David Johansen with wife Mara Hennessey - Friars Club honors Martin Scorsese with Entertainment Icon Award at Cipriani Wall Street at Cipriani Wall Street - New York City, United States - Wednesday 21st September 2016
David Johansen Thursday 31st March 2011 New York Dolls perform live at The Old Vic Tunnel London, England
David Johansen Thursday 20th May 2010 The Jazz Foundation of America's 9th Annual A Great Night in Harlem Gala and Concert at The Apollo Theater New York City, USA
David Johansen Tuesday 20th April 2010 New York Dolls performing live in concert at The Academy Dublin, Ireland
Most of the literature and documentaries on punk tend to start out in the same place, talking about how in the mid-1970s music had become this bloated, big-business monster, with pretentious arena rock bands playing 20-minute solos and so on - and then came The Ramones to shatter all that. Letts - a former producer and icon in the scene, as well as director of the authoritative documentary on The Clash, Westway to the World - digs deeper than that, going back to the 1960s and early '70s, finding the root of the coming musical uprising not just in expected places like The Velvet Underground, MC5, and Iggy Pop, but also in the jaggedly poppy sounds of many now mostly forgotten garage bands (whose sound is still inspiring post-punkers like The Hives). In describing the ascent of punk later in the '70s, Dead Kennedys frontman Jello Biafra talks about how just about every smaller town and city had one guy who was into The Stooges and The Velvet Underground who then moved to the bigger cities, met up with all the other like-minded small-town new arrivals, and started bands.
Continue reading: Punk: Attitude Review