A mopey tone and hole-ridden plot make this romantic drama rather difficult to sit through. Even though the premise has hints of Charlie Kaufman cleverness, nothing is developed properly, and none of the characters ever come to life.
Mia (Whittaker) is jolted out of her quiet life by the suicide of an old woman in her building. After talking to maintenance man Max (Warner), she starts to suspect that the woman was her in the future. What follows is a trip into her past, as she visits herself 10, 20 and 30 years earlier, encountering the love of her life, Ludwig (Scott), a womanising, drug-addicted jazz musician. Can she convince her younger self (Whittaker again, and Barnes at age 10) to avoid him? And what's his connection with her parents (Fox and Slinger)?
The script throws us into time-travel from the start, before establishing characters or relationships, so we never engage with anything. Ludwig is a slimy loser in each period, so why Mia fell for him is a mystery; his charming-musician days were before she was born. And even though these people have been in each others' lives for decades, there's no sense of continuity. As we visit the time periods in reverse order, everyone's always meeting for the first time, which makes no sense.
Whittaker invests Mia with some emotional resonance, even if the screenwriters contrive for her her to miss painfully obvious clues about each coming twist.
Meanwhile, Scott is an ugly mess until we glimpse his swaggering younger self, at which point we finally see him sing (nicely) and play the trumpet (unconvincingly). Warner becomes a kind of mad-haired timekeeper with a magical lift that's perplexingly right where it always needs to be. The rest of the cast members are also only allowed to deploy one characteristic each.
This isn't much more than a soapy melodrama. As things get messier, and Mia must travel further into the past to fix it, there are some laughable anachronisms, head-shaking incongruities and silly plot points (look, a gun!).
And worst of all, it's completely po-faced, without a moment of real-life wit.
So it plays out like a lifeless, inept version of It's a Wonderful Life.
Mia is walking along the street one day, when she notices shredded photos fluttering to the ground. As she's examining one of them, she hears a loud thud behind her. Turning, she sees the body of an old woman, who has clearly thrown herself from the nearby building - the very building that Mia lives in.
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In 1348 the many people of England were struck down by the plague that swept the length and breadth of the island. Knight Ulrich was one of the greatest fighters of the time and when he learnt of a small village untouched by the deadly illness, he tasked himself, a band of soldiers and a young monk to discover their secret and hunt down a powerful sorcerer thought to be able to bring the dead back to life.
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Young Kevin (Craig Warnock) is a history buff trapped in the household of his shallow, materialistic parents. While they sit mindlessly in front of the television, absorbed in an insanely morbid game show, Kevin explores his history books enthusiastically, fantasizing about a more meaningful world than the one in which he lives. But when his parents finally send him to bed, his world gets a lot more interesting.
Continue reading: Time Bandits Review
Without the faintest hint of director Tim Burton's uniquely uncanny style, "Planet of the Apes" version 2.0 feels like nothing more than a generic (albeit overblown) sci-fi summer movie -- and a forgettably mediocre one at that.
A passionless, elementary endeavor of wow effects and a yawn plot (which has been reinvented from the 1968 original), the picture opens circa 2029 with astronaut Mark Wahlberg working on a space station, training chimps to pilot one-man pods into electrical storms encountered in deep space.
After losing contact with one chimp in a rather ominous anomaly, Wahlberg establishes his maverick personality (which soon fades into a vanilla version of your standard action hero) by swiping a pod against orders to go rescue him. Once inside the storm, our hero is sucked into a wormhole that turns his helm dead and spits him out to crash land on a faraway world in the distant future where -- as if you didn't know -- a brutal, medieval society of evolved simians enslaves primitive humans as labor and pets.
Continue reading: Planet Of The Apes Review
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