West Coast countryside. The film is set to be released on April 11th 2014.
The story of Belfast's "godfather of punk" is told with plenty of groovy style to match the 1970s setting, mixing the music with colourful locations and lively characters. But while the story is fascinating, the film itself is too cluttered and fragmented to resonate with anyone who isn't already familiar with the events.
As politics and religion rage against each other in late-1960s Northern Ireland, local DJ Terry Hooley (Dormer) rejects both sides to concentrate on the music he loves. His wife Ruth (Whittaker) loves it as well, but starts to worry when Terry catches the fire of the punk movement, which stands up boldly to society. Soon Terry is helping promote local bands through his Good Vibrations record shop, discovering the likes of Rudi, the Outcasts and, most notably, the Undertones and their mega-hit Teenage Kicks. Terry knows what he has with them, but is doing this out of passion for the music. Which means he never keeps enough cash for himself to pay his bills.
Filmmakers D'Sa and Leyburn follow Hooley closely through his rollercoaster life, from moments of high excess to more harrowing scenes as his business and marriage fall apart around him. The narrative bounces quickly through the decades, keeping the tone light while remembering the seriousness of the violent clashes in the streets and the darker emotional issues that keep coming to the surface. But Hooley is a happy-go-lucky guy, only barely aware that he is squandering his resources. And Dormer delivers a remarkably vivid performance as a funny and hugely likeable guy who prefers to help others instead of himself.
Continue reading: Good Vibrations Review
When Terri Hooley decided to open up the record shop Good Vibrations in Belfast in the 70s world of hippies and strong political messages, he had no idea that he would soon discover what would be some of the most prominent groups on the newly emerging punk scene. After managing to secure local band Rudi their first record, he was soon approached by another band: The Undertones. Although initially reluctant to sign them at first, after hearing them play he was astounded at what came through his headphones in the studio with their debut single 'Teenage Kicks'. Unfortunately, he struggled to get even a slight sign of interest from any record company in London in the beginning but the airplay soon picked up and it became one of the most recognisable punk songs in the UK. This is how Terri Hooley became one of these most significant figures in the late 70s punk progression.
Continue: Good Vibrations Trailer
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