The controversial couple married in 2011.
The 22-year-old confirmed the rumours on Wednesday, just one day before she was pictured getting close with another man while partying at the Blind Dragon karaoke lounge in Hollywood.
Courtney Stodden has split with husband Doug Hutchinson
Continue reading: Courtney Stodden And Doug Hutchison Split For The Second Time
Stodden tragically suffered a miscarriage in July while expecting her first child.
Courtney Stodden has opened up about her miscarriage in an emotional campaign for PETA.
In the video, filmed earlier this year, Stodden speaks about the tragic loss of her own child in July and how she can relate to an Orca named Corky who lost her seven babies in captivity at SeaWorld.
Continue reading: Courtney Stodden Opens Up About Miscarriage For PETA Campaign
Courtney Stodden and Doug Hutchinson have reportedly ended their three year 'controversial' marriage.
Stodden married Hutchinson when she was 16 and he was 51, on May 20th 2011.
RadarOnline reported that a source close to the 19 year-old told the website, "Courtney has called it quits on her marriage."
Continue reading: Courtney Stodden Ends 3 Year Marriage To Doug Hutchinson
Ostensibly a Lovecraftian creature flick set in 1870s Dakota Territories, the film's monster plot is housed in a gorgeous Malick-like picture of homesteaders and Indians lost and wandering in the vastness of the American plains. And while it might have been tempting to get all political, the film eschews rough ideology for sweeping vistas, rugged men, tribal mythologies, and downright creepy flesh-dissolving grasshopper men.
Continue reading: The Burrowers Review
In the film, Sam Dawson (Sean Penn) is a mentally challenged single father raising his daughter Lucy (Dakota Fanning). Sam is a sweet, good-natured man who earns a living by sweeping up at a local coffee store. His mental capacity is that of a seven-year-old, and as his daughter turns seven, she begins to intellectually outgrow her father. Soon, their lives come under the scrutiny of a social worker, who, "for the good of the child," wants Lucy placed into foster care.
Continue reading: I Am Sam Review
Director Anthony Fuqua doesn't seem terribly interested in the plot of "Bait," a impotent "Enemy of the State" knock-off that reeks of a sloppy re-write designed to accommodate the comedy stylings of Jamie Foxx in the Will Smith-type role.
Fuqua's main focus is turning the picture into a resume-builder and he spends the whole two hours showing off his technique. Dripping with visual flair overkill, the chase scenes, stunts and explosions get the deluxe treatment. A 30-second sex scene is shot from about 20 angles. Even a throwaway speech Foxx gives about missing his father (it's just a line to get his ex-girlfriend in the sack) is filmed with four or five cameras -- one of them restlessly circling him as he mock-emotes -- and edited with slow-motion effects and multiple fade-ins and fade-outs.
"Lookie what I can do!" Fuqua seems to be saying, much as he did in "The Replacement Killers," Chow Yun-Fat's Hong-Kong-style American debut. "Please don't send me back to making music videos!"
Continue reading: Bait Review
"The Green Mile" begins with a little deja vu. Like Tom Hanks' last mid-Century, Oscar-baiting drama, "Saving Private Ryan," it's bookended by a modern framework that finds an old man reluctantly reminiscing about a difficult year of his life, more than half a century ago.
Because of the familiar faces and the similar prestige posturing, this platitudinous structure invites a little eye-rolling as Dabbs Greer (Reverend Alden on "Little House On the Prairie"), playing the aged Hanks, begins to spin what becomes an engrossing three-hour yarn about a year of extraordinary horrors and miracles on death row in a Louisiana state penitentiary.
Hanks plays prison guard Paul Edgecomb, an unjaded joe in charge of death row who treats people on both sides of the bars with humanity and civility. Set in 1935, the central story opens with the arrival of a kindly colossus of a condemned killer named John Coffey (Michael Clarke Duncan).
Continue reading: The Green Mile Review
What defines a parent? Is it the amount of intellectual maturity displayed or the level...
Director Anthony Fuqua doesn't seem terribly interested in the plot of "Bait," a impotent "Enemy...