Corey Stoll stars in the upcoming FX vampire-horror drama 'The Strain' and claims it's entirely different from anything we've seen before.
The Strain is based on Guillermo Del Toro and Chuck Hogan's novel trilogy of the same name. The series follows a group of humans as they attempt to contain an outbreak of vampires New York. Corey Stoll stars as one of the scientists sent to deal with the outbreak.
Corey Stoll stars in The Strain.
The World Premiere of Simon Pegg and Edgar Wright's 'The World's End' took place last night (9th July). The majority of the cast attended the event held in London and were supported by many well-known British comedians.
The World's End World Premiere took place in London last night (Wednesday 9th July). The stars of the upcoming comedy attended: Simon Pegg (Shaun of the Dead), Rosamund Pike (Pride and Prejudice), Nick Frost (Hot Fuss), Eddie Marsan (Sherlock Holmes) and Martin Freeman (The Hobbit). Joining them on the red carpet was a vast array of actors, musicians and other celebrities.
From L-R: Nick Frost, Rosamund Pike and Simon Pegg at the premiere.
The film centres on five friends, reunited after several years apart, who must prevent the end of the world. Following in the same fashion a Shaun of the Dead, a considerably amount of these unlikely heroes time is spend in the pub.
Jason Statham takes a darker role than usual in a gritty London drama that never quite seems sure of itself, as writer-turned-director Knight mashes several huge social issues with a hint of action and a rather awkward romance. It's always intriguing, and has several jaw-dropping moments along the way, but ultimately leaves us wondering why Knight made the film at all.
Statham plays Joey, an ex-soldier on the run from the military police. Living homeless in central London, he breaks into a sexy loft flat and discovers that the resident will be away for eight months. So he assumes his identity, borrows his bank account and starts his life over with a job in a Chinese restaurant. Then his bosses (Wong and Lee) notice how good he is in a fight, and give him a high-paying job as a mob goon. With his new wealth, he starts helping out Cristina (Buzek), the Polish-born nun who feeds the homeless in Covent Garden. As they begin a strange friendship, he also contacts his bitter ex-wife (McClure) and young daughter.
As he did in his scripts for Dirty Pretty Things and Eastern Promises, Knight reels off the social issues in London's underbelly: illegal immigrants, human trafficking, gang violence, desperate prostitution, post-traumatic stress. But the real story here is Joey's redemption, as pointedly symbolised by the hummingbirds that flit through his drug-detox dreams. As he tries to help Cristina in a variety of sometimes contrived ways, she responds by improbably falling for him. Meanwhile, he spends a lot of time searching for a missing friend (Bewick) while also trying to make things up to his ex.
Continue reading: Hummingbird [Redemption] Review
Joey Jones has been living on the streets for a while, but after receiving a particularly bad beating by some street thugs, he decides to re-build his life once and for all. Breaking into another person's home, he changes his identity and scrubs up (quite literally) in order to get a as a chef and security guard at a London restaurant. His help ridding the eatery of any problems they might have with his swift fighting skills motivates his boss to offer him a new job which leaves him more better off than he's ever been. He decides to set out on a mission to help the poverty stricken community in which he once lived, a decision that is dramatically increased by the murder of his best friend Isabel. However, as much as he wants to use his newfound money to help those in need, he wants more than anything to start a new life and finally get away from his past.
Continue: Redemption - Clip
Steve Rogers is a sickly young man who has always been bullied in the streets of 1940's Brooklyn because of his weight. He applies for World War II military duty in an attempt to toughen up but is rejected as 'unfit for duty' because of his frailness. Steve isn't put off, however and attempts to enlist again, despite dissuasion from his friend, 'Bucky' Barnes.
Meet Tom and Gerri, a happily married couple who're closer to the end of their life to the start. Another Year is a touching and true-to-life story that explores the meaning of friendships and relationships through all stages of life.
Another Year was written and directed by British film maker Mike Leigh and sees him collaborate with Lesley Manville for the eighth time, his seventh with Jim Broadbent and fifth with Ruth Sheen.
Another Year is released in the UK through Momentum Pictures on November 5th 2010
Directed by: Mike Leigh
Starring: Jim Broadbent, Lesley Manville, Ruth Sheen, Peter Wight, Oliver Maltman, David Bradley, Martin Savage, Michele Austin, Philip Davis, Imelda Staunton, Stuart McQuarrie, Eileen Davies, Mary Jo Randle and Ben Roberts
It's gotten to the point where the quality of the films don't really matter: Now I feel like I'm committed to the whole Harry Potter series. I've reviewed the first five now, so by golly, I'm going to stick it out and finish the lot... even though I still can't bring myself to read any of the books. As always, consider yourself warned that I don't know the intricate backstory developed over thousands of pages in J.K. Rowling's writing. And really, I'm happy to keep it that way.
Harry Potter and the Order of the Phoenix continues in the tradition of following another year at the Hogwarts School of Wizardry, where Harry Potter (Daniel Radcliffe) has faced nothing but grueling struggle after grueling struggle. His most recent year (Goblet of Fire) saw a friend get killed by his nemesis, the evil Lord Voldemort (Ralph Fiennes), who's gaining more power every day and giving Harry severe nightmares. With few exceptions, his friends have largely abandoned him, and the new term comes with even more headaches in the form of Dolores Umbridge (the perfect Imelda Staunton), sent from the Ministry of Magic to teach the defense from the dark arts class and eventually taking over the school as an iron-fisted, fun-crushing bureaucrat.
After much pottering about (ha ha!), the film finally finds its groove as Umbridge goes too far, refusing to teach magic in the classroom, instead preferring to rely on theoretical knowledge so the students can pass their year-end standardized tests. With Voldemort approaching (this guy is always just around the corner), Harry becomes more nervous that he will be unable to defend himself, finally recruiting a handful of students to his cause to teach them what he knows about magical combat. Together they prepare for the day when they know they'll have to use those skills. (In case you haven't seen any of the first four movies, rest assured it isn't far off: This end-of-movie showdown between Harry and the forces of evil has almost become a cliché that pans out every single time.)
Continue reading: Harry Potter And The Order Of The Phoenix Review
In his second big-screen outing, adolescent wizard Harry Potter is blessed with enough cinematic magic to overcome several of the very same problems that left last year's "Harry Potter and the Sorcerer's Stone" feeling a little protracted and rambling.
Sure "Harry Potter and the Chamber of Secrets" spends twice as much screen time on atmosphere and adventure scenes than on plot and character. But this time around every episode seems relevant, which is a vast improvement over last year's film, bloated as it was with Quidditch matches and monster moments that didn't advance the plot one iota.
Returning director Chris Columbus retains the enchanted ambiance as Harry heads to Hogwarts School of Witchcraft and Wizardry for his second year of instruction in the black arts. But nothing is ever easy for our young hero, as unseen forces seem to be conspiring against him -- not the least of which is some kind of elusive beast that's loose in Hogwarts' halls, turning students to stone.
Continue reading: Harry Potter & The Chamber Of Secrets Review
Harry Potter is growing up, and so is his movie franchise.Under the tutelage of a new director -- Alfonso Cuarón, known for both children's fare (the 1995 remake of "A Little Princess") and an edgy, insightfully soulful, sex-charged teen road-trip flick ("Y Tu Mama, Tambien") -- the boy wizard has graduated from the world of kiddie movie spectacles with tie-in toys.
"Harry Potter and the Prisoner of Azkaban" is a film in which depth of character, cunning humor and hair-raising chills come shining through the visual blitzkrieg of special effects -- which are also magnificently improved over the series first two installments. Case in point: a half-horse, half-eagle creature called a Hippogriff that gives "Lord of the Rings'" Gollum a run for his money as the most life-like CGI creation in cinema history.
Beyond just its detailed feathers (which fluff when it shakes) or its golden eyes (which bore holes in the screen with obstinate personality), this winged equine's every movement, from its canter to its peck, is a studied yet natural, amazingly fluid amalgam of the two beasts that were combined to create it.
Continue reading: Harry Potter And The Prisoner Of Azkaban Review
Overly self-indulgent director Chris Columbus could have cut out the entire middle hour of "Harry Potter and the Sorcerer's Stone" and if you hadn't read the popular children's book, you'd never know the difference.
A good 70 percent of the picture consists of showy set pieces that don't service the plot (which we'll get to in a minute) so much as obligingly recreate unrelated passages that would be missed by the boy wizard's enthusiastic and possessive fan base had they been omitted.
One 10-minute episode is spent watching a sport called Quidditch, sort of a flying-broom version of field hockey with more than one puck and incredibly intricate rules that go largely unexplained. It's a lot like the pod race scene in "The Phantom Menace" -- irrelevant but spirited -- although with 1/10th the special effects budget. (Oh, that blatant blue-screening!)
Continue reading: Harry Potter & The Sorcerer's Stone Review
Date of death
17th April, 1942
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