US actor Randy Quaid suffered a new set back in his quest to assume Canadian citizenship, some two years after the actor said he had won his legal fight to remain in Canada.
According to CBC News, the Federal Refugee Protection Division have denied Quaid and his wife from assuming Canadian citizenship after the two fled their native America after allegedly being targeted by so-called Hollywood "star-whackers." With their latest rebuttal, Quaid and his wife have now made an appeal to the Canadian Federal Court, claiming that their lives are still in danager.
In their application for judicial review, obtained by CBC, the Oscar-nominated actor and his wife plead that they are victims of an "organised crime" organisation and their attempts to claim refuge in Canada should not be taken lightly. The statement obtained by CBC, also says, "The refugee claims should remain intact as should Evi and Randy Quaid's heads remain attached to their necks and it is their firm belief that their lives are at stake and being racketeered on."
Continue reading: Randy Quaid Suffers New Setback In Quest For Canadian Citizenship
Corman's 400 films have tapped into youth culture in ways that studios never could. This documentary traces his career with interviews and clips, but also explores his impact on the industry at large. Clearly, he's not only an important filmmaker, but he's also a genuinely nice man (at one point, Nicholson breaks down and cries while talking about him). We also get glimpses behind-the-scenes on 2010's hilarious-looking Dinoshark, proving that his filmmaking methods haven't changed much in nearly 60 years. And we discover that his favourite filmmakers include Bergman, Fellini and Truffaut, whose films he distributed in America.
Continue reading: Corman's World: Exploits Of A Hollywood Rebel Review
American director Roger Corman is one of the film industry's most influential directors. Born in 1926, he is best known for the numerous low budget B movies which he has directed. Not only is he influential to many of Hollywood's great directors, Corman has also launched the careers of William Shatner; Jack Nicholson and Robert De Niro, to name but a few.
Continue: Corman's World Trailer
In the wake of "Reservoir Dogs," "Pulp Fiction" and "Jackie Brown," film buffs have come to expect intrepid sub-Hollywood scavenger Quentin Tarantino to bowl us over with ingenious, amped-up, style-blending B-movie off-shoots made with a quantum leap of depth and cinematic panache.
Influenced by cut-rate, under-the-counter samurai imports, spaghetti Westerns and popcorn-munching exploitation flicks of bygone eras, the writer-director's two-part revenge saga "Kill Bill" ("Volume 2" is due in February) has sexy, gritty, droll, deluxe Tarantino élan coming out its ears -- and absurdly grisly dam-bursts of stage blood spurting from other violently severed body parts in ambitious marathon swordfight scenes. But while the picture oozes style (and blood), it comes up short on substance -- which is what has always set Tarantino's grindhouse homages head and shoulders above the pulp pictures that inform them.
Choreographed by both kung-fu genius Yuen Wo-Ping ("The Matrix" movies, "Charlie's Angels," "Crouching Tiger, Hidden Dragon," etc.) and Japanese Kenjutsu legend Sonny Chiba (who plays an eccentric master sword-maker in the film), these focal-point fights are the culmination of a plot about a sultry, strong-willed former assassin (Uma Thurman) who was left for dead when her employer -- possibly peeved by her resignation, although "Volume 1" is vague on that point -- turned her wedding into a massacre.
Continue reading: Kill Bill: Volume 1 Review
Everything the kinetic, colorful, superficially violent "Kill Bill: Volume 1" lacked in depth and character is remedied tenfold in Quentin Tarantino's stunning, cunning conclusion to his epic revenge fantasy.
Gone are the absurdist bloodbaths and the superficial grindhouse storytelling, and in their stead the wily writer-director transitions (with masterfully effortless cinematic aplomb) into a character- and dialogue-driven feast of substance and surprises -- which is, nonetheless, still punctuated by spectacularly stylish swordplay.
After a winking mock-noir prologue of recap narration, Tarantino opens "Volume 2" with a parched black-and-white flashback to the wedding rehearsal (glimpsed throughout last year's installment) at which The Bride (Uma Thurman), an unnamed and incognito former assassin trying to go straight, was brutally gunned down (along with everyone in attendance) by her former compatriots.
Continue reading: Kill Bill: Volume 2 Review
Date of birth
8th December, 1936
An essential documentary for movie fans, this exploration of the work of iconic filmmaker Roger...
American director Roger Corman is one of the film industry's most influential directors. Born in...
In the wake of "Reservoir Dogs," "Pulp Fiction" and "Jackie Brown," film buffs have come...